Today's News: spin-off, remake and sequel trailers galore

Catching up on the news of the past week(s), here's a bunch of trailers for y'all.

Teaser Bondfilm Spectre online

Lots'o tease indeed. No big action showing Bond what he does best (bedding ladies, recklessly driving vehicles and violently offing baddies), just setting the tone and atmosphere and providing hints at the bigger plot without offering explicit explanations as to the how and why. If this teaser was a summary of the final product (unlikely, but you never know), you'd definitely know Sam Mendes returned to the director's chair, after the equally introvert and slower paced (but all the same very good) Skyfall. Nevertheless, the sense of an upcoming big confrontation is felt throughout this preview. British Intelligence up against a criminal rival of equal strength and proportions led by the always infectiously nefarious Christoph Waltz, there's gotta be blood. More major characters up for the block then? I doubt that, as most of them have just been introduced in the previous installment. There's definitely a side character or two eligible for being sacrificed for some emotional conflict. Or maybe Mendes will surprise us all again and kill off Bond himself. So the studio can move on with Idris Elba in Daniel Craig's place, seeing as those perpetual rumours circling the web just won't die. After all, dead or not, James Bond always returns, in whatever guise.

Nieuwe trailer Mad Max: Fury Road

The same can be said for Max Rockatansky. Though he definitely returns less often than 007, as he's now at four films in 36 years as opposed to 24 in 52 years. But in many ways, this franchise is very similar to the James Bond movies. You've got a tenacious, lethal and handsome protagonist that doesn't necessarily have to be played by one single actor, stuck in a world full of ever ongoing violent political intrigue (just over cruder resources, like water and fuel) providing explosive action with gun fights and car chases and what have you. And he, too, occasionally gets laid (just not nearly as frequently). The new trailer again makes Fury Road appear like an epic film, though finally a bit more plot is added to the many fabulous shots of chase and fight scenes in beautiful desert vistas. That plot does bear a bit of a resemblance to The Road Warrior, it's hard to deny. But that was kinda to be expected. After all, reintroducing the character and his environment with a new main star after 25 years does lean towards the makings of a reboot. So story wise, I don't expect too many surprises on a narrative level. But hey, it beats a fullblown remake. At least enough variation is offered to make the movie feel fresh and new enough for the fans as well. I just hope the same can be said for the two sequels Mr. Hardy already signed up for. I've already seen him do the Thunderdome thing - you know the drill; two men enter, one man leaves - with Batman, after all.

Nieuwe trailer Poltergeist

This appears less fresh and new. But this of course is a total remake. Of a fairly classic genre film that has since spawned its fair share of inspirations, sequels and rip-offs. Which begs the question what this new Poltergeist movie has to often, other than its recognizable franchise name which the studio no doubt hopes will be enough to convince audiences to pay for it in theatres. Going by this trailer, I'll skip this remake. I just don't see anything worth my while that I haven't seen before. The plot of a family being haunted by ghosts up to no good has scared itself to death at this point. There have been good variations on the theme (The Conjuring springs to mind as the most recent example), but a much larger number of shitty versions plagues the horror genre. I'm surprised to see good actors like Sam Rockwell and Jared Harris jumping on board of this remake though. Were they in need of money, did they have time on their hands, or is there just more to this remake than meets the eye? I don't know, and I'm not likely to find out upon this film's release. I don't usually dabble in horror remakes, I find the whole concept just too scary.

Titel tweede Walking Dead serie onthuld

Eerste teaser Fear the Walking Dead

Here's another scary thing, a second Walking Dead series. First and foremost, it must be said that I love the currently running show. It's utterly compelling television exploring the human condition under the toughest of circumstances, rife with all manner of grizzly ghouls out for human flesh and exciting action scenes to match. But what is the need for a second show? I can only imagine it offering more of the same concept. The only thing that makes it stand out against the original show is the time frame, which explores the infection from the get-go. And I'm not sure whether I'm too keen on the revelation of that mystery, as it proved simply irrelevant in the current series. We really don't need to know why the world has gone to hell, as The Walking Dead is all about showing how people react to that fact of life (or better, death). As far as I'm concerned, the cause of the infection can remain a mystery indefinitely, we're simply not encouraged to want to know, plus its revelation wouldn't add to the story, more likely just take away from it. Fans can come up with all manner of funky theories as to the how and why of the situation, but when it has aired on theories, that's that over with. Other than that, Fear the Walking Dead (I do kinda like that title) is likely to follow an all too similar scenario of plot lines as its concurrent show features. Which means it will be fun and thrilling to watch at best, just not nearly as inspired or innovative. But maybe I'm just entirely wrong and the show proves as catchy and exciting as its predecessor. After all, AMC pulled the same stunt with Breaking Bad, and I hear Better Call Saul turned out to withstand most initial skepticism. Here's to hoping...

Today's News: slow week

Getting back on track by offering all the news of last week up at once. Wasn't much of it anyway.

Eerste poster nieuwe 007 Spectre

My, doesn't Daniel Craig look like a manly man on the first one-sheet for the 24th 007 film? His eyes never seemed more blue. That alone should win over the womenfolk en masse. Plot details are few, but that matters little when it comes to a huge beloved franchise like this. It's James Bond, people know what ingredients to expect. This poster guarantees they'll get some of it, namely a tough protagonist and plenty of (gun) action. And likely the usual obnoxious product placement ads interspersed throughout the film, as his gun and watch seem ready for that. The general image suffices for the marketing campaign up to this point. The most important thing is the name getting the chance to nestle itself into the collective consciousness, building awareness for the impending movie well in advance. It's hard to miss on this poster. Even though for those more strongly interested than the general audience, it's still unclear whether it's 'Spectre' or 'SPECTRE'. But details on that and the actual story can wait until the promotional campaign kicks into higher gear, when trailers start pouring in. For now, suffice to know that, as always, James Bond will return. And so will Craig.

Nieuwe casting Disney's Beauty and the Beast

Even though we may be, Disney sure isn't done remaking its entire library of animated features into live-action films. We've only just had Cinderella, but at least three more projects are in the works, including this one, Beauty and the Beast. After all, it's a tale as old as time, so who cares there have been dozens of versions of this story already? The expensive and visually lavish French film was released just over a year ago, but casting on the next iteration is already in full swing. And some of the casting is certainly spot-on. Luke Evans as the arrogant hunter Gaston is a golden choice. Kevin Kline and Emma Thompson are always good reliably British choices. I'm more on the fence over the titular characters, as played by Emma Watson and Dan Stevens, respectively. Also very British, perhaps too much so to play supposedly French characters. Watson undeniably is a beauty, but I've got a hard time picturing the dashing, gentlemanly Stevens in any beastly form. It's gonna require a lot of make-up to hide those positive features of his. And how about the chemistry between both? So far, Watson has never played one on one with another actor for a whole movie, she's always done threesomes or group jobs (no, not of that kind!). She did well enough playing off multiple characters, but didn't often convince me on a smaller, more personal scale. Guess it's up to Beauty and the Beast to show me otherwise.

Pilot Let the Right One In in de maak

Another movie up for a television series, and what an odd choice it is. Apparently Let the Right One In has some staying power and enough of a franchise potential in the mids of execs in the TV industry. Despite being limited to one original Swedish film and its lacklusterly received American remake. I haven't seen the Scandinavian original. but I did see the US take on it and found it to be surprisingly strong for an American remake. Either they simply just got it right for a change, or the Swedish film must be exceptionally good. But a TV show based on this premise? I can't imagine it running longer than a single season. Boy befriends ancient vampire who looks like little girl. She helps him defend himself against bullies, he aids her in acquiring blood. Plus a little murder mystery on the side, but that's all there is to it. If they want to make a show out of it, even a short series of like six episodes, they still need to add a lot of details and new story elements to stretch it out. And apparently, considering the high praise for the original film, the story doesn't really need it. That combination of facts doesn't bode well for this project. But hey, I've heard of worse recently announced TV shows based on films, both good and bad ones. And since we're living in the Golden Age of Television, we can afford a badly adapted series or two. Enough good stuff to pick from. It just kinda sucks for the Swedes if their hit movie was among the poorly conceived shows out there.

Eerste trailer The Transporter Refueled

A change of main actor notwithstanding, the Transporter just continues raging on the big screen as ever. It never got to be a major franchise despite spawning two sequels, but it seems the Luc Besson studios are endeavouring to change that, having learned from surprise boxoffice successes like the Taken series and Lucy how the game works. Wouldn't be the first time an action packed movie series featuring fast cars and hot dames which everybody considered burned out after the third installment, suddenly picked up speed with its fourth entry. Remember Fast and Furious? However, that series benefited from the return of its hottest stars against the odds, and Transported Refueled does not. Jason Statham just departed after three films and left the steering wheel to Ed Skrein. What do we know him from? Playing bit parts in a bunch of action movies, but he's most notably known as the creepy Daario Naharis from Game of Thrones, before the hot Daario Naharis (Michiel Huisman) took over our collective notion as to what Daario Naharis should look, sound and be played like. So the appeal of the new Transporter flick isn't likely to come from the main star. Hopefully the fast-packed action, cool vehicles and scantily clad girls prove enough to entice audiences and ensure the F&F like future the producers no doubt envision. Fat chance.

Gainsbourg in Independence Day 2

Yes, ID4 2 is still a go and the cast is getting bigger by the week, whether we care to see a second film or not (most of us don't). Big European name Charlotte Gainsbourg - from those creepy sexually charged Lars von Trier movies like Nymphomaniac and Antichrist, that freak out American audiences so nicely - has joined the fight against the next invasion of evil alien grasshoppers. We have no idea what character she'll play as of yet. My hope is she'll play the French president who leads the heroic main assault against the sinister extraterrestrials in a fighter jet by herself. Not gonna happen. If she performs duty as a government leader at all, it's probably one desperately needing American assistance to combat the legions of evil, as these things go in Hollywood blockbusters. Maybe she won't play someone in office at all though, that might just be my imagination running wild. Face it, if the script calls for a strong female European political leader, anyone in their right mind would immediately cast Sidse Babett Knudsen, who would personally kick some serious alien butt. Given her recent repertoire, it's not inconceivable Gainsbourg will play the stripper girlfriend of the black pilot instead. Though maybe she's too old for that, and the black pilot they cast too young. Did Jeff Goldblum's character finally found a wife then? So many options, and not all of them as flattering to Gainsbourg's considerable talents, as you can see. It doesn't matter really. If not by Gainsbourg, alien ass will be kicked by someone else for sure. Because that's what ID4 2 will definitely be about.

Downton Abbey stopt

And some sad news to conclude this week. All good things must come to an end, including this one. I have yet to catch up with the previous two seasons of this delightful show, though I've heard they're not as good as what came before. I'm still sorry to see the Crawley family leave the air, regardless. Downton Abbey proved about as high class a show as British telly can deliver. Fabulous tale of sweeping change in both the higher and lower echelons of society in the first half of the 20th Century, proving both sides are utterly compelling and relatable in their dealings to stay afloat. Not to mention the strong assembled talent, always good for terrific performances. Usually quality English shows prove to last only a season or two, so we should consider ourselves fortunate it lasted as long as it did. At least Downton Abbey gets a chance to be wrapped up properly. A fine series like this deserved a fate better than cancellation, even those who ended up disliking it shouldn't deny as much. Oh well, as I stated before and we all know, the whole 'Golden Age of Television' thing. Plenty to watch. Let's merrily move on.

Today's News: a tidal wave of old news

The situation remains unchanged. I have time to post news on MovieScene on a (more or less) daily basis, but the same cannot be said for my blog. Of course, you can question the validity of commenting on (old) news on a blog with only six followers to begin with, but my obsessive-compulsive mind won't let me do so. So I continue to struggle on this quest to catch up with myself, seemingly doomed from its inception. Whatever. I ain't the giving-up type.

http://www.moviescene.nl/p/157521/eerste_teaser_tomorrowland

Yup, that's a teaser alright. It offers only a glimpse into the story of this movie, focusing on the pin as a means of interdimensional(?) travel. We'll have to fill in the rest for ourselves, including the (intellectual) nature of the relationship between the young girl and the middle-aged inventor. It's Disney, so it will be pretty harmless on the surface no doubt. Then again, there already is a theme of juvenile delinquency present here, and I'm curious as to how far this will be taken. It's probably an 'unlikely heroine' case, where the world simply isn't ready for the misunderstood protagonist, while the oddbal inventor, also undoubtedly a social outcast, proves not all grown-ups are like that. And so they bond and have wonderful adventures in a weird and wacky wonderland beyond the reach of us ordinary mortals who pay to witness them. Not much of a 'wow' factor as of yet: as this is a teaser and most of the many expensive and complex VFX shots are still a work in progress, we have to make do with only a shot or two. Unless you consider a field of wheat a spectacular sight.

http://www.moviescene.nl/p/157539/lea_seydoux_misschien_de_nieuwe_bondgirl

Well, duh! Seydoux, to my mind, is the quintessential type of actress to assume the mantle of the Bondgirl: sultry, sexy, undeniably talented, a hint of sexual danger behind her eyes and a succinctly European attitude. I am not surprised she's up for a part in Bond 24. I considered it only a matter of time. Just remember how well she performed in a similar genre movie like Mission: Impossible - Ghost Protocol. I do find it interesting that her part was originally intended to be filled by a Scandinavian actress. Of course she is enough of a chameleon to play a Northern-European broad, I even have faith in her ability to pull off the accent convincingly (which is not an attribute I normally credit persons of a French descent with). It just seems a shame for all the Scandinavian actresses who didn't make the cut because Seydoux beat them to it. Could it be another example of Americans generalizing all European nationalities as interchangeable (as us Europeans often tend to do with Americans from different states)? I doubt that, considering the diversity in nationalities from the people behind this picture. The director for example is British, as is most of the main cast. And the director of photography is a Dutchman. There's a little bit of pride in me for that, I'll admit. As I feel for Mademoiselle Seydoux, who happens to be the granddaughter of my highest ranking international boss. So yeah, her intense performance in La Vie d'Adele was quite an eye-opener for me, and if you have seen that film (which you should have) you bloody well know what I'm referring to. That's not gonna happen in Bond 24, I'm sure.

http://www.moviescene.nl/p/157541/lego_batman_film_aangekondigd

I'm not entirely convinced this is a good idea. The LEGO Batman character seemed to work fine bouncing off of other characters in witty repartees, but could the arrogant superhero toy actually carry his own movie? And would that be a smart move, considering a new version of the Dark Knight in the flesh is currently also developed, played by an actor many consider to be wrongly cast? It appears to be a case of bad timing and it may backfire on Warner/DC. Or maybe the exact opposite will happen, because both takes on the same character are so stupendously different (at least, we assume they will be at this point). However, I'm quite convinced the sequel to The LEGO Movie should take precedence over this spin-off and ought to star the brick version of the Caped Crusader as a side character yet again, to see whether the joke's still funny then. There's something gratuitous to famous characters, real or fictional, being LEGO-ized. It's simply an easy gag, has been for decades (remember this one, from the days LEGO movie tie-ins were still a spanking new phenomenon?). Even now that we learned to get used to LEGO making brick versions of many a major movie franchise, those minifigure versions of the real deals are not supposed to be the stuff of major motion pictures themselves. I guess it's up to LEGO Batman to prove whether that sentiment still holds true, or whether LEGO itself has finally been widely socially accepted as an 'artificial actor' playing different characters itself, even performing roles that have been and still are played many times before.

 
http://www.moviescene.nl/p/157547/eerste_trailer_serie_powers

Hardly a novel subject nor a novel approach. The 'reluctant buddy' team-up could definitely be called a staple this day and age, especially when one is gruff, rude and experienced (and male) and the other is young, rash and ideologically motivated (though not always necessarily female). The black/white motif is age-old as well. As for series based around the premise of superpowered individuals and their place in society, if any, we've also seen our fair share of those (The 4400, Heroes, Alphas). Gritty, grounded in reality, both room for cynicism aimed at and hope for the general human condition, check, check, check. Likely to be cancelled after a season or two, definite check. So what would make us watch this show? I like the casting choice of Sharlto Copley, he's not the most obvious actor for the part. Though he's best known for his comedic touch, he too often dabbles in distressing real-world scenarios mixed with a fantastic element (e.g. District 9). Plus, he has done grimy, dislikable characters before (e.g. Elysium, nevermind his overacting). So his involvement is a big pro. But is it enough to beat all the apparent cons? That remains to be seen.

http://www.moviescene.nl/p/157562/nieuwe_posters_hobbit_3

Did two reports on the deluge of Hobbit posters in my previous post, don't really feel the need to get repetitive here. Especially since these four new posters are equally dull as their predecessors, and don't do justice to the epicness that is in store for us (supposedly). I like the characters and the actors portraying them, but I don't need their sweat, blood and tears so in-my-face. Unlike the trailers, these posters don't get me pumped for this final Middle-Earth movie.

http://www.moviescene.nl/p/157561/resident_evil_en_mortal_instruments_series_aa

Sure, considering all the fabulous quality series currently on television, let's explore franchises that failed to find an audience on the big screen for regurgitating on the small screen. Then again, there has proven to be a definite audience for the Resident Evil films, as the sixth is currently in pre-production. None of them are serious blockbuster movies though, they all carry a B-movie stigma. They're totally the stuff of guilty pleasure and everybody knows it; they don't have good FX, good stories or good acting, but the fanbase keeps watching nonetheless. Probably because of all the hot women involved, like star Milla Jovovich. I doubt the series' budget could afford her though, which means there's one less succesful ingredient present in the series. They can find another 'hawt' action babe of course, but the audience needs time to get to appreciate her kicking ass. And poor Mortal Instruments doesn't even have the hot chick element in its favour, but since it's aimed at teenage girls, a few hot guys will suffice. Apparently demon slaying Jamie Campbell Bower didn't fit that bill, since the movie flopped so bad (though there were many other reasons for that, too). I think this franchise has a better chance at finding a new life on telly though, considering there's plenty of source material from the books to mine, plus most people obviously never bothered watching the film, so it might feel more 'new' than it actually is. And the young adult genre is still going strong at the movies, so maybe there's still a chance the failed flicks among them find an audience on television after all. So we can "look forward" to series based on the likes of Beautiful Creatures and The Host as well, possibly. Yay...

Today's News: Mendes does Bond again

Here's a MovieScene quickie I did late last night:

http://www.moviescene.nl/p/148509/sam_mendes_regisseert_toch_bond_24

Good news as far as I'[m concerned. Sam Mendes is a great director, Daniel Craig is a good Bond, John Logan is a solid writer (Star Trek: Nemesis not withstanding) and Skyfall kicked ass. So I'm all for it.

Off on vacation now. See you next week!

Movies gone by: the continuation of the continuation

It took a bit longer than I had hoped for, but as you might recall a few weeks back I started listing and briefly critiquing all the movies I had seen while my PC was undergoing repairs. Basically all the films I had wanted to review on my blog in the past three months but couldn't due to lack of online access are now shortly described here so my avid readers will know what flicks I failed to report on and what gems (or less gemmy movies) they might have missed. Today: part three. It won't be the last part, but hopefully the end is in sight and I can soon get back to posting movie reviews the regular way; however, I will try to write less elaborate pieces, since it has been brought to my attention that few people these days bother to read a 2,000 word review when they got alternative options that would save them a lot of time (but would also provide them with less knowledge). We'll see how things go in the future, but for now, here's a few more movies I had the pleasure (or not so much) of watching recently.

Like Someone in Love: **/*****

Unusual French/Japanese co-production by Iranian born filmmaker Abbas Kiarostami, dealing with a young prosititute in Tokyo who hooks up with an old man for a few days who provides her with a place to stay and transportation to school. When the senior meets the girl's boyfriend, who strongly intends to marry her but has financial predicaments of his own, he takes the elderly man for her grandfather, a role he does not deny, with dire consequences. Or so we are left to assume, since the whole film is working towards a seemingly violent confrontation between the deceived boyfriend and his girl and her would-be benefactor. However, Kiarostami does not bother to gives us a proper ending, thus making the audience emotionally invest in characters without rewarding us with a proper send-off. And it was already a tough job getting us invested in them, considering the slow pace and hardly existing montage that makes it hard to stay involved and ultimately makes for a rather dull film that cuts away when things would have gotten interesting. However, it must be said that due to its calm overall rhythm the abrupt ending (of the film that is, not of the series of events it portrays) is that much more disturbing and risqué. But that's not enough to make for a satisfactory viewing experience: when things finally start to get interesting, the movie is over.

NO: ****/*****

Academy Award nominated Chilean film about the opposition's attempts to get the people of Chile to vote dictator Pinochet out of office in the 1988 referendum. Sly advertising agent René (Gael Garcia Bernal) construes an unusual 'NO' campaign that, instead of underscoring all the terrible things that are wrong with the dictatorship, shows everything that's fun about democracy under the motto 'democracy is happiness'. René's opportunist boss however works for the 'YES' front, trying to undo his employee's attempts at creating a persuasive campaign via ruthless intimidation. However, his despicable way of working against the opposition by making René's ads look stupid and uninformed backfires on him and the regime. However, René and his team still have to deal with agressive intimidations by the dictatorship's sinister agents, making for an ever more oppressive and stressful working environment to change the country for the better. Making excellent use of a nostalgic eighties video look, complete with small screen television frame format and lousy picture quality, this movie at first feels like an old documentary, but looks can be deceiving, since it ultimately proves to be an ingenious mix between political satire and suspense. Interestingly enough, despite making us root for the small band of political activists taking a stand against tyranny, the film does have the audacity in the end to ask whether life in Chile has improved that much, now being swamped in typical capitalist omnipresent advertising and routine product placement, making for a dull life for the older René.

Skyfall: ****/*****

There's little to add to everything that has already been said about this film, other than my own opinion which somewhat predictably follows the majority of positive attitudes towards this celebration of 50 years of 007. Skyfall witnesses James Bond (23^rd movie, third starring Daniel Craig as the dashing British secret agent) seemingly meeting an untimely demise due to friendly fire, after which MI6 gets attacked in general and M (Dame Judi Dench) in particular by a shadow from her past. Fortunately, 007 proves to be still alive and soon moves against the shady figure (a wonderfully villainous Javier Bardem) who shares quite a few traits with himself, making for an increasingly small scale, deeply personal climactic struggle between both sides, with tragic results. Directed by Sam Mendes, this is one of the less action oriented Bond flicks, opting for character drama instead, fleshing out the Bond character and his emotional connection with his boss. Both revisiting and rewriting 50 years of Bond history, the movie successfully walks a fine line between the more serious attitude of the Craig films and the funkier take on the character from days past, without ever going too far either way and respecting the characters' journey at all times. Old characters return (Q, Ms. Moneypenny) in new guises, both indicating how much has changed over time and how much remains the same. The film is laced with references to earlier Bond films, but few of them are so in-your-face they threaten to subvert the film's pacing. If you're looking for action only, you might end up disappointed since the high adrenaline chase scene that opens the movie is never surpassed later on, but the emotional climax which includes the death of a major character and the set-up for many more Bonds to come makes it all worthwhile. If only all movie franchises would turn 50 this gracefully...

Argo: ****/*****

Best Picture winner of 2012, finally re-affirming Ben Affleck's position as a top Hollywood player, even as an actor (though he also directed and produced this film). An intriguing and surprisingly funny film, despite its heavy and, in some respects, sensitive topic, Argo chronicles the 1980 attempt by the CIA to extract American diplomatic personnel caught in the crossfires of the Iranian revolution. Their solution: pretend like we're making a Sci-Fi flick like Star Wars and we're scouting for suitable desert locations. Surprisingly, it worked. However, the film has gotten much criticism by taking some creative license with actual historical events (as such Hollywood films always do), among them the diminished role of the Canadian embassy in this shadow play. Nevertheless, it stands tall as a slick political thriller with plenty of moments of utter absurdity to relieve the excessive tension at times and also applying a delightful eighties' feel to the whole. For science fiction aficionados it's particularly fascinating stuff, giving us a glimpse of an epic fantasy flick that sadly never materialized, simply because it was all a ruse. Wouldn't it be nice if Affleck decided to finish what the CIA started and make an actual Argo after all? Wishful thinking, since his response would more than likely be 'Argo fuck yourselves'. Too bad...