Today's News: a bit of everything

This week's crop of news, courtesy of yours truly and the Internet:

Nieuwe trailer Ted 2

Little is added to what we already knew of this film's plot, but a big can of raunchy jokes has been opened here. Makes you wonder how much more of this we're in for when the actual movie hits theaters, since all manner of bodily fluids and sexual positions have been adressed in this three minute red band trailer alone. One thing this preview makes amply clear is that we shouldn't expect too much from the plot; as if we did. Yes, it's pretty intriguing from a philosophical view point, basically being a retelling of that classic episode of Star Trek: The Next Generation, The Measure of a Man. To what extent does artificial intelligence qualify as 'life'? And what are its rights under the law as dictated by man? All wildly fascinating stuff, make no mistake. But hey, we're talking about a live teddy bear in this case, so forget about any of it sticking for very long. It's not meant to be taken seriously by nobody. The only sticky stuff present in Ted 2, as overtly indicated by this trailer, will be sperm and alcohol.

Butterfield favoriet voor Spider-Man

Butterfield is as good a choice for a younger Peter Parker as any, to my mind. His name certainly sticks out from the others on the shortlist, him having had the most big screen production experience and critical accolades that come with it. That said, do we want a younger Peter Parker? This is Spider-Man after all, not Spider-Boy. True, but in most every incarnation of the character, he started out at high school. He also did in both the Raimi trilogy and the recent Amazing Spider-Man reboots, but in both cases, the actor that portrayed the wallcrawler definitely felt older than the character was supposed to be (since in both cases, he was). So maybe it's about time we let the younger generation try its had at webslinging. No kids on the current Avengers slate, so let's diversify a bit and add one. It's sticking close to the Ultimate Universe the Marvel Studios movies have a knack of imitating. It might make the impact of the upcoming events in Captain America: Civil War hit home harder. Restricting superhero activity is one thing for adult superhumans, but what about teenagers? Requiring them to register their powers to the government, thus limiting their life options from an early age, does feel rather harsh. Hopefully a teenage Spider-Man played by an actual teenager does add some such intriguing new layers of superhero logistics and laws, if played right. And I'm fairly confidant Butterfield can play it right.

Nieuwe posters Fantastic Four

I'm still not convinced these four are right for their respective parts, though. And from the buzz online, it appears I'm not alone in that hesitation. So far the responses to the trailers and other promotional material has predominantly been on the negative side. Maybe it has something to do with Marvel's apparent campaign of smearing the quartet's name because Marvel Studios doesn't own the rights to the franchise anymore. That would be quite cynical and detestable, considering the FF's illustrious history at Marvel since 1963. However, I haven't followed most of the recent FF stories, so I don't know if rumours are true. I just know what I see, and I see these trailers and I'm simply not feeling overly excited by them. Other than the lack of chemistry of the actors and the characters I'm fearful of (which hasn't been proven yet), I can't quite put my finger on it. The actors are fine in their own right, and I know from readint the comics there's plenty to like about the characters in general. Maybe it's the director? Rumours again are not kind. Josh Trank apparently isn't the most easy of directors to work with. Which forms a decent segue to...

Trank stopt met Star Wars

... this bit of news. No more Star Wars for Trank. Much like Gareth Edwards and Rian Johnson, he seemed like a fine choice. A talented young upstart, fresh from his first critical and commercial success. And therein no doubt lies the problem, as other than Chronicle, Trank has nothing to his name just yet. Sure, he directed a likable indie superhero flick, but handling a big blockbuster movie, especially one that comes with high expectations and related pressure, is another thing entirely. Word is things didn't go so smoothly on the set of Fantastic Four. So that might have made the right folks at Disney/Lucasfilm a tad nervous. You're not giving Star Wars to someone who can't even emotionally handle a small property like FF. Especially when there's ample time to find a successor. So the second entry in the Star Wars Anthology series is now in need of a new director. But what about Fantastic Four 2? Fox has already been planning that sequel for some time, with Trank slated to direct it. There's no word yet on whether Fox and Trank will part ways. Which again makes you wonder how much of these rumours are true. A grain of salt is a good thing to take with all this stuff for sure. The Internet may be playing Jedi mind tricks on us.

Eerste teaser Fifty Shades Darker

And here's a mind trick for the members of the female audience who're into this sort of thing. A thirty second tease of Jamie Dornan putting on a tux and a silly mask, followed by a moaning sound. Not very subtle but it will do the trick. Less than two years to go until the release! Make sure to note it in your agendas and plan your lives accordingly, ladies! Even though nobody will honestly accuse Fifty Shades of Grey of being a good film, I'm sure the womenfolk will gobble up the sequel vigorously. But hey, men do the same with "their" franchises like Fast and Furious and all those darn superhero movies, so let's not get overly sexist here. Just remember, guys: in about three years time this will all have blown over and we can resume the everyday course of life as it nothing happened. It's not like anybody is talking about the Twilight movies and books anymore these days. Thankfully.

Today's News: Joker visits mass

This week's news, second batch:

Eerste trailer Black Mass

Another weirdo on Johnny Depp's resumé. But this one proves less amiable than the likes of Willy Wonka, the Mad Hatter or Jack Sparrow. This is as creepy a psychopath as they come. It's not the first time Depp plays a notorious criminal - his take on John Dillinger in Public Enemies springs to mind, not to mention singing serial killer Sweeney Todd - but this isn't a charming rogue, this is a sinister killer with a clear talent and love for ruthless violence. A fact well illustrated by the dinner scene running through this trailer. It's hardly the first time a crime boss character intimidates an underling on film by questioning his loyalty after confiding him with whimsical information, but Depp plays it eerily enough to make you forget that feeling of déja vu. I'm quite convinced Black Mass will prove an effective, chilling mob thriller, mostly thanks to Depp's penchant for playing offbeat, quirky characters, the murderous sort or otherwise.

Eerste trailers The Visit

I'm not so sure this creepy film will hit all the right notes though. Maybe it has something to do with the abyss of flops M. Night Shyamalan is sliding ever more deeply in, though I'm still willing to cut the director of The Sixth Sense and Unbreakable some slack. The Visit at least appears a return to form of sorts, after engaging in more otherworldy fare with The Last Airbender and After Earth, which proved a bad call. It's horror that established the name M. Night, so maybe it's horror that puts him back on track. That said, it's stated that this is supposedly a 'horror comedy', which isn't something I would quickly discern from these trailers, which seem to focus mostly on the horrific aspect. Then again, the notion of two old people terrorizing their grandkids in the manner illustrated in these trailers does emit an undeniable feeling of absurdity. I would have felt better if The Visit was a full bred horror film, preferably one that didn't overutilize the home video/social media filming format. Even though Shyamalan hasn't made use of that before (at least not for a full movie), it feels he's a little late to that party, considering how often it has been applied in recent years, particularly in the horror genre. For now I'll refrain from getting my hopes up too much for Shyamalan's potential comeback, but I won't be so quick to denounce him as a directorial quack as most other people are. After all, I'm one of those rare folks that actually liked The Village.

Jared Leto's Joker onthuld

A different kind of Joker, as was to be expected. Heath Ledger's take on the Prince of Chaos is not easily outdone, so Leto and Ayer probably didn't bother to try. Sensible move. So the look has changed, to something resembling a Goth rocker. Tattoos are the Joker's new bodily statement of choice. That said, it's obvious the madness remains and it is likely played up a notch. Since the upcoming DC movies stick closer to the source material of the comics, it's not wrong to make the Joker resemble his comic book counterpart a bit more. Aside from the tattoos, which I've never known the Joker to carry (but then, as a Marvelite I'm not much into DC lore anyway). But hey, I doubt Leto is running around topless for the entire duration of Suicide Squad. Say what you will about the Joker, he always dresses smartly, or what goes for smart dressing in his dubious philosophy. This picture is obviously just a publicity shot to get people talking about this new incarnation of Batman's prime nemesis. It's very likely the final look will still differ from what's illustrated here, though now we at least know in what direction we can expect the character to go in a visual (non)sense. And hey, maybe the Joker's just having a laugh here knowing Batman won't appear in this film to demolish the rest of his teeth.

Today's News: Fantastic rogue pirate quest

This week's news, first batch:

Nieuwe trailer Fantastic Four

Hardly a fantastic trailer. Of course many things are still under wraps, so it's by no means a fair representation of the final product, but it simply looks bland at this point. From what I gather, it's supposedly an adaptation of the first few volumes of Ultimate Fantastic Four, which did deserve the moniker more than most FF stories I've read. It just doesn't look nearly as elaborate, grandiose and colourful as the story told in those issues, but more like a darker, grittier take on the previous films. No giant portal to the N-Zone, no fabulous barren universe ravaged by an anti-life overlord, no Mole Man with his monster men annex mushroom manipulations. Just a fancy looking device reminiscent of Captain America's soldier serum chamber slinging our quartet to a retread of Thor's Dark World, and then they get their powers and fight Dr. Doom again and bladiblah. I'm also really skeptical about the casting. Each of these actors has proven themselves on their own, but I'm less comfortable seeing them as this small ensemble. I'm just not feeling the chemistry. I know this is the 21st Century and I shouldn't think in such reactionary terms, but I'm particularly ticked off by the political correctness of casting a coloured guy as Johnny Storm, just for the sake of representation. That wouldn't be so bad per se, if Storm didn't have a sister who has still remained white, thus needing to explain it all away as adopted family. At least they had the guts to make their father black, which isn't the usual order of things (which rather tends to see white people adopting kids of colour). Maybe I'm just biased towards this entire project because it's only been so recently since the previous iteration of the FF. Kinda like what happened to Spider-Man, and look at how that turned out: chaos and mishandling of the character, and an eventual return of sorts to the Marvel fold. If that's what in store for us with the Fantastic Four, I'd say just skip a few steps and let Marvel handle its First Family properly from the get-go.

Details Star Wars: Rogue One bekend

Sounds intriguing, but also marred by the same flaw that characterized the Prequel Trilogy: we already know the outcome. The mission was a success, the plans were stolen and the Death Star destroyed. Yay rebels, yay Rogues. However, it's not like every story of which we were familiar with the ending made for a dull film. Plenty of examples to prove the opposite, and who knows, Rogue One might be counted among them in the future. Not to mention, we get to enjoy the good ol' days of Imperial rule, when Darth Vader was still the exquisite bad guy we fell in love with in the first Star Wars film. Just no Jedi in this scenario, but that makes for a decent change of Force enhanced fisticuffs. I have no doubt a war movie type of flick set in that galaxy far, far away could make for a smashing picture. Didn't the grimy battles of Yavin and Hoth make for some of the finest moments in the classic trilogy? I'll admit I'm less keen on the opportunities offered (likely not so coincidentally) of a crossover between this film and the story of the new animated Disney show Star Wars Rebels, set roughly around the same time frame. If this is truly a standalone film, as we were promised, make sure it does indeed keep itself from tie-ins to other stories in different media, so the story doesn't become muddled with references to characters and plot lines we may not all have seen. Well, that's just the Disney way and we'll have to live with it, I suppose.

Eerste foto Johnny Depp in Pirates 5

Aaarrrhh! That's right, me mateys! Tie that pirate to th' mast and squeeze 'im of all 'is treasures! Ironic that Disney would debut this particular picture first, as it so blatantly expresses the philosophy of milking the Pirates of the Caribbean franchise dry for every piece of eight the audience has left. Johnny Depp sure looks gloomy reprising the role (though admittedly, he's in character here) and I'm sure some second thoughts must have sailed through his mind when he experienced that injury on set that kept him from filming for a month. From what we know about the plot of Dead Men Tell No Tales, it follows the set formula strictly. A new supernatural pirate threat is let loose, Captain Jack Sparrow must once more team up/deal with the treacherous Barbossa and navigate his crew of butch buccaneers through the dangerous waters of the High Seas and rum abuse on a quest for some legendary artifact to save their sorry skins. Apparently, Dean Men Tell No New Tales, they just regurgitate old ones. Oh heck, it's probably good for a laugh or two, and I doubt anyone thinks this is gonna be inspired stuff beforehand. Javier Bardem gets to play an evil pirate, that's something worth seeing on the big screen at least. But few will deny Sparrow's shenanigans are getting old.

Galaxy Quest wordt TV-serie

Somebody may have taken the motto 'Never give up, never surrender!' a bit too literally. Sure, Galaxy Quest was a great movie, but its story matter just doesn't seem applicable to a TV-show. It was a one-shot. A story about television veterans haunted by the popularity of that one cancelled TV show, finding the need and strength to embrace its legacy in defense of people in need of the help of their characters, and thus finally embracing the characters themselves. End of story. You can adapt that story into a miniseries for a limited number of episodes if needs be. But a regularly running multiple season show? I don't see that potential in this premise. Besides, it's a spoof of Star Trek. I would find it ironic to say the least a cancelled TV series would spawn a spoof series, almost fifity years after the fact. Though it does say something about the longevity of Star Trek as a popcultural phenomenon. But I can guarantee you, a Galaxy Quest series would suffer a similar fate as the original Trek series sooner rather than later. There's just so many jokes you can distill from Trek before people get it and warp on.

Today's News: A threesome of trailers

Trailer! Trailer! Anyone want a trailer?

Tweede teaser Star Wars: The Force Awakens

With every little bit of info released, the hype for this film is building. Though so far scepticism reigned supreme in my case, I cannot help but now feel a rising level of optimism as well, against my better judgment. There's only so much iconic imagery of the original Star Wars movies against the backdrop of an intriguing new setting you can give a guy before he breaks. That shot of the downed Star Destroyer just looked too cool to ignore. The first teaser lacked such sweeping images, but now that the release date is approaching, successively splendid shots will be revealed. Still, I'm not too high on some other old cards being played. An aged Han Solo doesn't get me nearly as excited, even though I love(d?) the character. It's just exemplary of the rehasing of old glory that's currently driving Hollywood, usually to lackluster results. Whether it will work for Star Wars is very much the question. At least Ford is still a capable actor we can take serious, but what of the likes of Carrie Fisher and Mark Hamill, who've made a career making fun - lovingly, but still - of their characters of old? That's the good thing about Chewbacca or R2-D2, they don't really rely on the people inside them to convince us. So for the moment, I revel more in the visual effects than in the acting, but that's a Star Wars staple anyway. The old stuff aside, what to make of the elements new to the Star Wars series? A mysterious chrome Stormtrooper, a beach ball Droid, novel characters and locations we need to learn to love (or not)... There's still plenty that can go wrong, but I can't help but feel there are definitely things going right.

Eerste trailer Scream: The TV Series

You gotta admit, this trailer is quick to make the statement most people will when they see it: 'you can't do a slasher as a TV series'. Doesn't stop this show from trying though. Being selfreflexive is of course one of the trademarks of the Scream series of movies, so it's good see this quality wasn't lost on the producers. But it's going to take spectators a little more than that to convince them to bother to watch this show. In all other respects, it doesn't seem to have much going for it, at least nothing the movies didn't show. Teens, murders, humour, that sort of thing. On the big screen, it worked well enough to spawn three sequels over the years, but on a TV show, even for a single season, you risk getting repetitive pretty darn soon. Unless the series still has cards to play this trailer doesn't reveal. Even if it does, as we are currently living in the Golden Age of Television, we have plenty of excellent programs to pick from, and I doubt many would opt for a slasher series based on a worn out series of movies. Unless it's raining very often and hard outside on those dreary afternoons.

Nieuwe teaser trailer Ant-Man

Posted above is the actual trailer for Marvel's latest flick, rather than the teaser mentioned in my article. At the moment of posting, I didn't take the different time zones State side into account, so the full trailer wasn't released the next day, but rather a few hours later, making my bit of news redundant even sooner than I had anticipated. But then, redundancy is the key term for teasers of trailers anyway. Other than the true Internet nerds who will end up seeing the movie in theaters anyway, nobody will really bother to watch such teasers, certainly not the paying "general audience" as it has come to be known as. In my mind, there really is little point to crafting trailers into events of their own in this manner, as trailers are a means to an end rather than the end itself, which is the final film. Where will this madness end? Teasers for teasers for teasers for trailers for movies? I'm making a stand to put a stop to this. Give me a teaser, then a trailer or three and then release the damn film. Release a bunch TV spots too, if needs be, but nothing more in the audiovisual department. As for this full lenth trailer for Ant-Man, as is the case for Star Wars I'm progressively liking what I see. It's always a hard blow when one of your favorite directors - Edgar Wright, in this scenario - departs a project, but in this case, the successor took a hint or two in terms of humour, resulting in at least one hilarious Wrightian gag (you'll know it when you see it). Hopefully the final film will echo more Wright, though I wouldn't expect the new director to ignore his own personality entirely, that would be unfair to him. And even if there's little more Wright to discern, it's a Marvel film, how bad can it be? *cough*IronMan3*cough*

Today's News: spin-off, remake and sequel trailers galore

Catching up on the news of the past week(s), here's a bunch of trailers for y'all.

Teaser Bondfilm Spectre online

Lots'o tease indeed. No big action showing Bond what he does best (bedding ladies, recklessly driving vehicles and violently offing baddies), just setting the tone and atmosphere and providing hints at the bigger plot without offering explicit explanations as to the how and why. If this teaser was a summary of the final product (unlikely, but you never know), you'd definitely know Sam Mendes returned to the director's chair, after the equally introvert and slower paced (but all the same very good) Skyfall. Nevertheless, the sense of an upcoming big confrontation is felt throughout this preview. British Intelligence up against a criminal rival of equal strength and proportions led by the always infectiously nefarious Christoph Waltz, there's gotta be blood. More major characters up for the block then? I doubt that, as most of them have just been introduced in the previous installment. There's definitely a side character or two eligible for being sacrificed for some emotional conflict. Or maybe Mendes will surprise us all again and kill off Bond himself. So the studio can move on with Idris Elba in Daniel Craig's place, seeing as those perpetual rumours circling the web just won't die. After all, dead or not, James Bond always returns, in whatever guise.

Nieuwe trailer Mad Max: Fury Road

The same can be said for Max Rockatansky. Though he definitely returns less often than 007, as he's now at four films in 36 years as opposed to 24 in 52 years. But in many ways, this franchise is very similar to the James Bond movies. You've got a tenacious, lethal and handsome protagonist that doesn't necessarily have to be played by one single actor, stuck in a world full of ever ongoing violent political intrigue (just over cruder resources, like water and fuel) providing explosive action with gun fights and car chases and what have you. And he, too, occasionally gets laid (just not nearly as frequently). The new trailer again makes Fury Road appear like an epic film, though finally a bit more plot is added to the many fabulous shots of chase and fight scenes in beautiful desert vistas. That plot does bear a bit of a resemblance to The Road Warrior, it's hard to deny. But that was kinda to be expected. After all, reintroducing the character and his environment with a new main star after 25 years does lean towards the makings of a reboot. So story wise, I don't expect too many surprises on a narrative level. But hey, it beats a fullblown remake. At least enough variation is offered to make the movie feel fresh and new enough for the fans as well. I just hope the same can be said for the two sequels Mr. Hardy already signed up for. I've already seen him do the Thunderdome thing - you know the drill; two men enter, one man leaves - with Batman, after all.

Nieuwe trailer Poltergeist

This appears less fresh and new. But this of course is a total remake. Of a fairly classic genre film that has since spawned its fair share of inspirations, sequels and rip-offs. Which begs the question what this new Poltergeist movie has to often, other than its recognizable franchise name which the studio no doubt hopes will be enough to convince audiences to pay for it in theatres. Going by this trailer, I'll skip this remake. I just don't see anything worth my while that I haven't seen before. The plot of a family being haunted by ghosts up to no good has scared itself to death at this point. There have been good variations on the theme (The Conjuring springs to mind as the most recent example), but a much larger number of shitty versions plagues the horror genre. I'm surprised to see good actors like Sam Rockwell and Jared Harris jumping on board of this remake though. Were they in need of money, did they have time on their hands, or is there just more to this remake than meets the eye? I don't know, and I'm not likely to find out upon this film's release. I don't usually dabble in horror remakes, I find the whole concept just too scary.

Titel tweede Walking Dead serie onthuld

Eerste teaser Fear the Walking Dead

Here's another scary thing, a second Walking Dead series. First and foremost, it must be said that I love the currently running show. It's utterly compelling television exploring the human condition under the toughest of circumstances, rife with all manner of grizzly ghouls out for human flesh and exciting action scenes to match. But what is the need for a second show? I can only imagine it offering more of the same concept. The only thing that makes it stand out against the original show is the time frame, which explores the infection from the get-go. And I'm not sure whether I'm too keen on the revelation of that mystery, as it proved simply irrelevant in the current series. We really don't need to know why the world has gone to hell, as The Walking Dead is all about showing how people react to that fact of life (or better, death). As far as I'm concerned, the cause of the infection can remain a mystery indefinitely, we're simply not encouraged to want to know, plus its revelation wouldn't add to the story, more likely just take away from it. Fans can come up with all manner of funky theories as to the how and why of the situation, but when it has aired on theories, that's that over with. Other than that, Fear the Walking Dead (I do kinda like that title) is likely to follow an all too similar scenario of plot lines as its concurrent show features. Which means it will be fun and thrilling to watch at best, just not nearly as inspired or innovative. But maybe I'm just entirely wrong and the show proves as catchy and exciting as its predecessor. After all, AMC pulled the same stunt with Breaking Bad, and I hear Better Call Saul turned out to withstand most initial skepticism. Here's to hoping...

Today's News: late, as usual

Didn't have time to post updates last week, so once again I'm behind on that. The price I pay for keeping busy, and I pay it gladly.

Kinberg en Blomkamp produceren The Leviathan

We are probably witnessing the rise of another gifted director here. Blomkamp is giving a capable talent the same chance he himself was once given by Peter Jackson, based on the similar tactic of making a short film to entice others to buy into the outlandish concept. And a rather ambitious concept it is. In just a few lines of text, space travel, exotic alien life, epic man-versus-nature battles and slave labour is introduced, and then the trailer itself hasn't even started yet. So please, make this film about people forced to hunt space whales. I just hope Robinson is on the side of the unfortunate creatures, as I absolutely do not consider actual whaling a noble endeavour. But then, if 'involuntary labour' is needed to harvest the 'exotic matter' from the animals in question, the whalers definitely aren't the good guys. At this point, a studio has already picked up the rights, and it's 20th Century Fox. Will they deliver the obviously large budget Robinson requires to make his picture? They have a bad track record when it comes to appreciating awesome science fiction concepts, so they definitely wouldn't have been my first pick. But hey, Robinson surely won't complain, since he has finally succeeded at snagging a studio and producers to make his movie. Speaking of which, there's a few similarities between this Leviathan and Don Lawrence's Storm, the latter which I always hoped would make it into a movie some day. Maybe Leviathan will still my need for a Storm flick, or maybe it only proves that if you sell your Sci-Fi concept the way Robinson did, you can eventually usher your dream into theaters after all.

Eerste teaser Mission: Impossible 5

I thought Tom Cruise had by now established the fact there are no impossible missions anymore, but apparently, I was wrong. So another totally outrageous mission is concocted to make Cruise once again play the Hollywood superstar. You know, the type that sees his name stamped on promotional material in a bigger format than the movie's actual title. The all-American hero that travels the globe to all manner of exotic locales the common American has never heard of (like Moscow or London), all the while kicking bad guys' butts, bedding insanely hot dames and shouting silly oneliners at every opportunity. Cruise still can't get enough of it. I for one, care little, but then I never did from the get-go. This time Cruise and his team hunt down a shady organization much like their own, their insidious doppelgänger as it were. Isn't that also the plot of the new 007 flick, Spectre? And isn't James Bond a more sophisticated and better loved take on Tom Cruise's character for that matter? Seems like we're hitting another one of those circumstances where two movies sharing an awfully similar concept see release with only a short interval between them (think A Bug's Life/Antz or Deep Impact/Armageddon). I know what team I'm betting for and it's not this one.

Eerste foto Jesse Eisenberg als Lex Luthor

That picture freaks me out. What a sinister mug shot, the face of an evil, evil man no doubt. Not so long ago it had curly hair and was applied to the role of far more likeable characters. But now that dear little neurotic guy from the likes of Zombieland and To Rome with Love is playing the big leagues as a major villain based on comic book material. Eisenberg's Luthor will soon be seen harrassing various superheroes throughout the DC Cinematic Universe, starting with both Superman and Batman (a single hero won't do, of course). He'll basically be DC's answer to Tom Hiddleston's and Marvel's Loki, which is definitely a tough act to follow. As a megalomaniac captain of industry, Eisenberg will play the second next grandiose thing to a crazed Norse God. He'll probably do just fine, but I still won't care as much, considering I really am on Marvel's side. I've always considered DC's characters a little too larger than life, less easy to identify with as a regular guy. You'd think I'd find a megalomaniac captain of industry more easy to digest than a crazed Norse God than, but apparently it doesn't work that way. Just goes to show what a particular geek I am in my tastes. Well sorry. Mr. Eisenberg.

Matt Smith hoofdrolspeler in Harry Potter spin-off

Speaking of my particular tastes, Dr. Who isn't one of them. I never really could get into it. So I've never seen Matt Smith in action, but if he's playing Dr. Who, then he must be the British sort, which means he'd do nicely in the Potterverse. Even though we're not talking Harry Potter here, casting an American in the lead role would be an act of blasphemy, as I'm sure Mrs. Rowling has made quite clear to the producers of the upcoming spin-off Fantastic Beasts and Where to Find Them. Plus, Matt Smith might make a nice change from Benedict Cumberbatch, who these days is considered the quintessential Englishman to cast in any rol pertaining to Brittania, good characters or bad. So yeah, throw Smith a bone and cast him as Newt Scamander. I'm sure he could effortlessly switch between silly aliens and robots to equally silly magical shenanigans and monstrous entities. 'Silly' not prohibiting a wonderful sense of adventure and enjoyment of course. Just serving a very British kind.

Sony verschuift reboot Smurfen

Another particularly European sense of adventure and enjoyment is found on the pages of Belgium's comic industry. And this one unfortunately has suffered from ruthless Americanization in recent years. Both Smurfs movies were strong examples of how not to adapt beloved comics (or cartoons for that matter) for modern Western audiences. Trading in a medieval European setting for contemporary New York was both insulting and painful to behold. So even though the American presence behind the cameras remains, a totally new kind of direction for this blue little franchise is nothing short of a good thing. Going fully animated also meets my approval, as it will prohibit actors not up to the task from sharing the screen with the delightful creatures we really care to see. Heck, if Gargamel wasn't such a recognizable foil to the Smurfs, I'd say go and make an all-Smurf movie without any human (or feline) characters, one hearkening back to the classic stories of old (as the director claims is his intention). I'm all for adapting the Smurführer story, though I think that one might be a little too controversial for Hollywood's taste. Same goes for the one about the disease spreading primitive Black Smurfs. Nevertheless, both of these concepts would make for movies ten times more compelling than the dreck released this past decade. I'm hopeful the studio means to honor their statement of indeed taking the Smurfs back to their roots and completely ignoring said damage, but I know better than to get my hopes up too high. At this time, my hope has reached a level of about three apples high. If the people behind this movie have any inkling what that means, it's an indication they're indeed on the right path.

Today's News: slow week

Getting back on track by offering all the news of last week up at once. Wasn't much of it anyway.

Eerste poster nieuwe 007 Spectre

My, doesn't Daniel Craig look like a manly man on the first one-sheet for the 24th 007 film? His eyes never seemed more blue. That alone should win over the womenfolk en masse. Plot details are few, but that matters little when it comes to a huge beloved franchise like this. It's James Bond, people know what ingredients to expect. This poster guarantees they'll get some of it, namely a tough protagonist and plenty of (gun) action. And likely the usual obnoxious product placement ads interspersed throughout the film, as his gun and watch seem ready for that. The general image suffices for the marketing campaign up to this point. The most important thing is the name getting the chance to nestle itself into the collective consciousness, building awareness for the impending movie well in advance. It's hard to miss on this poster. Even though for those more strongly interested than the general audience, it's still unclear whether it's 'Spectre' or 'SPECTRE'. But details on that and the actual story can wait until the promotional campaign kicks into higher gear, when trailers start pouring in. For now, suffice to know that, as always, James Bond will return. And so will Craig.

Nieuwe casting Disney's Beauty and the Beast

Even though we may be, Disney sure isn't done remaking its entire library of animated features into live-action films. We've only just had Cinderella, but at least three more projects are in the works, including this one, Beauty and the Beast. After all, it's a tale as old as time, so who cares there have been dozens of versions of this story already? The expensive and visually lavish French film was released just over a year ago, but casting on the next iteration is already in full swing. And some of the casting is certainly spot-on. Luke Evans as the arrogant hunter Gaston is a golden choice. Kevin Kline and Emma Thompson are always good reliably British choices. I'm more on the fence over the titular characters, as played by Emma Watson and Dan Stevens, respectively. Also very British, perhaps too much so to play supposedly French characters. Watson undeniably is a beauty, but I've got a hard time picturing the dashing, gentlemanly Stevens in any beastly form. It's gonna require a lot of make-up to hide those positive features of his. And how about the chemistry between both? So far, Watson has never played one on one with another actor for a whole movie, she's always done threesomes or group jobs (no, not of that kind!). She did well enough playing off multiple characters, but didn't often convince me on a smaller, more personal scale. Guess it's up to Beauty and the Beast to show me otherwise.

Pilot Let the Right One In in de maak

Another movie up for a television series, and what an odd choice it is. Apparently Let the Right One In has some staying power and enough of a franchise potential in the mids of execs in the TV industry. Despite being limited to one original Swedish film and its lacklusterly received American remake. I haven't seen the Scandinavian original. but I did see the US take on it and found it to be surprisingly strong for an American remake. Either they simply just got it right for a change, or the Swedish film must be exceptionally good. But a TV show based on this premise? I can't imagine it running longer than a single season. Boy befriends ancient vampire who looks like little girl. She helps him defend himself against bullies, he aids her in acquiring blood. Plus a little murder mystery on the side, but that's all there is to it. If they want to make a show out of it, even a short series of like six episodes, they still need to add a lot of details and new story elements to stretch it out. And apparently, considering the high praise for the original film, the story doesn't really need it. That combination of facts doesn't bode well for this project. But hey, I've heard of worse recently announced TV shows based on films, both good and bad ones. And since we're living in the Golden Age of Television, we can afford a badly adapted series or two. Enough good stuff to pick from. It just kinda sucks for the Swedes if their hit movie was among the poorly conceived shows out there.

Eerste trailer The Transporter Refueled

A change of main actor notwithstanding, the Transporter just continues raging on the big screen as ever. It never got to be a major franchise despite spawning two sequels, but it seems the Luc Besson studios are endeavouring to change that, having learned from surprise boxoffice successes like the Taken series and Lucy how the game works. Wouldn't be the first time an action packed movie series featuring fast cars and hot dames which everybody considered burned out after the third installment, suddenly picked up speed with its fourth entry. Remember Fast and Furious? However, that series benefited from the return of its hottest stars against the odds, and Transported Refueled does not. Jason Statham just departed after three films and left the steering wheel to Ed Skrein. What do we know him from? Playing bit parts in a bunch of action movies, but he's most notably known as the creepy Daario Naharis from Game of Thrones, before the hot Daario Naharis (Michiel Huisman) took over our collective notion as to what Daario Naharis should look, sound and be played like. So the appeal of the new Transporter flick isn't likely to come from the main star. Hopefully the fast-packed action, cool vehicles and scantily clad girls prove enough to entice audiences and ensure the F&F like future the producers no doubt envision. Fat chance.

Gainsbourg in Independence Day 2

Yes, ID4 2 is still a go and the cast is getting bigger by the week, whether we care to see a second film or not (most of us don't). Big European name Charlotte Gainsbourg - from those creepy sexually charged Lars von Trier movies like Nymphomaniac and Antichrist, that freak out American audiences so nicely - has joined the fight against the next invasion of evil alien grasshoppers. We have no idea what character she'll play as of yet. My hope is she'll play the French president who leads the heroic main assault against the sinister extraterrestrials in a fighter jet by herself. Not gonna happen. If she performs duty as a government leader at all, it's probably one desperately needing American assistance to combat the legions of evil, as these things go in Hollywood blockbusters. Maybe she won't play someone in office at all though, that might just be my imagination running wild. Face it, if the script calls for a strong female European political leader, anyone in their right mind would immediately cast Sidse Babett Knudsen, who would personally kick some serious alien butt. Given her recent repertoire, it's not inconceivable Gainsbourg will play the stripper girlfriend of the black pilot instead. Though maybe she's too old for that, and the black pilot they cast too young. Did Jeff Goldblum's character finally found a wife then? So many options, and not all of them as flattering to Gainsbourg's considerable talents, as you can see. It doesn't matter really. If not by Gainsbourg, alien ass will be kicked by someone else for sure. Because that's what ID4 2 will definitely be about.

Downton Abbey stopt

And some sad news to conclude this week. All good things must come to an end, including this one. I have yet to catch up with the previous two seasons of this delightful show, though I've heard they're not as good as what came before. I'm still sorry to see the Crawley family leave the air, regardless. Downton Abbey proved about as high class a show as British telly can deliver. Fabulous tale of sweeping change in both the higher and lower echelons of society in the first half of the 20th Century, proving both sides are utterly compelling and relatable in their dealings to stay afloat. Not to mention the strong assembled talent, always good for terrific performances. Usually quality English shows prove to last only a season or two, so we should consider ourselves fortunate it lasted as long as it did. At least Downton Abbey gets a chance to be wrapped up properly. A fine series like this deserved a fate better than cancellation, even those who ended up disliking it shouldn't deny as much. Oh well, as I stated before and we all know, the whole 'Golden Age of Television' thing. Plenty to watch. Let's merrily move on.

Today's News: catching up with lots of trailers

Not done just yet with the news of last week. Let's get that out of the way fast, since this week's news begs attention as well.

Titel eerste Star Wars solofilm bekend

I suppose this was last week's bit of 'breaking news' (insert exclamation mark or two). Even though the Star Wars spin-off films aren't nearly as hugely anticipated as the upcoming Episodes proper, they're still Star Wars movies. The title of the first solo feature, as directed by Monsters Man Gareth Edwards, is now revealed to be Rogue One. Still no plot synopsis, but if the name is any indication, it will undoubtedly involve the famous Rogue Squadron pilots, of which Luke Skywalker was once a member in the Rebel Alliance, before his status as a Jedi Knight took precedence. Rogue One is generally the call sign of the X-Wing Squadron's leader, so could it be about that? With Felicity Jones as the protagonist, will she play a tough female fighter pilot kicking some Imperial ass all over that galaxy far, far away? Sounds a bit like Starbuck on Battlestar Galactica, but hey, that show took a hint or two from Star Wars itself. Maybe the title is simply a huge misdirect and the movie will actually be about something entirely different. Could be, considering the persistence of those bounty hunter plot rumours. But maybe they keep on popping up because people want a bounty hunter movie, as nearly everyone had hoped this first solo feature to be a Boba Fett flick. Doesn't mean that project is off the table if Rogue One is really about Rogue's pilots, since this certainly won't be the last Star Wars spin-off. From the talented Edwards, I'll take any Force filled Fighter fest I can get, rather than facing the inevitable letdown that's gonna be Abrams' Episode VII...

Nieuwe trailer San Andreas

Speaking of letdowns and things resembling other things, this trailer just screams 2012. The plot looks very much like that of Earthquake, except with one main character rather than multiple. I just can't understand why this hugely expensive project was greenlit so soon after 2012's release. Do studio execs really think Dwayne Johnson's presence and lots of visual effects are enough to entice audiences to go see it in theaters? Though I like rampant destruction as much as the next man, to my mind there simply seems little appeal to this film. The devastation scenes are gonna be fun at best, but never original or inspired, while the rest of it just seems utterly dull. Maybe someone in Hollywood knows something the general audience doesn't at this point, and the long expected big bang is finally imminent on the American West-Coast. A big earthquake with lots of property damage and huge numbers of fatalities won't be fun, but would make the film a hot current event at least. But other than that, I can only see this movie being shattered and crushed by the success of others at the box office.

Nieuwe trailer Inside Out

In terms of originality and box office success, I have more hope for this film, Pixar's latest. First of all, it has the Pixar name going for it. It may have taken a dent or two lately because of the lack of inspired projects, but it's still strong enough to stand out amidst a crowd of animation competitors. Second of all, the plot seems much more thoughtful than in the case of most animated features of late, and finally hails another Pixar original rather than a dreaded sequel or spin-off. Lastly, considering the success of characters like the Smurfs and the Minions, clearly colour coded little entities with distinctly different personalities are sure to appeal to kids everywhere en masse, so positive box office results are more or less guaranteed. The only thing in that regard I would have done differently is push the release date back a few more weeks, to stay clear more of the Minions movie and avoid animation competition, but otherwise Inside Out will do just fine. Will it be on the same creative level as the Pixar greats of the previous decade? I dare not speculate. It sure has a unique premise it seems, but whether it will connect to audiences without degenerating into a mindfuck? Probably, but certainly not a given as of yet.

Eerste trailer Hotel Transylvania 2

And here's a less original animated feature for you. An unavoidable sequel from a lesser studio, it's hard to deny. Doesn't mean it will be bad, per se. After all, everybody loves monsters, animated or otherwise. The success of the first film clearly established that, otherwise this sequel would not exist. So far, Hotel Transylvania seems to stick to relatable events, family squabbles and such. No creatures secretly controlling our minds, evil characters hellbent on taking over the world, or other grandiose plot points in this franchise. The plethora of strange and spooky creatures ensures the visual impact needed, while the plot keeps it much more down to Earth. Dracula's daughter has married an outsider (an everyday human) and spawned a halfbreed kid, and now his family, including his overly oldfashioned and conservative father, must learn to cope with current events. Hardly an unrecognizable problem. Just with unusual characters, vampires and werewolves and stuff. I like that notion of turning things upside down. Hopefully Hotel Transylvania 2 will acknowledge the potential of this emotional plot and not let the monstrous take priority over the human aspect.

Meer character posters Avengers: Age of Ultron

Speaking of inhuman characters, here's two of them. Mutants really, though that term is taboo in Marvel Studios's canon. Obviously the new Avengers were the last ones to get their own character posters, since the studio considers the popular returning characters the big audience draw, while these two still have to prove themselves. Quicksilver already turned out a great character in X-Men: Days of Future Past, but that of course wasn't 'Marvel's' Quicksilver. It's gonna be a challenge starting from scratch with the same powers and adding a distinct separate personality on the same creatively enjoyable level. Hopefully the sibling relationship with Scarlet Witch is utilized to maximum effect to make this Quicksilver a decidedly different and original take on the same character. Considering the simultaneous release of these character posters, it seems to be what Marvel is aiming for. After all, they could have mixed things up and paired either one of these with the posters for other newbies like Ultron or Vision (the latter still unaccounted for), but they didn't. Of course, the big question then is, will Olsen and Taylor-Johnson show the necessary chemistry between them to make us like these siblings? I saw the new Godzilla again this week, in which these actors played husband and wife. Can't say they did a particularly compelling job in that role. Hopefully brother and sister suits them better...

Today's News: catching up required

It's been a busy week, which left me no choice but to neglect my blog unfortunately. In the meantime, the news kept flowing on MovieScene, which has caused me falling behind in commenting on it. Let's try and catch up a bit.

Nieuwe trailer Game of Thrones Seizoen 5

Coolest trailer first. Obviously Game of Thrones. I doubt everyone who was already superstoked for the new season will experience that anticipation much more strongly after watching this trailer, since the tension has already mounted to nigh unbearable levels. But as expected, the new trailer looks splendid. Remaining fan favorites present: check. Quotable one-liners: check. Expensive FX shots of new locations and assorted vistas: check. New plot developments as opposed to the books: check. There's definitely going to be many a surprise for those who have already read the books, now that the series is rapidly catching up with them. There's a few shots of such scenes found in this trailer. I better spoil things for people who didn't read the novels while I still can. Personally, I just hope the series won't spoil the fun of the remaining books too much, as it's obvious by now this show will be finished much sooner than the original source material will. Nevertheless, HBO, bring it on!

Singer regisseert Sci-Fi film Uprising

Despite being involved in a sex scandal and busy directing another X-film, Bryan Singer is already planning his next project. It's gonna be adapting a Robert Heinlein novel. Let's hope this is going to honour the source material a bit more than most Heinlein based films, as there's only one of them that apparently really does so, and by now it's 65 years old (FYI, it's the classic Destination Moon). Many Sci-Fi buffs will still look back on Paul Verhoeven's attempt, Starship Troopers, with dismay, even though in many respects it turned out a pretty good film regardless (as long as you like satirical social commentary in your science fiction, and who doesn't?). So far, things don't seem too encouraging on staying faithful: the name has already been changed from the poetic The Moon is a Harsh Mistress to the rather generic (but likely sexier and easier to sell to general audiences) Uprising. I can live with that change. Not having read the book, I can probably live with more of them, as long as the final result still proves to be a good movie. I like the notion of a penal colony on the Moon rebelling against overlords from the Mother Planet, which is basically what the general premise is. So as long as they keep that bit in, things can't be too bad, eh?

Renner en Adams in Sci-Fi film Story of Your Life

Here's another Sci-Fi project for you. This one does less to me. I like Amy Adams fine, but my tolerance for Jeremy Renner has its limits. The plot also doesn't sound all that appealing to my ears: it has elements of V and Contact, and going on the available plot synopsis, not enough to really set it strongly apart. That leaves the director to get me interested, and Denis Villeneuve at least does that, even though I still have to see any of his work (I know, shame on me). The French-Canadian director's oeuvre isn't particularly long, but so far all his feature length films have won critical acclaim. Prisoners for one looked like a generic thirteen-a-dozen thriller judging from the trailer, but from what I've heard from critics and audiences alike, it turned out an unexpected gem against all odds. Plus, they wouldn't just hire anyone to do Blade Runner 2, but they hired him. (Personally, I have no desire to see a Blade Runner 2 get made at all, but that's beside the point.) So apparently, at least there will be some talent sitting in the director's chair. And then you learn the writer of the piece was responsible for Final Destination 5 and the failed reboot/prequel to The Thing, and a wholly skeptical attitude towards this project returns full force.

Fox plant Expendables TV-serie

Another major motion picture franchise being re-developed to fit the small screen? That happens a lot lately. What's up with that?! Apparently the franchise has run its course on the silver screen and now the studio is looking for other venues for its appearance to make it cough up more dough. Aside from developing a spin-off of sorts at the same time (the all-female one, remember?). And stating 'they're still looking at the notion of more sequels', which is more or less saying there's not gonna be any for the next 20 years. Nevertheless, the concept of action stars coming together to make for an explosive team-up might work on telly. Are there enough TV action veterans available though. Sure there are! Plenty of shows to pick your oldies but goldies from. The A-Team, Knight Rider, Miami Vice, Quantum Leap or Battlestar Galactica, to name but a few. No doubt many an old and overly muscled actor from any of these shows is yearning for a chance to relive past glory and cash in on it at the same time. Of course, the appeal of such television (ex-)stars is probably not as great to audiences as it is for movie (ex-)stars, but hey, who cares, it's only television, right? Someone better inform the execs behind this project that these days, television is where all the high-class action is found, so if you want to make a worn-out concept like this work on the small screen, you better come up with some damn intriguing elements to ensure your viewers will stick with you. A gripping and compelling story, solid acting, captivating stunts, etc. Too bad not so much of these were present in the Expendables movies...

Nieuwe trailer Tomorrowland

Ah crap, this looks like any contemporary generic PG-13 Hollywood blockbuster. I liked it better when we didn't really have much of a clue as to what it would be about, but now much of the initial mystery is lifted. I had hoped for something a little more ingenious from Brad Bird. But apparently, he too can't think of anything more than a teen prodigy saving a/the world because he/she is oh so fucking special. Paired with all the crazy and outlandish visual FX a outrageously giant budget can buy. And a superstar to draw in additional audiences (in this case, it's George Clooney). Oh well, expectations weren't high. It's a Disney flick based on a theme park ride, how often do those work? Only on Pirates of the Caribbean, if I recall, and even then only once for realsies (the sequels were okay, but not nearly as catchy). I doubt this will prove as succesful a film, nor spawn four sequels. There doesn't as yet seem room for the quirky humour and truly wondrously exotic locales found on PotC that really pulled audiences in. Please let me be proven wrong in my obnoxious pre-release scepticism, but from the looks of it and full well knowing cynical old me and bland old Hollywood blockbusters, that's not likely to happen, today or tomorrow.

Today's News: Machines, martial arts and alien invasions

Ordinary week in terms of news, with nothing mindblowing to report. Just a few tidbits like these:

Nieuwe trailer Ex Machina

This film is growing on me in terms of anticipation, though I remain skeptical (just not as strongly as I was initially). The fact it was chosen as the opening film of the upcoming 31st Imagine Film Festival makes it score some points, since those folks don't just pick the first genre film that comes their way for that honour. This second trailer also indicates this is more than just a repeat of last year's The Machine, and that it may actually be a better film as well (hence this receiving a theatrical release in the Netherlands, while The Machine sadly did not). However, any bits of ingenuity seem to be found mostly in execution rather than innovation, since this trailer makes no mistake this is again a movie about a robot gone bad, which has been done countless time since the Fifties got that ball rolling. It's the way in which the artificial intelligence goes awry that makes it more distinct. This AI appears to get under your skin on an emotional and sexual level, rather than by its mental superiority (though the fact it utilizes such basic human instincts against its creators goes to tell something about its intellectual capabilities as well). Of course, that too is an age old theme (Metropolis, for example), just not applied as often. I wonder what this machine's ultimate goal will be. Surely it won't be something as grand as world domination, since we already have Avengers: Age of Ultron to remind us of some other reaons why we should never fully trust our technological innovations.

Nieuwe Trailer Avengers: Age of Ultron

Speak of the devil, that particular anti-robot film got a new trailer this week as well. Promises to be quite the superhero spectacle, but we already knew as much. The particular preview shines a bit more light on the motivations of the main antagonist. Save the world by killing the human race, it appears. That's one way to do it, sure. The easy way out, which makes for twodimensional baddies and clear-cut black versus white conflict. But hey, it worked on the first Avengers movie just fine. If you want an ingenious story, you know better than to look for it in this type of flick. This is all about fun characters and explosive action. First film showed both elements are in ample supply from this creative team and so it continues to work its merry magic for this second installment. There's plenty of Joss Whedon type humour to be found here, especially centred around the characters interacting. They just don't like each other all that much but they're sort of stuck with one another, and it makes for relatable scenes of humanity amidst all the superhero shenanigans. Just how the new characters relate to the old guard remains to be seen. It appears debutantes Quicksilver and Scarlet Witch are somehow involved with Ultron initially, which is not that surprising since they're supposed to start off as bad guys themselves. As for Vision, quickly thrown in at the end of the trailer (and probably the film proper, too), he's no doubt the anti-Ultron AI, reminding us that not all technology is evil. Considering all the technophobia recently running rampant in the movies, there's a positive message for a change. After all, if we're gonna save the world, we'll need some technology to make it happen.

Eerste casting Independence Day 2 onthuld

And if it isn't evil robots, we'll need to save our planet from extraterrestrials with sinister intentions, too. A bunch of all-American heroes did so nearly 20 years ago, and since Hollywood never forgot the financial benefits involved then, they'll have to do so once more. But will audiences pay to see them do just that once more? It's not like we know the story is gonna be anything but repetitive. Everybody knows there's gonna be more aliens out for our planet and some dudes have to get together and kick their asses, the American way. It would be a huge surprise to everybody if there was anything more to it than that, but that's not gonna happen for sure. The suits behind this film obviously want to play it safe, so they're going with the same characters as before, and if they can't get them because the actors don't feel like doing the exact same thing (good for them), they'll want the next best thing. So Jeff Goldblum is back (which I don't mind since I like him) and Bill Pullman likely is as well. Will Smith thought he could make better use of his time (doing After Earth 2 or stuff), so they cast somebody else to play his son, to literally follow in his father's footsteps. Are we glad they didn't opt for Jaden Smith, that would have been a huge turn-off for everybody that still hopes this will be any good. Jaden is probably too involved with the likes of After Earth 2 as well. In case Pullman passes on the project after all, they got Liam Hemsworth ready to go as his character's son-in-law. Apparently the point ID4 2 tries to make is that heroism specifically runs in the family, rather than running in everyone. As for making good movies, we'll find out sooner or later, whether we want to or not. Or we can try and ignore this project altogether and just get our anti-alien fix from watching the first film again.

Biopic Bruce Lee in de maak

I've honestly never seen a Bruce Lee picture. That doesn't mean I'm not interested in watching a picture about the man himself. But don't give me any of that 'only his relatives know what he was all about, so everybody else can't make a good biopic' crap. That's directly stating 'we're cashing in on the memory of our father' to my mind. It's not like there's no books written or documentaries made about the martial arts legend that involved thorough researching of all the documented facts, including earlier testimony from those same relatives. Of course the previous biopics got some facts wrong, that's a simple biopic staple. It's very likely a biopic made by his descendants is bound to turn some actual events around just as easily, if not more so. You think they'll address the negative aspects of the man's life (and there's bound to be some of those, especially taking his early demise into account) in any objective way? Yeah, that's gonna happen... I tend to be much more skeptical about biopics that do involve the direct family because a certain degree of subjectivity is unavoidable. And I figure the same thought applies to many people. I just don't think that many people will bother to concern themselves with the people behind the production of such biopics. To be quite honest: who really cares as long as the movie is good? If it isn't, at least we'll know who to blame for tarnishing Bruce Lee's memory.

Today's News: Crimson pirate inferno

Slow week for news thus far:

Eerste trailer Crimson Peak

Looks... Del Toroesque. Lavish and baroque, but creepy and grotesque at the same time. Eerie, bbrrr. The plot thus far is not wholly clear, and for a teaser trailer like this it's more about the first impressions rather than the overall narrative. Del Toro usually makes a good first impression and he doesn't disappoint here. I got interested seeing this. Ever since the fantastic Pan's Labyrinth, Del Toro and horror feel like they belong together, especially if there's a good story involved. We've had our fair share of haunted houses in movies over the last decade, most of them pretty dismal (not to mention the horror spoofs hurting the subgenre even more), but with a good director and cast involved, another one surely will do more good than harm. Visually at least this will do the trick; as for the story, ask me again when I actually comprehend what the hell is going on. Which probably won't me until I've seen it for myself.

Cast onthuld voor Dan Browns Inferno

So they're making another one of these puzzle flicks, eh? Shouldn't bother on my account. So far both Dan Brown adaptations for film didn't win me over. I heard the books were good (though that's probably the hype talking), but I never bothered to read them. I'm not about to start now. I love a good mystery, but not if it's wasted on a Hollywood semi-spectacle. I doubt Inferno will be much different from its pair of predecessors, but at least the cast looks interesting, mostly because of its diversity. You've only got five names and you're already spanning three continents (and two of these names co-star in Jurassic World, so that piques my interest to some extent). Good names too, notwithstanding the Hollywood stardom of Hanks. That at least will count for something, if at least they are put to good use. But judging from the previous installments, they probably get lost amidst all the puzzling somewhere.

Plot Pirates of the Caribbean 5 onthuld

In this film's case, the plot is more likely to get lost amidst all the actors. Not that it matters much, since it sounds as formulaic a story as they come, not particularly different from that of the previous Pirates of the Caribbean flicks. You've got your basic pirate threat endangering our pirate protagonists, there's a mystical artefact that can prevent their demise so they set on a course for said object, there's a few love birds ensuring a romantic note that doesn't actually involve the pirate protagonists and there's various random jokes, gags and witty rebuttals shared between the pirate protagonists themselves. Though I'm getting kinda tired of Depp's Jack Sparrow, I'm happy to see Rush is still returning as Barbossa, who I deem to be a superior character. As for the rest of them, sure I'm happy to see a grand actor cast as the new ultimate baddie, but that doesn't mean it'll save the movie from sinking from a narrative perspective. Ian McShane made a great Blackbeard, but On Stranger Tides sure wasn't a great movie. I hope Dead Men Tell No Tales proves different, but I severely doubt it. Apparently, PotC Movies Tell the Same Tales, every time.

Today's News: big bad breaking! And then some

It's been a good start of the week for movie news, mostly because of one single bomb Marvel dropped.

Marvel past releaseplanning aan voor Spider-Man

And here it is. Or rather, here's the follow-up, as the main news item that Marvel has gotten Spider-Man back in the fold was posted by a colleague of mine (bastard!). But here's the first few ramifications for Marvel's Phase 3, with many more likely to follow in the next few years. Good thing about such major nerdgasmic news is it gives one inspiration for a column (or two), which I hope to pen this weekend. So I'll reserve my actual opinion on whether Spider-Man at last joining the Marvel Cinematic Universe is a good idea or not - for it's definitely not all sunshine in Marvel land with the webhead swinging his way through his fellow superheroes - for that opinionated piece to follow. Unless one of my colleagues beats me on that front as well. Not an unlikely scenario, since anything Marvel has a tendency to get people talking or in this case typing. That said, I am looking very much forward to seeing what take on the new webslinger will be applied to the new movie(s). I wasn't a fan of the way Sony handled the Amazing Spider-Man movies, nor of how they ended Raimi's trilogy. My nerd sense is telling me there's plenty of room for improvement. From the details, it's likely Marvel will turn to their Ultimate Universe for inspiration, a move I don't lament at all. I'm currently re-reading Ultimate Spider-Man - coincidentally, as I started doing so two weeks before this news broke - and it once again proves an utterly delightful and catchy read, that also goes to illustrate many an excellent possibility of hooking up Spidey with other Marvel names, without hurting any of them. I can only hope the new movie, plus Spider-Man's appearance in those of others, will turn out half as well as those comics did.

Eerste trailer serie Bloodline

Looks decent, but I have a hard time envisioning this as a long running show. The concept seems too limited to continue for more than a season or two, and from what I gather, it's Netflix' intention to keep it going as long as desirable. Then again, I once had similar reservations about this series called Breaking Bad, and look how positively that turned out against everybody's expectations. Of course, every character has a background you can delve into, but it feels like there's only so many startling family secrets you can reveal until it eithers gets boring or ludicrous. But what do I know, I've only seen this trailer, which no doubt totally limits our imaginations for this show. There's undoubtedly more to it than what's pictured here. Still, I can't help but get a distinct Festen vibe from this. A family tearing itself apart when the black sheep of the bunch starts digging up shady past events certainly sounds very familiar to those who'll recall the classic Thomas Vinterberg film. However, even if the basic premise is remarkably similar, we can expect there to be a lot more going on in a 13-episode season than in a two-hour movie. There better be, if Netflix hopes to keep this show going.

Lawrence en Pratt beoogd voor Passengers

Here's a premise that probably is better suited for a two-hour movie than for an entire season of episodes. Man accidentally wakes up in cryosleep on a spaceship during a voyage that ought to take decades. Man knowingly wakes up woman for companionship on trip. Whatever happens, happens. As to what happens exactly, I dunno. I can think of a thing or two, either involving bloodshed or sex, or both. It's one of those intriguing notions that gets the mind working after only two sentences of conceptual layout. But as for me, a Sci-Fi geek, you had me at 'spaceship'. As for who can play these characters, Lawrence and Pratt are decent choices, at least one of them sizzling with talent. However, I would have gone for someone else than the current go-to, default hot actor and actress in Hollywood. Both of them seem kinda omnipresent today. For a movie that largely revolves around two people only, I'd say it's better not to cast movie stars, but "real actors" instead, to avoid getting that feeling of seeing Pratt and Lawrence talking to each other for hours (even though that is what is going on, but we need to be able to suspend our disbelief and pretend they're somebody else). A project like this seems better suited to lesser known (but not necessarily lesser talented) actors. Even though that would make it a tougher sell to most audiences, who just want to see Pawrence and Pratt talking to each other for a few hours. But that's what people invented talk shows for.

Lionsgate wil meer Hunger Games

Speaking of Jennifer Lawrence, Lionsgate wants to see more of her. Or at least, they want to see more of that precious dough she keeps making the studio doing her Hunger Games thing. Or they want more material that carries the Hunger Games signature, potentially without the principal talent, since I imagine Lawrence is kinda done with the series when it ends. But studios are never done making huge piles of cash. So when something sells, you keep it selling as long as you can. And so the studio is looking for new ways to "flesh out" (read: ruthlessly exploit) their top franchise after it has properly come to an end. They're looking at both prequel and sequel opportunites, it's stated. Meaning, they don't care about the actual contents, they're just considering any and all ways that keep the franchise running for longer than the source material allows for. It works for Harry Potter and Warner Bros, their argument reads. We don't know that it does actually, since Fantastic Beasts and Where to Find Them hasn't been released to popular or financial acclaim (yet). Plus, author J.K. Rowling is in full cahoots on that new series of films, while it remains to be seen whether writer Suzanne Collins is as enchanted by the notion of more Hunger Games. So for now, it's only a studio's dream of more money without any material to back up the reality behind that line of thinking. May the odds be ever in their favor.

Eerste trailer Hitman: Agent 47

Or they can just start their franchise over again entirely. Seems to be working for Hitman, since this trailer already looks better than all of the previous film. Of course, that film wasn't a hit in any way the first Hunger Games was, hence the option for rebooting. There's (fortunately!) a form of unwritten decency protecting the audience against rebooting a franchise the moment the first take on it has been completed. Otherwise we would have had three more Lord of the Rings trilogies by now. But when a film failed to connect to its audience strongly enough to warrant a sequel, yet still holds potential for making more money, a reboot is always just around the corner. Often for the better, since in many cases a reboot improved upon its predecessor and ushered in a new era for the franchise. Time will tell whether that holds true for Hitman: Agent 47 as well. It's still a videogame adaptation too, after all. They usually have more running against them than films based on other media properties.

Today's News: trailers for everybody!

Been a busy week, here's some trailers that kept me posting:

Nieuwe trailer Minions

Everybody seems to really love the Minions. Even though they don't have much material going for them just yet. I guess the chief ingredients for success are all present in these little servants of evil: they're small, they're numerous (but just diverse enough to set them apart), they're colour coded in a simple fashion, and they're excessively cute. It worked for the Smurfs, eh? But unlike the Smurfs, they're supposedly evil, and I have yet to see any hard evidence of that. Of course, you can't sell evil to kids. So whatever villainous scheme they're involved in usually ends in failure, at least in Gru's case. It's obvious the evilness is just a pretense to get some silly story going, often interspersed with random gags (e.g. the teddy bear for example), while the main goal is to sell the Minions' cuteness to the audience so people will want to buy Minion dolls and stuff. I doubt things are gonna be any different in this semi-origin story. There's just a new baddie, who'll soon find hiring the Minions was a bad idea (that's what explains the badness of the Minions I suppose). No matter to us, as long as the Minions trollop around the screen looking utterly cute in all their zany, goofy shenanigans

Teaser Magic Mike XXL

Female audiences are gonna end up pretty satisfied in the erotic department this year. At this moment, everybody is moaning and groaning (either out of sheer lust or sheer loathing) over Fifty Shades of Grey, and in the not too distant future, that scenario will repeat itself with this second Magic Mike movie. I will not deny looking at the sweaty, undressed male torsos produces a sense of sexually insecurity for me, and I know that goes for most male audiences. The majority of those are of course dragged to theatres by the various women in their lifes (except for the homosexual portion of the populace, no doubt). Being a single man, I cannot help but wonder what tension Magic Mike hath wrought in the bedroom after a visit to the cinema. Do women press their men into trying to physically appear more like him, or do they accept that such an impressive bodily look is the exception rather than the rule? If we ignore the story line in effect for the film (which is not hard to do, since it's so overtly basic), what's left is largely nude men doing sexy dances to arouse women, which is basically softcore porn. I'm not judging, just stating the obvious. I hope the target audience realises full well that that's just all it is. But then, do men watching regular porn take the time to consider it's all just fantasies, too? Movies like Magic Mike XXL do a good job of reminding us just how small the difference between men and women actually is.

Eerste trailer Marvels Daredevil

This is more my cup of tea. Sure, there's a few good looking men (and women) in this production, too, but there's a lot more story to it. I enjoy ogling the well trained bodies of the opposite sex as much as anyone, but I prefer a good story. Too bad it's not a new story for the most part, but the previous audiovisual incarnation of Daredevil left plenty of room for improvement. It seems this new Netflix series delivers just that. This teaser also makes no mistake this is definitely going to be Marvel Studios' darkest production so far, and thus a certain amount of blood and violence is not spared. Good thing too, if they want to set the upcoming Defenders miniseries apart from the merrier, more colourful Avengers counterpart on the big screen. Sure, the following series are likely to be a bit lighter in tone, but since they all deal with fighting street crime and mob practices in New York's less pleasant neighbourhoods, some level of violence feels mandatory. Far be it from Netflix to shy away from that. For those who don't enjoy such grim superheroes, rest assured things will only brighten up after this. And if it's still not what they're hoping for, they'll always have the actually cinematic part of the Marvel Cinematic Universe. No sinister sex crimes and gruesome drug wars there, only evil robots hellbent on annihilating humanity or intergalactic bad guys threatening the existence of the universe.

Nieuwe trailer Furious 7

And if you like action but not superheroes, you might consider checking this out. The typical 'get-rich-or-die-tryin'' atmosphere of fast cars and hot people (male and female) engaged in gunfights and general fisticuffs. A successful formula, so much so we've reached the whopping seventh entry in the F&F franchise. The actual death of a major player couldn't stop this production, yet there's a sense of finality to this trailer. All of Toretto's racing rivals have been added to his inner circle, his family. And now their bond will be put to the final test when the bad guy threatens to kill that family. Of course, it will prove a stupid idea and the villain will no doubt soon discover his folly. Since the merry gang of highway brigands is already rich since the fifth film, it's not about racing for money anymore, but racing for the ties that bind. And fondly remembering those ties in case of the fallen actor. For the studio however, money definitely still is the objective. So it's not inconceivable we'll be seeing more of this family in the future after all, even though it feels we're hitting an emotional climax here.

Jovovich speelt hoofdrol in Martins In the Lost Lands

And then there was this bit of non-trailer news. Of course, anything that has George R.R. Martins signature on it would be considered gold by studios hoping to cash in on the success of Game of Thrones. Doesn't mean everything Martin ever wrote is nearly as good as his most successful work. You wouldn't think the same genius was behind the majority of episodes of the second season of the Eighties' Twilight Zone show, considering their poor quality. At least In the Lost Lands is likely to appeal to the same (vast) fanbase since it's written in the same genre of epic fantasy. I had never heard of these stories before, but reading the synopsis doesn't convince me yet on whether adapting them to the big screen is a good idea. I may be entirely wrong, as I'm not familiar with the outcome, but the stories seem to lack coherency, while their protagonists seem to be subject to random elements, especially in the case of the story with the witch and the spacecraft (or maybe combining such seemingly incombinable elements is just proof of narrative brilliance beyond my comprehension). I probably should either read those stories or shout up about the topic and have faith in Martin. That said, I cannot help but wonder whether it would not be more prudent to adapt these shorts for television rather than the big screen. If they are indeed separate stories of an episodic nature, television seems suited for them. Anthology story telling isn't something you often encounter in theaters, maybe for a reason. Then again, it wouldn't be the first time Martin broke with conventions. Since GoT proved he excels at that, maybe I should simply reserve final judgment until In the Lost Lands hits cinemas.