Today's News: slow week

Getting back on track by offering all the news of last week up at once. Wasn't much of it anyway.

Eerste poster nieuwe 007 Spectre

My, doesn't Daniel Craig look like a manly man on the first one-sheet for the 24th 007 film? His eyes never seemed more blue. That alone should win over the womenfolk en masse. Plot details are few, but that matters little when it comes to a huge beloved franchise like this. It's James Bond, people know what ingredients to expect. This poster guarantees they'll get some of it, namely a tough protagonist and plenty of (gun) action. And likely the usual obnoxious product placement ads interspersed throughout the film, as his gun and watch seem ready for that. The general image suffices for the marketing campaign up to this point. The most important thing is the name getting the chance to nestle itself into the collective consciousness, building awareness for the impending movie well in advance. It's hard to miss on this poster. Even though for those more strongly interested than the general audience, it's still unclear whether it's 'Spectre' or 'SPECTRE'. But details on that and the actual story can wait until the promotional campaign kicks into higher gear, when trailers start pouring in. For now, suffice to know that, as always, James Bond will return. And so will Craig.

Nieuwe casting Disney's Beauty and the Beast

Even though we may be, Disney sure isn't done remaking its entire library of animated features into live-action films. We've only just had Cinderella, but at least three more projects are in the works, including this one, Beauty and the Beast. After all, it's a tale as old as time, so who cares there have been dozens of versions of this story already? The expensive and visually lavish French film was released just over a year ago, but casting on the next iteration is already in full swing. And some of the casting is certainly spot-on. Luke Evans as the arrogant hunter Gaston is a golden choice. Kevin Kline and Emma Thompson are always good reliably British choices. I'm more on the fence over the titular characters, as played by Emma Watson and Dan Stevens, respectively. Also very British, perhaps too much so to play supposedly French characters. Watson undeniably is a beauty, but I've got a hard time picturing the dashing, gentlemanly Stevens in any beastly form. It's gonna require a lot of make-up to hide those positive features of his. And how about the chemistry between both? So far, Watson has never played one on one with another actor for a whole movie, she's always done threesomes or group jobs (no, not of that kind!). She did well enough playing off multiple characters, but didn't often convince me on a smaller, more personal scale. Guess it's up to Beauty and the Beast to show me otherwise.

Pilot Let the Right One In in de maak

Another movie up for a television series, and what an odd choice it is. Apparently Let the Right One In has some staying power and enough of a franchise potential in the mids of execs in the TV industry. Despite being limited to one original Swedish film and its lacklusterly received American remake. I haven't seen the Scandinavian original. but I did see the US take on it and found it to be surprisingly strong for an American remake. Either they simply just got it right for a change, or the Swedish film must be exceptionally good. But a TV show based on this premise? I can't imagine it running longer than a single season. Boy befriends ancient vampire who looks like little girl. She helps him defend himself against bullies, he aids her in acquiring blood. Plus a little murder mystery on the side, but that's all there is to it. If they want to make a show out of it, even a short series of like six episodes, they still need to add a lot of details and new story elements to stretch it out. And apparently, considering the high praise for the original film, the story doesn't really need it. That combination of facts doesn't bode well for this project. But hey, I've heard of worse recently announced TV shows based on films, both good and bad ones. And since we're living in the Golden Age of Television, we can afford a badly adapted series or two. Enough good stuff to pick from. It just kinda sucks for the Swedes if their hit movie was among the poorly conceived shows out there.

Eerste trailer The Transporter Refueled

A change of main actor notwithstanding, the Transporter just continues raging on the big screen as ever. It never got to be a major franchise despite spawning two sequels, but it seems the Luc Besson studios are endeavouring to change that, having learned from surprise boxoffice successes like the Taken series and Lucy how the game works. Wouldn't be the first time an action packed movie series featuring fast cars and hot dames which everybody considered burned out after the third installment, suddenly picked up speed with its fourth entry. Remember Fast and Furious? However, that series benefited from the return of its hottest stars against the odds, and Transported Refueled does not. Jason Statham just departed after three films and left the steering wheel to Ed Skrein. What do we know him from? Playing bit parts in a bunch of action movies, but he's most notably known as the creepy Daario Naharis from Game of Thrones, before the hot Daario Naharis (Michiel Huisman) took over our collective notion as to what Daario Naharis should look, sound and be played like. So the appeal of the new Transporter flick isn't likely to come from the main star. Hopefully the fast-packed action, cool vehicles and scantily clad girls prove enough to entice audiences and ensure the F&F like future the producers no doubt envision. Fat chance.

Gainsbourg in Independence Day 2

Yes, ID4 2 is still a go and the cast is getting bigger by the week, whether we care to see a second film or not (most of us don't). Big European name Charlotte Gainsbourg - from those creepy sexually charged Lars von Trier movies like Nymphomaniac and Antichrist, that freak out American audiences so nicely - has joined the fight against the next invasion of evil alien grasshoppers. We have no idea what character she'll play as of yet. My hope is she'll play the French president who leads the heroic main assault against the sinister extraterrestrials in a fighter jet by herself. Not gonna happen. If she performs duty as a government leader at all, it's probably one desperately needing American assistance to combat the legions of evil, as these things go in Hollywood blockbusters. Maybe she won't play someone in office at all though, that might just be my imagination running wild. Face it, if the script calls for a strong female European political leader, anyone in their right mind would immediately cast Sidse Babett Knudsen, who would personally kick some serious alien butt. Given her recent repertoire, it's not inconceivable Gainsbourg will play the stripper girlfriend of the black pilot instead. Though maybe she's too old for that, and the black pilot they cast too young. Did Jeff Goldblum's character finally found a wife then? So many options, and not all of them as flattering to Gainsbourg's considerable talents, as you can see. It doesn't matter really. If not by Gainsbourg, alien ass will be kicked by someone else for sure. Because that's what ID4 2 will definitely be about.

Downton Abbey stopt

And some sad news to conclude this week. All good things must come to an end, including this one. I have yet to catch up with the previous two seasons of this delightful show, though I've heard they're not as good as what came before. I'm still sorry to see the Crawley family leave the air, regardless. Downton Abbey proved about as high class a show as British telly can deliver. Fabulous tale of sweeping change in both the higher and lower echelons of society in the first half of the 20th Century, proving both sides are utterly compelling and relatable in their dealings to stay afloat. Not to mention the strong assembled talent, always good for terrific performances. Usually quality English shows prove to last only a season or two, so we should consider ourselves fortunate it lasted as long as it did. At least Downton Abbey gets a chance to be wrapped up properly. A fine series like this deserved a fate better than cancellation, even those who ended up disliking it shouldn't deny as much. Oh well, as I stated before and we all know, the whole 'Golden Age of Television' thing. Plenty to watch. Let's merrily move on.

Today's News: planning, casting, piloting and trailing

Look at the news these last few days yielded:

http://www.moviescene.nl/p/158580/nieuwe_trailer_chappie

Shit, this is starting to look derivative... Robot cops, the fine line between men and machine interspersed with explosive action sequences, unique robots developing a personality and starting to display Saviouresque symptoms... What's new here? You'd think RoboCop and I, Robot never happened. However, they did, and judging from this latest trailer Chappie will add little of novelty to the robot repertoire. However, this is Neill Blomkamp we're talking about, so I do hope he's got some tricks up his sleeve so he might surprise us yet. If he does, I'm betting it resides in the area of social commentary, which is rather his forte. Execution of both District 9 and Elysium proved not devoid of flaws, but the heart and the action both sure were in the right place. It's not like the dystopian future of Elysium differed that much from previously portrayed divides between a small elite and a vast multitude of have-nots. And it was still a damn fine flick. Chappie will likely at least be that. I would have hoped for some more original storytelling besides that, but I'll take what I can get. It's not like there's that much intelligent Sci-Fi directors to go round these days, so I support the few folks that try. Unless they really miss the mark completely (eh, Nolan?).

http://www.moviescene.nl/p/158557/netflix_onthult_plannen_daredevil_en_marco_polo

So now we know when the devil gets his due. Even though actual footage of the series still has not been released (they better hurry with that, with only three months to go), the new poster sure sets the tone. This is definitely gonna be one of Marvels darkest projects. I wonder whether that is the best way to go when you're building a second shared Marvel universe for television. You'd think a lighter choice would be a better decision to reel viewers in. However, it's all in the name. You could start with light fare like Jessica Jones, but only the true Marvelites would know that name. Daredevil is more well known, partially thanks to Ben Afflecks crappy movie, though that was over a decade ago. Yet people likely still remember it. But the real strong name of course is Marvel. That suffices for most audiences. And if the company has its way, the same will soon ring true for Netflix, so a series like Marco Polo can count on a large enough number of spectators just because it has the Netflix logo attached to its credits. It seems to work well enough for HBO. And considering the quality the company offers thus far, I wouldn't mind if the same holds true for Netflix.

http://www.moviescene.nl/p/158583/casting_buzz_jonge_acteurs_voor_x-men_apocalypse

More younger versions of X-characters, more talent needed to fill their boots. Though the majority of the actors and actresses mentioned in the original article I am not familiar with, I do believe there's some fair choices here. I'm divided between Team Turner and Team Ronan. Turner does a fine job on Game of Thrones, and the populairty of that show definitely gives her a mean edge. However, Ronan has a far more impressive resumé which encompasses a wide array of dramatic roles, some of them which proved quite heavy but she pulled them off admirably. Unbiased by the GoT sympathy for Sansa Sophie, I'd say Ronan should get the part. However, GoT does make me prejudiced against any actors who didn't star in it, so I won't deny I'd love to see what Turner could do with the character of Jean Grey. Hailee Steinfeld has a similar background to Ronan, so I would not mind her winning the part either. I'm glad it didn't go to Moretz though; I like her work, but I'd hate to see her get typecasted as 'that comic book girl'. She's got Hit-Girl, let it end there. As for the guys and girls up for Cyclops and Storm, for the most part I can only say 'who the heck are all these people?'. I only know Tye Sheridan from Mud, in which he performed quite well. Here too, there's a sympathy vote working its magic, as Taron Egerton currently has buzz because of Kingsman. The fact it was directed by Matthew Vaughn who, as the director of X-Men: First Class, could pull some serious strings also adds in his favour. But then too he'd end up with a comic book stigma, even though X-Men and Kingsmen at least are wildly different, far more diverse in nature than Kick-Ass and X-Men. There's just so many elements to consider here. Since I have zero influence in the whole casting process anyway, I'm just going to let this one roll on and I'll bitch and whine about the final choice when actually one has been made. Still, I can't help it: Go Sansa!

http://www.moviescene.nl/p/158585/pilot_voor_minority_report_serie_in_de_maak

Another good movie gets a follow-up for television. There's a lot of that happening these days, and not all of the titles involved are justified for the small screen treatment. I would say Minority Report is among those. Sure, there's story a few possibilities remaining after the events of the movie. However, the issue is that it follows the movie directly and thus might spoil its deliciously undefined ending. The last half hour of the film can be interpreted in two very different ways, and I'd hate to see the series ruining the movie by picking the less ingenious of the pair. And even if the series opts to ignore the matter entirely and leaves us in the dark as we should be, I still feel no particular need of watching a follow-up to a by then 15-year old flick. Even if it doesn't tread the same paths as its predecessor. Though it at least beats the prospect of a full-on remake, like 12 Monkeys is currently undergoing.

Jurassic Park III: Air Heli-Sabre Marine Copter

Year of release: 2001

Accessories:

-Helicopter

-Missile

-Dino Damage piece

-Pilot figure

Description: this small chopper is about 20 centimetres in length and is coloured mostly green. The front part of the vehicle is painted in a dark metallic green, while the rest is painted in a lighter shade of green. It sports black propeller blades, as well as a dark grey tail piece and landing gear. The cockpit window is transparent green and the cockpit can hold one figure. Right under the blades a detachable piece of transparent green plastic is located, giving the impression an aggressive dinosaur attacked the chopper and did some dino damage. Removing this piece exposes a silver engine with a red button; it also causes a damage sound (which can also be made without the damage piece by just pushing the red button). Two more sounds can be made with this aircraft: first, by rotating the round button on the underside, the propeller blades also rotate and a typical chopper sound is produced. Second, by moving the landing gear on the underside, a firing sound is made, and when loaded, a missile can be launched as well. The chopper is nicely detailed for a vehicle this size, but not overly so. A JP III logo can be found on the left side of the front part.

The Pilot figure is dressed in a light green pilot outfit, adorned with darker green stripes. He also wears black shoes and gloves and a grey belt. He sports an interesting (irremovable) red helmet with black breathing equipment on it which runs to his chest. This breathing tube is detachable from his chest but it doesn’t seem to serve a purpose.

Analysis: this is a good and fairly realistic (as far as I know, but I’m no expert on aviation) military aircraft with some cool options. The sounds are all fine, and so are the actions it can perform. The rotating blades option is an interesting new feature I missed on Kenner’s helicopter sculpts, and the accompanying sound makes it more lifelike. The dino damage piece is a nice addition, though not very original. The firing mechanism used for this toy is similar to the one used for the weapons of the human figures from this toy line, except it works better in this case. The landing gear pushes the missile out (you don’t have to use your fingers this time), but it goes in a straight line and has a decent enough impact force to knock smaller figures over. The firing sound is a bit weird though, but not irritatingly so.

The paint job of this chopper is nothing special, but good enough. Green and black are of course usual colours for military aircraft, so it’s reasonable to assume the designers didn’t want to go all wild and use much different colouring. Nevertheless it would be cooler if they had painted some of the details in different colours, because now it’s quite monochromatic. The colour of the cockpit window piece, transparent green, is rather unrealistic: normal transparency would have looked better. The pilot figure perfectly fits in this cockpit though, but unfortunately most other JP III figures don’t. It would have been great had Hasbro made a bigger helicopter, similar to the ones we actually got to see in the JP III movie, capable of carrying more people. Still, this model is good enough.

The pilot figure is okay, but not brilliant. Like the chopper the paint job could have been better, and a removable helmet would certainly be an improvement. Fortunately the figure stands in a relatively neutral position, unlike most of the other human figures from this toy line. He does hold his arms in an odd pose though: it reminds me of the way C-3PO (from the Star Wars movies, obviously) holds his. However, this way the figure fits easier in the cockpit, so at least it serves some purpose.

Playability: good enough. The chopper has a nice number of options and actions, as well as some good sound effects. Though it’s not very big it’s a cool figure to attack dinosaur figures with, or of course to be mercilessly crushed by one of them big predatory dinosaur figures. The pilot figure is decent, but nothing more. It doesn’t work too well on it’s own, but together with the vehicle it makes a formidable pair. This helicopter is electronic, and more fragile than I expected (at least my particular model is). I suggest you be careful with it and don’t get too rough, because that might damage the electronics and nullifies the funky sounds, which would be a tremendous shame.

Realism: there was no helicopter of this type in the movie as far as I know. It certainly doesn’t remind me of any of the choppers I saw in the JP movies. Nevertheless it looks like a small military aircraft might look, mostly because of the paint job and the look of the pilot. The pilot also looks different from the pilots seen in the three JP movies, but he’s without a doubt a pilot with that helmet of his.

Repaint: no. Neither this model nor the pilot would be repainted for other toy lines.

Overall rating: 7/10. It’s a good model and has some neat features and cool sound effects. Though the pilot isn’t really impressive and the electronics of the chopper have a tendency to break easily (at least in my case), it doesn’t make much difference for the overall coolness of this realistically designed military craft. If you want one I suggest you get it, because it’s a fine model and should provide for some fun interaction with other JP figures. It’s not really rare, but can’t be found all that easily either. You might have to look for it somewhat and it may not be cheap, but it’s worth it.