Posts tonen met het label guns. Alle posts tonen
Posts tonen met het label guns. Alle posts tonen
dinsdag 29 oktober 2013
Today's News: women soon expendable too
Old news by now, but still new enough for posting, as it is mine and this is my blog so I post whatever pleases me anyway:
http://www.moviescene.nl/p/151194/diaz_streep_en_jovovich_als_expendabelles
Expendabelles... I actually like that cheeky play on words. Of course it confirms this is basically just a rehash of the Expendables, except with an all-girl team, but I think most audiences would have picked up on that anyway, so why not exploit it to the fullest from the get-go? After all, the Expendables has become quite a brand name, so there's no harm in riding along its wake of success from a commercial viewpoint, especially if the rights belong to the same studio. A film like this was bound to happen, really; with all of the recent action films that feel like Eighties-throwbacks, spouting their testosteron all over the place, a cry for girl power was to be expected sooner rather than later. I'm only surprised it took so long to get a project like this into gear. Coming from someone who got beat up by his sister regularly as a kid, I know there's plenty of strong women who take crap from no man, though not enough films have made use of this fact. Sure, there's the occasional female action star, but an all-girl team of commandos kicking butt? I can't think of a title that covers that angle. Charlie's Angels comes closest, so I'm not surprised at all Cameron Diaz' name has been revealed to be attached to this film. Same goes for Milla Jovovich, who alone has starred in just about as many action flicks - six Resident Evil films for instance - as all other female action stars combined. Meryl Streep however is an intriguing choice. Surely one of those olden goldies (which is not meant to come off as condescending to actors/actresses who were already active and successful in the Eighties, and still are today) that commands respect, though not particularly in a physical sense (and she better not sing!). In terms of acting it's certainly gratifying to see a woman of her caliber in a starring role. The names of Gina Carano and Katee Sackhoff also sound right up this film's alley, even though they may not be as familiar to general audiences as the previous trio. Still, I think there's room for more here. Linda Hamilton? Sigourney Weaver? Angelina Jolie? Rhona Mitra? Michelle Rodriguez? Seems like there's enough potential actresses to pick from for this film and two sequels at least.
Then there is this question, which just had to be asked at some point (though I haven't heard anybody else on the topic yet, surprisingly): if Expendables and Expendabelles are from the same studio, does that mean they share a universe from a narrative angle, which may lead to a crossover between the male and female departments, resulting in one super-ultimate, big-ass action flick-to-end-all-action-flicks? Or would people prefer to see gents and dames stick to their own corners instead of going at each other, which could only lead to the girls' defeat? I for one really can't see any female action stars surpassing the likes of Stallone and Schwarzenegger in terms of physical stamina, expertise with weaponry or sheer muscles. In terms of intelligence though...
donderdag 3 oktober 2013
Today's Mini-Review: 2 Guns
2
Guns: ****/*****, or 7/10
Now
this is a buddy movie if ever I saw one. The one buddy is Denzel
Washington starring as an undercover DEA-agent aiming to bring down a
drug lord, the other is Mark Wahlberg starring as an equally
undercover Navy intel officer attempting to secure the same kingpin's
cash to fund covert Naval operations. Naturally, neither is aware of
the other's actual identity – if you think different government
situations could adequately work together for a change, think again!
– and they know they'll have to kill their partner somewhere down
the road, but not before said road screws them both and they can't
trust their own employers no more, which leads them to forge an
uneasy alliance to get through their common misery alive. It's
basically the 'why so serious' version of The Departed, except
here the moles have to dig themselves out together. Of course
2 Guns never reaches that film's level of quality, but it
surpasses most other recent action movies, mostly thanks to excellent
chemistry between Washington and Wahlberg (giving the latter another
chance to prove he can actually act, which is still a matter of
debate in some circles). The successful and catchy interplay between
Washington's relaxed and calculating thinking man and Wahlberg's
charming but obnoxiously loudmouth man of action is the result of an admittedly fairly solid script containing plenty of witticisms, absurd but
surprising narrative situations and, as expected, a decent amount of
gunfights. The movie betrays its comic book roots in an overall
over-the-top attitude, with delightfully ridiculous action scenes,
the use of politically incorrect stereotyping here and there (the
vile and racist border patrol cops for one) and an excessively eerie
and villainous bad guy with a routine for sadistic interrogation
techniques (Bill Paxton!). Coupled with an abundance of snappy
dialogue throughout, as well as a fairly intelligent, though at times
a little convoluted, plot for this type of high octane action flick,
it makes 2 Guns one of the more pleasant and enjoyable of this
year's thrill rides. Ideologically speaking, the movie suggests
there's nobody you can trust but your gun. You certainly can't trust
government institutions, since they use you and abuse you at their
convenience (which makes it all the more ironic I saw this film on
the same day US government services throughout the country shut down
due to the inability of American politicians to agree on budget
measures, leaving the States in chaos). The DEA is corrupt, the Navy
is a tool that only cares about its own prestige and turns a blind
eye to injustice amongst its ranks for the greater good, and the CIA
is nothing but an out of control private army for its top brass who
utilize it to get filthy rich by smuggling drugs into the country in
cahoots with the Mexican drug lords that only serve as their stooges.
Heck, the Mexican drug lord in this movie (an unconvincingly Hispanic
but convincingly scary Edward James 'Adama' Olmos) has more scruples
and honourable sensibilities than any of the goverment's top dogs!
When it comes down to mutual self-preservation you can rely on your
best buddy, but once the dust has cleared you can only trust him as
far as you can spit, as illustrated by the protagonists' continuing
eagerness to plant a bullet into each other even up till the end of
the film. It's a dog-eat-dog world, 2 Guns states, but with a
good gun you can make sure you're the canine doing the eating, while
getting away with a load of cash while you're at it.
maandag 27 augustus 2012
Shooting people up, Advanced Class
The Expendables 2: ***/*****, or 7/10
Tony
Scott may have jumped off a bridge, thus leaving the movie industry
with one less capable action director, but fortunately there's still
some of those left. Simon West for example. Though generally not as
well known, nor as experienced in shooting pure action judged from
the number of action films in his repertoire, with movies like Con
Air (1997), Lara Croft: Tomb Raider (2001) and the recent
Jason Statham flick The Mechanic (2011), it's far from
unreasonable to state the guy has some knowledge of things that go
boom. So when Sylvester Stallone decided to stick to writing and
acting while letting go of the director's chair that seemed to fit
him well enough for his ultimate action movie The Expendables
two years ago, hiring West for the job wasn't the most illogical
decision. However, judging from the final product, Stallone would
have done well to encourage West to get more innovative, considering
The Expendables 2 improves little upon its predecessor: a
solid action movie is West's contribution to the franchise, but
considering the sheer number of renowned action stars participating
in Stallone's second ode to the action genre as a whole, the sequel's
approach to things feels like a routine is being established instead
of new routes being taken. That routine apparently revolves around
action stars getting together and shooting people up.
The
movie's main focus seems to be the expansion of bit parts of
characters from the first film played by screen icons Arnold
Schwarzenegger and Bruce Wilis, plus the introduction of several new
characters played by muscle movie veterans Jean-Claude Van Damme and
Chuck Norris to the already impressive line-up of (near) legendary
action stars from the first film, to further support Stallone's
hypothesis that old dogs can still pull off worthwhile tricks that
manage to draw huge audience numbers. His point was well proven by
the success of The Expendables, making The Expendables 2
feel more like an obligatory Hollywood cash-in than a sincere attempt
to outdo what was done before for the audience's entertainment.
Nevertheless, The Expendables 2 at least succeeds in
delivering ample amounts of gun fights and screen violence paired to
often successfully timed moments of humor and referencing the action
classics the movie means to pay homage to, which is what most
spectators will expect, and what they will get.
The
movie starts in medias res, as we follow Stallone's pack of
mercenaries – and it's really Stallone's, since few people will
ever remember the names of the characters after leaving their
theaters, considering they are played by so many larger-than-life
people – on a job rescuing a wealthy Chinese entrepreneur from the
clutches of nameless Nepalese thugs, in a spectacular raid on their
heavily fortified facility involving heavy machinery and man sized
artillery, opening the film with a huge bang as our heroes shoot down
and blow up endless rows of antagonists in an expected and desired
orgy of gun violence, followed by an adrenaline rushed jungle river
chase (which saw one stunt man dead and another one crippled) ending
in a decently sized explosion to round things up. If you were
wondering, the movie is rated R where the previous installment was
only PG-13, thus allowing the director more freedom to insert
appropriate levels of gore and blood into the film, all for the
better. At this point the film has only run for about 15 of its 103
minutes, so it takes a moment to re-establish the characters,
introduce some new ones and specify their upcoming mission, plus
giving the viewers a much needed moment to catch their breath.
Centerpiece
of the first half of The Expendables 2 is rookie team member
Billy the Kid (played by Liam Hemsworth: despite his role in The
Hunger Games, this is really his first action film, making him
feel as much out of place in this movie judging from his experience
as an actor as his character feels out of place on the team for his
young age), protegée to team leader Barney Ross (Stallone, mumbling
his lines as unintelligibly as usual), who despite his excellent
sniper abilities decides this is not the life for him and tells his
mentor he means to retire soon. However, when the band of extremely
broad shouldered brothers find themselves with a new assignment,
courtesy of shady CIA operative Church (Wilis), who they owe some
money after the events of the first film, to retrieve a brief case
from a downed plane in Albania, Billy's loyalty compels him to join
them. They are also accompanied by Maggie, an expert on Church's
payroll: Chinese actress Yu Nan gets the seemingly thankless job of
representing girl power amidst the humongous amounts of testosterone
going around, but manages to keep up surprisingly well, giving the
occasional witty rebuttal when confronted with near sexist remarks
from her new team members. The brief case is easily found, but soon
lost to the villain of the piece, a bad guy simply named 'Jean
Vilain', played enthusiastically by Jean-Claude Van Damme despite his
character's feeble screen name: fully in tone with Stallone's
straightforward way of thinking, why bother with intricate
designations when you can call a spade a spade? Vilain makes it clear
he's not to be messed with and lives up to his name when he takes the
team's prize and leaves Billy dead, thus setting the stage for the
veterans' quest for vengeance.
Revenge
alone is too ignoble an objective for such a notable group of
exemplary action stars, so the plot raises the stakes by revealing
the brief case contained the exact location of a former Soviet depot
in Bulgaria that houses five tons of plutonium Vilain intends to sell
despite its threat to the world's balance of power. To make him even
more of a ruthless bastard, he utilizes slave labor to dig out the
plutonium, so the Expendables' mission is to free the slaves, secure
the goods and avenge their comrade. In truth it matters little what
the exact mission is, so long as the stage is set for a large string
of overly loud gun fights, some neat display of martial arts and
general fisticuffs and a decent amount of one-liners mixed in, most of
them acknowledging the actors' former entries into the action genre
(with the most obvious and funniest remarks referring to the Die
Hard and Terminator franchises). In a moderately epic,
drawn out conflict staged at an air port the team of good guys, now
joined by Wilis, Norris and Schwarzenegger, square off against the
legion of bad guys, culminating in a vicious mano-a-mano
confrontation between Stallone and Van Damme, kicking each other's
teeth in like two Roman gladiators. Needless to say who wins the day,
since The Expendables 3 has already been widely announced.
In the
middle of all the action, the main attractions of The Expendables
2 regrettably also turn out to be its main flaws. Since the
success of the first movie was based mostly around the large number
of famous action stars getting together for a
mother-of-all-action-films flick, The Expendables 2 clearly
needed to outdo its predecessor by gathering some more noted
heavyweights to join the fun. The full line-up of action stars of the
film now consists of Stallone, Van Damme, Wilis, Schwarzenegger,
Norris, Dolph Lundgren, Jet Li, Jason Statham, Randy Couture and
Terry Crews and with so many vets gracing the screen, it'll come as
no surprise not everybody gets an equal chance to shine. Li, an
established team member in the first film, exits the movie
immediately after the opening mission has been completed, not to be
seen or even mentioned again, while Couture, Crews and Norris are
left with little to do during the whole piece, and Lundgren largely
has been reduced to comic relief (which thankfully he pulls off
well). It makes you wonder why the movie needed an action virgin like
Hemsworth at all, considering his role could have gone to one of the
older and more accomplished actors, thus offering a chance to make
the narrative feel more poignant upon the moment of his death. The
same can be said for Yu Nan's role (though it's laudable West and
Stallone provided the opportunity for her big break on the
international market), which could also have gone to one of the other
actors in favor of balancing the existing amount of characters
properly instead of relegating them to the side line in favor of even
more characters joining the stage. Wilis and Schwarzenegger are no
longer restricted to playing mere cameos as they were before but are
finally offered the chance to get their hands dirty: they do so
vigorously, but their status as (former?) A-list superstars is mostly
applied to referencing their most memorable movies more often than
feels appropriate, at times making their presence feel forced despite
generating a few more laughs. At least Van Damme gets the opportunity
to explore Vilain's savage villainy in much more detail, making his
climactic final fight with Stallone work on the intended levels. As
was the case with the predecessor, at the heart of The Expendables
2 still lies the camaraderie between Stallone and Statham, with the
pair of them exchanging both witticisms and drama, acknowledging the
fact the torch has successfully been passed from Stallone's age of
action stars to Statham's more recent generation, with relentless
love and understanding for the genre and its conventions clearly driving
the both of them. The more things change, the more they stay the same
after all, and both sides of the coin are amply represented in West's
The Expendables 2 as much as they were in Stallone's own The
Expendables.
The
Expendables 2 is a double confirmation of the age gold adage that
more of a good thing isn't necessarily better. First, it's good to
see more familiar faces from past glory again, but if the talent we
all know to be underlying said faces remains underused, little has
been accomplished. The movie is running for an entertaining 103
minutes, but could have benefited from another 15 or 20 minutes
fleshing out the likes of Norris, Couture, Crews, Li and Lundgren
some more, especially considering that, second, like the first
Expendables film, the movie still feels lacking something in
the action department, even though that sounds incredible. Fact is,
the first 15 minutes of the film basically say it all, showcasing the
Expendables' efficiency as a team to great effect – with each team
member getting the opportunity to display his fighting skills more or
less equally – in an ever expanding rollercoaster ride of an action
sequence, with a big explosion to tie it all up. The rest of the
movie simply can't live up to this opening, despite throwing in more
stars, more gags and more action, and even more plot (which makes you
consider just how much, or how little, of that is needed in a film
like this). Though it still entertains tremendously, the audience
keeps waiting for a staggeringly huge motherfucking explosion that
never comes.
Director
West can't be blamed for his film's shortcomings, which simply lie in
the movie's changing intentions as it finds itself transformed into a
franchise trilogy – which it didn't start out to be – changing
from paying homage to past glory, to a series of films revolving
around ever greater numbers of action stars joining each other in
referencing eachother's oeuvre as they dispatch large scores of bad
guys. With The Expendables 3 already in the pipe line,
Stallone would do well to take a closer look at the direction the
franchise has taken and the effect this has had on both the
audience's expectations and the overall coherence of the films
proper, before signing on more colleagues the likes of Nicolas Cage
and Steven Seagal to further relive the good ol' days. After all, the
audience is not expendable, and it's still craving that giant
stupendously big-ass explosion...
And
watch the trailer here:
maandag 2 april 2012
Brave One, The
Rating:
***/*****, or 7/10
Restrained,
preachy revenge thriller, starring Jodie Foster as a woman living a
happy life as a radio host in New York City with her fiancé
(Naveen Andrews) and her dog, until she finds that life shattered one
night when a group of thugs violently assaults her and her lover,
leaving the latter dead. Now scarred for life and the victim of
intense panic attacks, she only dares to leave her house with a gun,
which she ends up using as she is again confronted by scumbags,
accidentally at first, Soon after though, she willingly seeks out
trouble, killing several more thugs in an effort to make the streets
safer for decent people. Of course the police are sent to discover
the identity of this new vigilante, leading to a friendship between
her and a sympathetic detective (Terrence Howard), which is
endangered by her continuing quest for vengeance. The predictable
first act of the movie revolves around the simple question 'will he
help her track down her fiancé's
killers or will he arrest her?'. With the less than rhetoric tag line
'How many wrongs to make it right?' the movie of course does not hide
its simplistic message that revenge is never the answer and instead
always the easy solution, which leads to a typical thriller devoid of
narrative surprises. However, the vicious initial assault on the
protagonist and her lover slaps you hard in the face and does help
you feel for this woman as she seeks out bad guys around the city
with her gun, making sure fewer people will live through the horror
she experienced, something many people the world over will have
fantasized about. As an examination of the addictive power of gun
wielding in America this movie succeeds better, though again, it
never rises above the level of a standard thriller.
Starring:
Jodie Foster, Terrence Howard, Naveen Andrews
Directed
by Neil Jordan
USA:
Warner Bros, 2007
dinsdag 6 maart 2012
Appaloosa
Rating:
****/*****, or 7/10
Ed Harris
both stars in and co-wrote this second movie he directed. A ruthless
rancher (Jeremy Irons) terrorizes a small town for his own purposes,
after which the townspeople hire two lawmen (Harris himself and Viggo
Mortensen) for their protection. This Marshall and his deputy capture
the rancher and set out to deliver him into the hands of justice, but
the shrewd ruffian has more tricks up his sleeve complicating their
quest to uphold the law. Further troubles are provided by a young
widow (Renée Zellweger) who
falls in love with the Marshall, but there's more to her than would
appear. A thinking man's neo-western featuring some damn fine acting
and a few solid shoot-outs, but also moments where the story drags on
and a bit of a cumbersome romantic subplot frustratingly getting in
the way of the main story.
Starring:
Ed Harris, Viggo Mortensen, Jeremy Irons
Directed
by Ed Harris
USA: New
Line Cinema, 2008
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