Posts tonen met het label Angelina Jolie. Alle posts tonen
Posts tonen met het label Angelina Jolie. Alle posts tonen
zaterdag 20 september 2014
Today's Triple News: interstellar African Ben-Hur
A new crop of news posts:
http://www.moviescene.nl/p/157290/meer_posters_interstellar_uitgebracht
2001 much? Interstellar not only reminds me of Kubrick's classic in a visual way - in terms of both the look of space and the design of the featured technology - but also in the way it connects the vast recesses of outer space to things closer to home, that wonderful human condition, like mankind's destructive process of evolving and the emotional and psychological ties we share with the home that is our Earth. No artificial doorways to other realms here though, this time it's wormholes that do the same trick (unless they're artificial wormholes, which also wouldn't be a novel notion). It makes for a striking picture nonetheless, as this new poster above reveals. Surely stuff worthy of IMAX, unlike the few pitiful titles released in that format in the months prior to Interstellar's release. And hey, if Interstellar echoes 2001 strongly enough, at least they won't feel the need to pointlessly remake that much beloved movie.
Unlike this next classic...
http://www.moviescene.nl/p/157256/jack_huston_wordt_ben-hur
There is some Jewish blood running through Huston's veins, but not enough to warrant him playing an ancient Jewish nobleman in that regard. Fortunately Huston is also a very talented actor, so that should put all other issues to rest in my mind. So far, Huston has astonished me with his grand performance of the battle scarred WW I veteran/skilled hitman Richard Harrow on HBO's Boardwalk Empire, while I've also enjoyed his parts in movies like American Hustle and Night Train to Lisbon. It'll be very interesting to see what he makes of Judah Ben-Hur, tormented by his Roman childhood friend, subjected to brutal slavery and enlightened by Christ. I could do without the latter component of the story, but it's hard to deny it's an essential ingredient to the story. It can't be delivered any worse - though some would say 'uplifting' instead - than the way it was in the 1959 film, and I still love that film despite it's in-your-face religious overtones. It will be even more interesting to see what Timur Bekmambetov makes of this as its director. This fairly straightforward epic doesn't really seem suited for his flamboyant, if not downright outrageous, visual and narrative style. Then again, considering the fantasy elements delivered by Ben-Hur's Christian subplot coupled with Bekmambetov's experience combining both the historical and the fantastic genres (see Abraham Lincoln: Vampire Hunter, The Arena and the Night Watch films), it seems the studio has made the perfect directorial choice.
http://www.moviescene.nl/p/157289/angelina_jolie_regisseert_africa
The elephant plight is in desperate need of some worldwide attention, as these magnificent animals (and rhinos, too) are now in more danger of extinction than ever, due to the alarmingly increasing levels of poaching caused by the Chinese hunger for ivory and their complete disregard for wildlife. So I'm glad someone is tackling the subject and I hope it will be released in time to turn the tide. As for Angelina Jolie as the director, it's a solid choice considering she's serious about the need to highlight disturbing subjects like these to the public mind. I for one believe her work as a UNESCO ambassador is certainly more than just another movie star calling to attention the plight of others merely as a hobby. I don't deny her a sense of resolve. However, her directorial talents are still somewhat under dispute. So far only one of her directed features has been released (it was In the Land of Blood and Honey, if you recall), and it wasn't a particularly good film. Her upcoming movie Unbroken seems more promising though. And hopefully it will fulfill those promises, so Angelina will use her growing knowledge of the ins and outs of the directing craft to even better use for Africa. The elephants really would benefit from a movie about the ongoing butchering inflicted upon them, and it would only be to their advantage if it turned out to be a good one.
maandag 19 maart 2012
Beowulf
Rating:
****/*****, or 7/10
Second
foray of Robert Zemeckis into the realm of 'performance capture' (the
first being The Polar Express (2004), allowing digital artists
to record the motions of actors in blue suits on stage, especially
their facial movements for maximum emotional impact, and filling in
everything else via the computer afterwards. This time Zemeckis
appropriated this technique for telling the epic tale of the medieval
hero Beowulf (Ray Winstone), a valiant but arrogant warrior who comes
to the aid of a king (Anthony Hopkins) who is plagued by the hideous
monster Grendel (Crispin Glover). Beowulf fights the monster
successfully, but must than deal with his seductive mother (Angelina
Jolie) who promises him fame and riches in return for him giving her
a new son. Beowulf accepts, but finds he made a deal with the devil:
though he gets what was promised it makes him feel empty and alone.
When his son returns as a dragon and lays waste to his kingdom,
Beowulf gets one last chance to set things right and be a genuine
hero again. Plenty of good action and amazing visuals, but the
digital technique just didn't prove able to convincingly breathe life
into the pixelized cast, making them feel eerily artificial and
soulless. It did prove effective for getting Angelina Jolie stark
naked though. Zemeckis, not one to give up on an evolving means of
effects, applied performance capture a third time to his take on A
Christmas Carol (2009). Beowulf was the first film I ever
watched in (IMAX) 3D, and still one of the very few I feel made
effective use of the 3D process (just before the 3D craze got a hold
of Hollywood and most blockbusters used it to squeeze more bucks out
of the audience without delivering the promised goods): the way those
giant sea serpents alone came at you made the movie quite
spectacular, despite its digital shortcomings. Overall, a good
version of the old English poem, effectively combining the very old
with the very new.
Starring:
Ray Winstone, Anthony Hopkins, Angelina Jolie
Directed
by Robert Zemeckis
USA:
Paramount Pictures, 2007
woensdag 1 februari 2012
Alexander
Rating ***/*****, or 5/10
Epic
biopic follows the life and times of Alexander the Great (Colin
Farrell, refusing to loose his Irish accent, so all the other actors
portraying Macedonians had to adapt to him), and highlights the man
himself far more than his accomplishments. So while we are treated to
large scale battle scenes and his brave trek across Persia and Asia
in grand, sweeping scenes and vista shots, we also get a closer look
at his troubled relationship with his parents (a seductive Angelina
Jolie and a boorish, abusive Val Kilmer) and his love life, which
included a supposed homosexual affair with his close friend
Hephaistion (dreamy Jared Leto). Oliver Stone's focus on Alexander's
screwed up personal relationships is a bold, but ultimately doomed
attempt to explain the man's motives and his sometimes mysterious
decisions, which undermines the picture as a whole by making it feel
unbalanced and overly melodramatic. Stone himself wasn't really
pleased with the final product either, and made a total of three
released cuts, adding several scenes, loosing others and playing with
the sequential order of events. A good try, but never satisfactory in
whatever form.
Starring:
Colin Farrell, Jared Leto, Angelina Jolie
Directed
by Oliver Stone
USA, UK,
Italy and many other countries: Warner Bros Pictures, 2004
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