Posts tonen met het label guns. Alle posts tonen
Posts tonen met het label guns. Alle posts tonen

dinsdag 29 oktober 2013

Today's News: women soon expendable too




Old news by now, but still new enough for posting, as it is mine and this is my blog so I post whatever pleases me anyway:

http://www.moviescene.nl/p/151194/diaz_streep_en_jovovich_als_expendabelles

Expendabelles... I actually like that cheeky play on words. Of course it confirms this is basically just a rehash of the Expendables, except with an all-girl team, but I think most audiences would have picked up on that anyway, so why not exploit it to the fullest from the get-go? After all, the Expendables has become quite a brand name, so there's no harm in riding along its wake of success from a commercial viewpoint, especially if the rights belong to the same studio. A film like this was bound to happen, really; with all of the recent action films that feel like Eighties-throwbacks,  spouting their testosteron all over the place, a cry for girl power was to be expected sooner rather than later. I'm only surprised it took so long to get a project like this into gear. Coming from someone who got beat up by his sister regularly as a kid, I know there's plenty of strong women who take crap from no man, though not enough films have made use of this fact. Sure, there's the occasional female action star, but an all-girl team of commandos kicking butt? I can't think of a title that covers that angle. Charlie's Angels comes closest, so I'm not surprised at all Cameron Diaz' name has been revealed to be attached to this film. Same goes for Milla Jovovich, who alone has starred in just about as many action flicks - six Resident Evil films for instance - as all other female action stars combined. Meryl Streep however is an intriguing choice. Surely one of those olden goldies (which is not meant to come off as condescending to actors/actresses who were already active and successful in the Eighties, and still are today) that commands respect, though not particularly in a physical sense (and she better not sing!). In terms of acting it's certainly gratifying to see a woman of her caliber in a starring role. The names of Gina Carano and Katee Sackhoff also sound right up this film's alley, even though they may not be as familiar to general audiences as the previous trio. Still, I think there's room for more here. Linda Hamilton? Sigourney Weaver? Angelina Jolie? Rhona Mitra? Michelle Rodriguez? Seems like there's enough potential actresses to pick from for this film and two sequels at least.




Then there is this question, which just had to be asked at some point (though I haven't heard anybody else on the topic yet, surprisingly): if Expendables and Expendabelles are from the same studio, does that mean they share a universe from a narrative angle, which may lead to a crossover between the male and female departments, resulting in one super-ultimate, big-ass action flick-to-end-all-action-flicks? Or would people prefer to see gents and dames stick to their own corners instead of going at each other, which could only lead to the girls' defeat? I for one really can't see any female action stars surpassing the likes of Stallone and Schwarzenegger in terms of physical stamina, expertise with weaponry or sheer muscles. In terms of intelligence though...

donderdag 3 oktober 2013

Today's Mini-Review: 2 Guns



2 Guns: ****/*****, or 7/10

Now this is a buddy movie if ever I saw one. The one buddy is Denzel Washington starring as an undercover DEA-agent aiming to bring down a drug lord, the other is Mark Wahlberg starring as an equally undercover Navy intel officer attempting to secure the same kingpin's cash to fund covert Naval operations. Naturally, neither is aware of the other's actual identity – if you think different government situations could adequately work together for a change, think again! – and they know they'll have to kill their partner somewhere down the road, but not before said road screws them both and they can't trust their own employers no more, which leads them to forge an uneasy alliance to get through their common misery alive. It's basically the 'why so serious' version of The Departed, except here the moles have to dig themselves out together. Of course 2 Guns never reaches that film's level of quality, but it surpasses most other recent action movies, mostly thanks to excellent chemistry between Washington and Wahlberg (giving the latter another chance to prove he can actually act, which is still a matter of debate in some circles). The successful and catchy interplay between Washington's relaxed and calculating thinking man and Wahlberg's charming but obnoxiously loudmouth man of action is the result of an admittedly fairly solid script containing plenty of witticisms, absurd but surprising narrative situations and, as expected, a decent amount of gunfights. The movie betrays its comic book roots in an overall over-the-top attitude, with delightfully ridiculous action scenes, the use of politically incorrect stereotyping here and there (the vile and racist border patrol cops for one) and an excessively eerie and villainous bad guy with a routine for sadistic interrogation techniques (Bill Paxton!). Coupled with an abundance of snappy dialogue throughout, as well as a fairly intelligent, though at times a little convoluted, plot for this type of high octane action flick, it makes 2 Guns one of the more pleasant and enjoyable of this year's thrill rides. Ideologically speaking, the movie suggests there's nobody you can trust but your gun. You certainly can't trust government institutions, since they use you and abuse you at their convenience (which makes it all the more ironic I saw this film on the same day US government services throughout the country shut down due to the inability of American politicians to agree on budget measures, leaving the States in chaos). The DEA is corrupt, the Navy is a tool that only cares about its own prestige and turns a blind eye to injustice amongst its ranks for the greater good, and the CIA is nothing but an out of control private army for its top brass who utilize it to get filthy rich by smuggling drugs into the country in cahoots with the Mexican drug lords that only serve as their stooges. Heck, the Mexican drug lord in this movie (an unconvincingly Hispanic but convincingly scary Edward James 'Adama' Olmos) has more scruples and honourable sensibilities than any of the goverment's top dogs! When it comes down to mutual self-preservation you can rely on your best buddy, but once the dust has cleared you can only trust him as far as you can spit, as illustrated by the protagonists' continuing eagerness to plant a bullet into each other even up till the end of the film. It's a dog-eat-dog world, 2 Guns states, but with a good gun you can make sure you're the canine doing the eating, while getting away with a load of cash while you're at it.

maandag 27 augustus 2012

Shooting people up, Advanced Class


The Expendables 2: ***/*****, or 7/10

Tony Scott may have jumped off a bridge, thus leaving the movie industry with one less capable action director, but fortunately there's still some of those left. Simon West for example. Though generally not as well known, nor as experienced in shooting pure action judged from the number of action films in his repertoire, with movies like Con Air (1997), Lara Croft: Tomb Raider (2001) and the recent Jason Statham flick The Mechanic (2011), it's far from unreasonable to state the guy has some knowledge of things that go boom. So when Sylvester Stallone decided to stick to writing and acting while letting go of the director's chair that seemed to fit him well enough for his ultimate action movie The Expendables two years ago, hiring West for the job wasn't the most illogical decision. However, judging from the final product, Stallone would have done well to encourage West to get more innovative, considering The Expendables 2 improves little upon its predecessor: a solid action movie is West's contribution to the franchise, but considering the sheer number of renowned action stars participating in Stallone's second ode to the action genre as a whole, the sequel's approach to things feels like a routine is being established instead of new routes being taken. That routine apparently revolves around action stars getting together and shooting people up.


The movie's main focus seems to be the expansion of bit parts of characters from the first film played by screen icons Arnold Schwarzenegger and Bruce Wilis, plus the introduction of several new characters played by muscle movie veterans Jean-Claude Van Damme and Chuck Norris to the already impressive line-up of (near) legendary action stars from the first film, to further support Stallone's hypothesis that old dogs can still pull off worthwhile tricks that manage to draw huge audience numbers. His point was well proven by the success of The Expendables, making The Expendables 2 feel more like an obligatory Hollywood cash-in than a sincere attempt to outdo what was done before for the audience's entertainment. Nevertheless, The Expendables 2 at least succeeds in delivering ample amounts of gun fights and screen violence paired to often successfully timed moments of humor and referencing the action classics the movie means to pay homage to, which is what most spectators will expect, and what they will get.

The movie starts in medias res, as we follow Stallone's pack of mercenaries – and it's really Stallone's, since few people will ever remember the names of the characters after leaving their theaters, considering they are played by so many larger-than-life people – on a job rescuing a wealthy Chinese entrepreneur from the clutches of nameless Nepalese thugs, in a spectacular raid on their heavily fortified facility involving heavy machinery and man sized artillery, opening the film with a huge bang as our heroes shoot down and blow up endless rows of antagonists in an expected and desired orgy of gun violence, followed by an adrenaline rushed jungle river chase (which saw one stunt man dead and another one crippled) ending in a decently sized explosion to round things up. If you were wondering, the movie is rated R where the previous installment was only PG-13, thus allowing the director more freedom to insert appropriate levels of gore and blood into the film, all for the better. At this point the film has only run for about 15 of its 103 minutes, so it takes a moment to re-establish the characters, introduce some new ones and specify their upcoming mission, plus giving the viewers a much needed moment to catch their breath.


Centerpiece of the first half of The Expendables 2 is rookie team member Billy the Kid (played by Liam Hemsworth: despite his role in The Hunger Games, this is really his first action film, making him feel as much out of place in this movie judging from his experience as an actor as his character feels out of place on the team for his young age), protegée to team leader Barney Ross (Stallone, mumbling his lines as unintelligibly as usual), who despite his excellent sniper abilities decides this is not the life for him and tells his mentor he means to retire soon. However, when the band of extremely broad shouldered brothers find themselves with a new assignment, courtesy of shady CIA operative Church (Wilis), who they owe some money after the events of the first film, to retrieve a brief case from a downed plane in Albania, Billy's loyalty compels him to join them. They are also accompanied by Maggie, an expert on Church's payroll: Chinese actress Yu Nan gets the seemingly thankless job of representing girl power amidst the humongous amounts of testosterone going around, but manages to keep up surprisingly well, giving the occasional witty rebuttal when confronted with near sexist remarks from her new team members. The brief case is easily found, but soon lost to the villain of the piece, a bad guy simply named 'Jean Vilain', played enthusiastically by Jean-Claude Van Damme despite his character's feeble screen name: fully in tone with Stallone's straightforward way of thinking, why bother with intricate designations when you can call a spade a spade? Vilain makes it clear he's not to be messed with and lives up to his name when he takes the team's prize and leaves Billy dead, thus setting the stage for the veterans' quest for vengeance.

Revenge alone is too ignoble an objective for such a notable group of exemplary action stars, so the plot raises the stakes by revealing the brief case contained the exact location of a former Soviet depot in Bulgaria that houses five tons of plutonium Vilain intends to sell despite its threat to the world's balance of power. To make him even more of a ruthless bastard, he utilizes slave labor to dig out the plutonium, so the Expendables' mission is to free the slaves, secure the goods and avenge their comrade. In truth it matters little what the exact mission is, so long as the stage is set for a large string of overly loud gun fights, some neat display of martial arts and general fisticuffs and a decent amount of one-liners mixed in, most of them acknowledging the actors' former entries into the action genre (with the most obvious and funniest remarks referring to the Die Hard and Terminator franchises). In a moderately epic, drawn out conflict staged at an air port the team of good guys, now joined by Wilis, Norris and Schwarzenegger, square off against the legion of bad guys, culminating in a vicious mano-a-mano confrontation between Stallone and Van Damme, kicking each other's teeth in like two Roman gladiators. Needless to say who wins the day, since The Expendables 3 has already been widely announced.


In the middle of all the action, the main attractions of The Expendables 2 regrettably also turn out to be its main flaws. Since the success of the first movie was based mostly around the large number of famous action stars getting together for a mother-of-all-action-films flick, The Expendables 2 clearly needed to outdo its predecessor by gathering some more noted heavyweights to join the fun. The full line-up of action stars of the film now consists of Stallone, Van Damme, Wilis, Schwarzenegger, Norris, Dolph Lundgren, Jet Li, Jason Statham, Randy Couture and Terry Crews and with so many vets gracing the screen, it'll come as no surprise not everybody gets an equal chance to shine. Li, an established team member in the first film, exits the movie immediately after the opening mission has been completed, not to be seen or even mentioned again, while Couture, Crews and Norris are left with little to do during the whole piece, and Lundgren largely has been reduced to comic relief (which thankfully he pulls off well). It makes you wonder why the movie needed an action virgin like Hemsworth at all, considering his role could have gone to one of the older and more accomplished actors, thus offering a chance to make the narrative feel more poignant upon the moment of his death. The same can be said for Yu Nan's role (though it's laudable West and Stallone provided the opportunity for her big break on the international market), which could also have gone to one of the other actors in favor of balancing the existing amount of characters properly instead of relegating them to the side line in favor of even more characters joining the stage. Wilis and Schwarzenegger are no longer restricted to playing mere cameos as they were before but are finally offered the chance to get their hands dirty: they do so vigorously, but their status as (former?) A-list superstars is mostly applied to referencing their most memorable movies more often than feels appropriate, at times making their presence feel forced despite generating a few more laughs. At least Van Damme gets the opportunity to explore Vilain's savage villainy in much more detail, making his climactic final fight with Stallone work on the intended levels. As was the case with the predecessor, at the heart of The Expendables 2 still lies the camaraderie between Stallone and Statham, with the pair of them exchanging both witticisms and drama, acknowledging the fact the torch has successfully been passed from Stallone's age of action stars to Statham's more recent generation, with relentless love and understanding for the genre and its conventions clearly driving the both of them. The more things change, the more they stay the same after all, and both sides of the coin are amply represented in West's The Expendables 2 as much as they were in Stallone's own The Expendables.


The Expendables 2 is a double confirmation of the age gold adage that more of a good thing isn't necessarily better. First, it's good to see more familiar faces from past glory again, but if the talent we all know to be underlying said faces remains underused, little has been accomplished. The movie is running for an entertaining 103 minutes, but could have benefited from another 15 or 20 minutes fleshing out the likes of Norris, Couture, Crews, Li and Lundgren some more, especially considering that, second, like the first Expendables film, the movie still feels lacking something in the action department, even though that sounds incredible. Fact is, the first 15 minutes of the film basically say it all, showcasing the Expendables' efficiency as a team to great effect – with each team member getting the opportunity to display his fighting skills more or less equally – in an ever expanding rollercoaster ride of an action sequence, with a big explosion to tie it all up. The rest of the movie simply can't live up to this opening, despite throwing in more stars, more gags and more action, and even more plot (which makes you consider just how much, or how little, of that is needed in a film like this). Though it still entertains tremendously, the audience keeps waiting for a staggeringly huge motherfucking explosion that never comes.

Director West can't be blamed for his film's shortcomings, which simply lie in the movie's changing intentions as it finds itself transformed into a franchise trilogy – which it didn't start out to be – changing from paying homage to past glory, to a series of films revolving around ever greater numbers of action stars joining each other in referencing eachother's oeuvre as they dispatch large scores of bad guys. With The Expendables 3 already in the pipe line, Stallone would do well to take a closer look at the direction the franchise has taken and the effect this has had on both the audience's expectations and the overall coherence of the films proper, before signing on more colleagues the likes of Nicolas Cage and Steven Seagal to further relive the good ol' days. After all, the audience is not expendable, and it's still craving that giant stupendously big-ass explosion...


And watch the trailer here:

maandag 2 april 2012

Brave One, The




Rating: ***/*****, or 7/10


Restrained, preachy revenge thriller, starring Jodie Foster as a woman living a happy life as a radio host in New York City with her fiancé (Naveen Andrews) and her dog, until she finds that life shattered one night when a group of thugs violently assaults her and her lover, leaving the latter dead. Now scarred for life and the victim of intense panic attacks, she only dares to leave her house with a gun, which she ends up using as she is again confronted by scumbags, accidentally at first, Soon after though, she willingly seeks out trouble, killing several more thugs in an effort to make the streets safer for decent people. Of course the police are sent to discover the identity of this new vigilante, leading to a friendship between her and a sympathetic detective (Terrence Howard), which is endangered by her continuing quest for vengeance. The predictable first act of the movie revolves around the simple question 'will he help her track down her fiancé's killers or will he arrest her?'. With the less than rhetoric tag line 'How many wrongs to make it right?' the movie of course does not hide its simplistic message that revenge is never the answer and instead always the easy solution, which leads to a typical thriller devoid of narrative surprises. However, the vicious initial assault on the protagonist and her lover slaps you hard in the face and does help you feel for this woman as she seeks out bad guys around the city with her gun, making sure fewer people will live through the horror she experienced, something many people the world over will have fantasized about. As an examination of the addictive power of gun wielding in America this movie succeeds better, though again, it never rises above the level of a standard thriller.


Starring: Jodie Foster, Terrence Howard, Naveen Andrews


Directed by Neil Jordan


USA: Warner Bros, 2007

dinsdag 6 maart 2012

Appaloosa




Rating: ****/*****, or 7/10


Ed Harris both stars in and co-wrote this second movie he directed. A ruthless rancher (Jeremy Irons) terrorizes a small town for his own purposes, after which the townspeople hire two lawmen (Harris himself and Viggo Mortensen) for their protection. This Marshall and his deputy capture the rancher and set out to deliver him into the hands of justice, but the shrewd ruffian has more tricks up his sleeve complicating their quest to uphold the law. Further troubles are provided by a young widow (Renée Zellweger) who falls in love with the Marshall, but there's more to her than would appear. A thinking man's neo-western featuring some damn fine acting and a few solid shoot-outs, but also moments where the story drags on and a bit of a cumbersome romantic subplot frustratingly getting in the way of the main story.


Starring: Ed Harris, Viggo Mortensen, Jeremy Irons


Directed by Ed Harris


USA: New Line Cinema, 2008