Posts tonen met het label talking animals. Alle posts tonen
Posts tonen met het label talking animals. Alle posts tonen

donderdag 19 maart 2015

Today's Review: Cinderella



Finally, another review up!

Cinderella review

Okay, so this movie serves us a most oldfashioned fairy tale imaginable and displays a shockingly conservative view on the role of women. Nobody will deny it. But if you can swallow that, it's indeed quite as magical a movie experience as it aims to be (and not even in obnoxious 3D, for a change!). I don't think the studio is excusing reverting to old social values, it just acknowledges a classic tale without feeling the need to utterly change it by updating it to appease a modern audience. And that's not necessarily a bad thing, as this movie proves much more enjoyable than similar recent rehashes of old glory like Maleficent and Alice in Wonderland, which were quite bland and forgetful despite making the female protagonists tough and independent. Both qualities are sorely lacking in the victimized Cinderella, I admit. But this movie seems to say 'Oh, the heck with it! Let's embrace such ridiculously backward gender patterns for a change and acknowledge our true classics as they used to be, not as they should be today!' If Disney meant to say explicitly that women are either weak willed victims or total bitches with this movie, you honestly think grand dames of cinema like Cate Blanchett and Helena Bonham Carter, let alone promising new faces like Lily James, Holliday Grainger or Sophie McShera, would voluntarily have signed up for this slap in the face of their sex? I think they just recognized the obviously outdated romantic plot for what it was and decided to run with it just to enjoy getting a chance to play such outrageous roles, so seldom seen today. And for the better, since if they occurred more often, that would indeed be suspicious and uncalled for. But it's not wrong to indulge in reactionary storytelling every once in a while, to appreciate just how much female roles have changed since the days these types of women were seen everywhere on the big screen.

Plus, the movie is at least a little modern in other regards. There's a black guy playing the captain of the royal guard in a court full of white folk. And him and the prince certainly seem like close chums. That wouldn't have happened in the original animated classic for sure. What a long way we've come!


woensdag 18 juni 2014

Today's News: scary posters and explosive trailers galore




Get ready for a nerdy newsflash:

http://www.moviescene.nl/p/156193/eerste_poster_dracula_untold

Looks atmospheric enough, particularly the international one (see above). That doesn't guarantee quality though, as plenty of B-movies know how to convey a Gothic mood without ensuring narrative fullfillment or an awarding viewing experience. Naturally this will never be even close to Universal's original horror classics of the Thirties and Fourties, but any movie at least paying hommage to those scores points with me. There's some good actors attached, while Luke 'Bard the Bowman' Evans surely isn't the worst choice for playing the notorious Vlad the Impaler. As for the 'Untold' aspect, it's basically an overt excuse to retell this tale that has been told countless times in countless shapes before. Doesn't matter really. There's certain ever fascinating fictional characters that are so firmly embedded in the human psyche they keep reappearing throughout time in hugely divergent guises to satiate the public's continuing love for them and spawn a meaningful reinterpretation that befits the current zeitgeist. Dracula is very much among those (while the likes of Tarzan, Sherlock Holmes and Godzilla are other noteworthy examples). I doubt there's very much truly novel material Dracula Untold will add to the overall history of the most beloved bloodsucker of them all. But that doesn't stop it from delivering a thrilling rollercoaster of a period horror film per se, if executed properly. And if it isn't, there's bound to be another incarnation that is in the long run, or we can revisit the classic takes on the character instead. No need to yell bloody murder if this one fails to serve us what its title implies.




http://www.moviescene.nl/p/156211/eerste_trailer_the_expendables_3

Now that's more like it. The teasers were positively teasing and hardly showed any of the signature action and witty oneliners we were hoping for. This trailer certainly remedies that previous omittance. This is one hardcore romperstomper of a preview that acknowledges the fact this will be the final Expendables flick (though when lots of cash is involved, you never know) and suggests we may at last be getting that 100 million dollar explosion or excessively epic gunfight-to-end-all-gunfights the previous two installments just didn't provide. A few more expert tough guy actors have been added to make sure stuff gets blown up even bigger and more grandiose than before. The more the merrier, but it's still the duo of Stallone & Statham we love the most, as they also insert something reminiscent of a plot line and emotional attachment into the film (honestly!). And even if that element proves forgetful, there's still plenty of action heroes, throwing knifes and blazing bullets to look forward to.




http://www.moviescene.nl/p/156212/eerste_trailer_penguins_of_madagascar

What is it with the tendency of sidekicks to be awarded their own features? Sure, they're cute and lovable, but they were always intended as characters to play off other, major characters. Plus, they tend to be overused for often cringeworthy purposes of comic relief. Occasionally they do work better by themselves - ultimate case in point: the Smurfs - but more often than not, their spin-offs prove bland fare that never stands up to the material they derived from. Who remembers the Ewoks features compared to Return of the Jedi? Nevertheless, now that most computer animation series have run their course and people start to get bored by them, studios hope to milk these properties by exploring glorified background characters. Puss in Boots is already moving on to his sequel, while next year will witness a Minions movie. And during the winter Holiday season, we'll have the Penguins of Madagascar to look forward too. I didn't think these paramilitary penguins particularly entertaining to begin with, but I was clearly in the minority there. I'm still not convinced after seeing this trailer, sorry. Maybe it also has to do with the fact I'm just fed up with animated talking animals entirely. And I've always found penguins to be overrated. They've been featured in films over the last decade so often now, they're becoming dull. Why not do a movie about Kiwis, or Cassuaries for a change? Now those are some weird birds deserving of animated acknowledgment!

donderdag 19 december 2013

Today's Review: Walking with Dinosaurs 3D



Oh my! Look what movie I rated 2 out of 5 (or 4 out of 10) stars on MovieScene:

http://www.moviescene.nl/p/152438/walking_with_dinosaurs_3d_-_recensie

I really wanted to like this movie more than I could (since it's a dinosaur movie!), but it made it impossible to do so because it was so hugely disappointing. However, I was emotionally prepared for the disappointment by increasingly disturbing trailers and related marketing material that indicated the renowned BBC dinosaur documentary suffered from severe dumbing down under the shameless supervision of  the conservative 20th Century-Fox studio (do execs there even believe dinosaurs once existed for real, instead of only in the easily exploitable minds of innocent children?). So I knew the end result would not be to my liking, and it sadly proved to be true. This movie was just nothing like the original WWD series and everything like Disney's Dinosaur (but worse). Interestingly enough, it's the second 3D movie I reviewed this week that consists of a poor mix of drama and documentary, both featuring animals and using spectactular nature photography (WWD at least has made good use of fabulous landscapes, I'll grant them that). At least Amazonia didn't overly anthropomorphize its non-human protagonists, though in that film's case the addition of a narrative was also used to attract a younger audience.

So that's one new dinosaur film down the drain. I have better hope for Pixar's The Good Dinosaur and Jurassic World, but this certainly does not bode well for a dinosaur popularity revival. Says the guy who bought most of the new WWD action figures regardless. Hey, at least those don't talk, they roar, as dinosaurs ought to.

donderdag 19 juli 2012

This Ice Age has lost its cool


Ice Age: Continental Drift: **/*****, or 4/10

Say what you will about the writers of the Ice Age films, in hindsight they're not afraid to admit the faults in their previous work. When Sid the sloth is visited by his family in the latest addition to the series, Ice Age: Continental Drift, he states 'we had an adventure with dinosaurs, it made no sense but it sure was exciting!' and he hits the nail on the head. That description fits the predecessor Ice Age: Dawn of the Dinosaurs perfectly, since it did feel rather nonsensical to have Ice Age mammals meet dinosaurs, but it did result in a decent amount of fun (though as a dinosaur fan, I could be biased in this opinion). Sadly, throwing yet another random element in the mix in the fourth entry into the franchise, pirates in this case, unfortunately backfires completely, leading to a rather dull series of events loaded with dirty jokes and preachy life lessons we would have preferred to do without.


Ice Age: Continental Drift picks up some time after the occurrences in Dawn of the Dinosaurs. Warning! Spoilers! Mammoth couple Manny (still voiced by Ray Romano) and Ellie (still voiced by Queen Latifah) are in the process of raising their daughter Peaches (Keke Palmer), who's hit puberty and proves to be quite feisty and headstrong. Like human teenage girls she's constantly irritated by her father's overprotection, and just wants to have fun with kids her own age, but needs to be accepted by them first. Her friendship with the cowardly but cute mole hog Louis (Josh Gad) makes that kinda hard, since everybody thinks little of him, but to nobody's surprise she'll eventually find he was always her best and most loyal friend to begin with, while the other teen mammoths are just a bunch of intolerant jerks. All very recognizable for teenagers, who undoubtedly will consider this film a Louis itself, since it's clearly aimed at a younger audience that still enjoys gags revolving around natural body wastes. Such an audience at least will not stop to think about the grotesquerie of a mole hog falling in love with a mammoth (interspecies romance? Eeewww!!).

Meanwhile, Sid (still voiced by John Leguizamo) gets a surprise visit from his family, a disgusting batch of smelly, unsympathetic characters that fortunately exit the film as suddenly as they entered it, but sadly leave Sid's grandmother (Wanda Sykes) behind, an extremely old and weathered sloth which soon becomes the target of every conceivable geriatric cliché, like Peaches provides the sterotypical teenager routine for this herd of prehistoric animals that have banded together over the last three movies to form an overly extended family, which in itself has become a narrative problem: there's now so many characters the movie can hardly accomodate them all into the plot (it's only running 94 minutes), which leads to many returning characters' involvement being reduced to bit parts, a few lines here and there. Fortunately the writers realized which characters remain the most important, namely the original trio of Manny, Sid and sabre tooth tiger Diego (still voiced by Denis Leary). And so the plot of the movie takes care of separating these three bosom friends from their family, tasking them with finding a way back to their loved ones to make sure the movie ends on a happy note. Unfortunately Granny tags along with them to make sure the writers' stream of lame smelly jokes flows uninterrupted.

The key to getting the story in motion is, as always, Scrat. Still the most beloved character of the franchise, his never ending quest for his nut and the usual catastrophes this leads to kickstart the continental drift of the title, splitting both the plot lines and the herd in two (our heroes and Granny on the one hand and the rest of the herd on the other) and once again keeping Scrat from attaining his seemingly simple goal, which continues the tradition of funny intermezzos this franchise has firmly established from day one, in which the squirrel continues his hunt for his nut, all the while enlarging everybody's problems because of his natural tendency towards causing major calamities in the process. His other talent, getting the best jokes, is also reaffirmed, as Scrat's appearances interrupting the main plot make for a sporadic hilarious moment in a movie otherwise filled with cringe worthy situations resembling attempts at humour, plus dreary moral lessons. The moment of calm the movie delivers when the protagonists are cut off from their family proves all too brief, as we witness one overload of characters being substituted by another in the shape of the pirate crew that forms the movie's main antagonist (not counting that darn nut). The notion of adding pirates to the franchise seems an attempt to capitalize on Disney's major successes with Pirates of the Caribbean, just a few years too late to successfully jump on that particular bandwagon.


The merry band of pirates are just as diverse a bunch of characters as the ones Manny, Sid and Diego just left behind, they're just a little less friendly. The ship shaped iceberg they set sail on the seven seas with is run by a giant gorilla named Captain Gutt (pleasantly voiced by Tyrion Lannister Peter Dinklage, who balances well between insincere politeness and ruthless villainy) running a tight ship over his scruffy looking band of buccaneers, which includes an obnoxious killer rabbit, a thick headed elephant seal (Nick Frost) and a sultry, seductive female saber called Shira (voiced by Jennifer Lopez), who is introduced to (romantically) spice up Diego's character a bit: not a bad idea considering the poor pussycat has had no interaction with his own kind since the first film of the series, and has since felt more and more like a redundancy character wise, with little development or purpose other than saving his friends from imminent danger every once in a while. Shira herself is a typical tough girl with a rough past, who would like a change in her life style but is afraid of being hurt again. Of course it will surprise nobody when she switches sides and turns against her captain, much to his chagrin. Captain Gutt is a fairly straightforward bad guy, uncompromisingly dominating his underlings, ruling by fear instead of respect: in this regard he's the polar opposite of Manny, the gentle giant running his herd with love and integrity instead. Of course both characters soon find themselves physically at odds, with Manny winning the first round, making Gutt swear vengeance against him and – oh woe! – his family. Unfortunately Gutt's reason for being a short tempered vicious villain remains unexplored, making him a largely one-dimensional character, except in his few interactions with Shira, sort of his surrogate daughter (more by abduction than adoption).

Escaping the clutches of Gutt the first time, our heroes (and Granny) continue their journey home, which leads to the occasional nod to Homer's Oddyssey, including a confrontation with Sirens, monstrous creatures with hypnotic powers out to lure animals to their death. Though adding references to classic literature (Coleridge's Rime of the Ancient Mariner is also hailed at least once) to the already chaotic mix at least results in a suspenseful scene like this, it's not enough to keep the movie from becoming tiresome and continuing to feel like a string of random events, except for the scenes centering on Scrat. Unfortunately some of his scenes have already been used in the movie's trailer campaigns, so these will feel overly familiar. In fact, it might be a better idea altogether from here on out to ditch the rest of the Ice Age gang entirely and keep producing theatrical shorts of Scrat chasing his nutty dream attached to other family movies, as used to be the tradition with the classic Looney Tunes sketches this squirrel's shenanigans were obviously inspired by. Scrat's adventures as a castaway on a tiny island, his own Siren encounter and him causing the downfall of Scratlantis (featuring a delightful little voice role for Patrick Stewart as 'Ariscratle') prove insufficient to carry the whole film, but could easily carry themselves on separate occasions. No doubt, this would clash with the studio's financial interests, even though it would waste much less of everybody's time.


Though the quality of both the story and the gags has deteriorated progressively since the first Ice Age film, the same cannot be said for the animation. Whereas it could be called more than primitive in 2002, in this day and age it looks absolutely marvelous, courtesy of a vast army of nameless pixel pushing desk slaves no doubt. It almost feels cruel to realize such an amount of work amounted to such a disappointing final product, as if the animation talents had better put their efforts to use elsewhere. However, Continental Drift does not beat Dawn of the Dinosaurs on the visual front, since it's largely a return to the well known territory of the first two films as far as character and landscape style is concerned. While Dawn of the Dinosaurs opened up a whole new array of possibilities provided by the lush underground jungle realm populated by reptilian/avian creatures, Continental Drift returns to the icy vistas inhabited by furry mammals, its only addition numerous wide seascapes of water, water everywhere. Though adding dinosaurs to the franchise seemed silly from a narrative perspective (it was, really), it succeeded wonderfully in adding grandiose new environments and creatures to the whole, making it the most original movie of the bunch from a visual point of view. In every regard, be it in terms of story, humour or characters, the top of the franchise has clearly been reached before, and Continental Drift as such only goes over it, speeding downhill, snowballing its plot and gags to lower depths as it nears the end of 94 minutes of excrement jokes, pirate lunacy and worn out, tiresome family values involving sticking by your faithful friends and trusting in fatherly love.

Even though it's clear by now the writers are out of original ideas, the current box office results for Ice Age: Continental Drift will undoubtedly pave the way for a fifth addition to the franchise. This time, with aliens. Why? No reason. It makes no sense, but it might sure prove to be exciting! Or maybe the writers will admit to themselves there's little more to add to this Ice Age and finally melt it down for good. Ice Age: Extinction... sounds good, after this letdown of mammoth proportions!

And watch the trailer here:

maandag 30 april 2012

Chronicles of Narnia: Prince Caspian, The



Rating: ***/*****, or 6/10


Second entry into the Narnia franchise thankfully tones down its religious overtones (the role of the Jesus lion Aslan is shortened quite a bit) and trades it for a grittier and darker overall feeling. The four Pevensie kids return to Narnia and find a great deal of time has passed since they left their own magic kingdom. The Telmarines, descendants of a band of pirate invaders, hold dominion over the realm and have greatly reduced the number of its original inhabitants (good thing too!), the various mythical creatures and annoying talking animals. Their rightful heir, prince Caspian (pretty boy Ben Barnes), finds himself victim of a foul plot by his uncle Miraz (renowned Italian actor Sergio Castellitto) who claims the throne for himself, leaving Caspian to run for his life, which brings him into contact with the Pevensies and their native Narnian allies who plan to bring down the genocidal Telmarine reign. Better acting (even the kids have picked up a few tricks it seems), less Christianity, more action and a more carefully crafted story make for a better Narnia film, which still isn't saying that much. In fact, I may be biased because I witnessed some of the filming while vacationing in beautiful Slovenia at the time. It must be said, Slovenia's natural beauty is used to great effect. Andrew Adamson redeems himself for his first Narnia flick somewhat, but the film still leaves a few things to be desired, including its obviously digital talking animals and an overall lack of humor to tell us not to take things to seriously here. The movie didn't do as well as hoped at the box office, making Disney sell the franchise rights to Fox. Good riddance!


Starring: Ben Barnes, Sergio Castellitto, Liam Neeson


Directed by Andrew Adamson


USA: Walt Disney Pictures, 2008

Chronicles of Narnia: The Lion, The Witch and the Wardrobe, The



Rating: **/*****, or 4/10


Obvious attempt by Disney to cash in on the sudden popularity of the fantasy genre in the wake of the fantastic Lord of the Rings movie trilogy. The trick seemed simple: take a book from a well known fantasy series and adapt it into a sweeping epic of a film, and build an easily exploitable franchise around it. Granted, this first Narnia film did pretty well at the box office, but remains maligned by critics the world over and is an altogether feeble movie based on the classic book by C.S. Lewis. During WW II, the four Pevensie children are sent to live at a big mansion on the English countryside, where they discover a wardrobe that turns out to be a doorway to the fantasy world of Narnia. However, this realm is in the grip of a severe ice age because the evil White Witch (Tilda Swinton doing a good job at playing a ruthless villain) rules the land. The coming of four human children means the dawn of a return to peace and prosperity under the benign rule of the lion god Aslan (voice by Liam Neeson), but the White Witch doesn't surrender her regime so easily and a grand battle for the freedom of Narnia erupts, with the Pevensies at the heart of it (fortunately Father Christmas equips them with the necessary deadly tools to kill their opponents: good job, giving weapons to kids!). Laced with extremely obnoxious Christian overtones (including the annoying parallels between a certain carpenter/magician and Aslan, who dies for the sins of another but is resurrected), this movie at many turns feels like it means to convert us to Christianity, while it's also a poorly acted - especially those pesky kids and a vast array of irritating digital talking animals - and humorless piece of work that takes its fantasy concepts a little too serious, which seems an odd move for director Adamson, who previously delivered two superb Shrek films. The audience, apart from Christian fanatics who obviously loved it, quickly grew tired of it as they demonstrated by making the sequel Prince Caspian do quite poorly at the box office, after which Disney swiftly abandoned the franchise, selling the rights to Fox, where its right wing religious overtones were more at home. Still, general interest in the franchise remains low.


Starring: Tilda Swinton, James McAvoy, Liam Neeson


Directed by Andrew Adamson


USA: Walt Disney Pictures, 2005

Chicken Run



 Rating: ****/*****, or 8/10


First full length feature film from the much beloved and critically acclaimed British Aardman Animations studio, which specializes in traditional claymation and stop motion animation (though the studio has since also made a foray into digital animation, to lesser appeal). Applying an otherwise rather grim story concerning the horrors of the bio-industry with the much needed levity via typical British humor, as Aardman did to great success before on their various Wallace & Gromit shorts, Chicken Run is both an hommage to classic escape films like Stalag 17 and The Great Escape and a very fun family film all ages can easily enjoy. On Mrs. Tweedy's chicken farm, a brutal regime rules the lives of a group of chicks who desperately want out and keep coming up with one bizarre escape attempt after another. All of these fail, but things brighten up when an American rooster (voiced by Mel Gibson) from a circus crashes the place one day. However, the opportunist cock may not be the much desired ticket out of the chicks' dreadful confinement. Though Chicken Run won a fair amount of prizes it was sadly snubbed at the Academy Awards. Aardman made sure this blatant oversight was corrected when the even funnier Wallace & Gromit: The Curse of the Were-Rabbit took home the much deserved trophy five years later.


Starring: Mel Gibson, Julia Sawalha, Miranda Richardson


Directed by Peter Lord and Nick Park


UK: Aardman Animations, 2000