Posts tonen met het label jason statham. Alle posts tonen
Posts tonen met het label jason statham. Alle posts tonen

maandag 13 januari 2014

Today's Mini-Review: Death Race


Rating: ***/*****, or 7/10

Starring: Jason Statham, Joan Allen, Ian McShane
Directed by Paul W.S. Anderson
USA/UK: Universal Pictures, 2008

A good remake keeps the message of its predecessor intact, just altered to fit and reflect the times that influenced its own production. Since Paul Bartel's and Roger Corman's original exploitation movie Death Race 2000 didn't pretend to have a message to speak off, but instead aimed to be a simply entertaining action flick hellbent on giving spectators a gory thrill ride filled with absurdist jokes making fun of politics for the heck of it, there was room for negotiation in that regard when the time was deemed right to tell the story again. The good-humoured gags and slightly satirical and subversive elements were brusquely traded in for a more serious approach, as the new Death Race is set in a bleak world where the economy is in such a shambles the huge masses can only be appeased by watching other people, worse off than they are and pushed into a life of crime, engage in excessively risqué driving behavior. Inmates are offered a chance to reclaim their freedom in return for surviving a race where they must win by avoiding lethal obstacles and more importantly, each other as the goal is to viciously dispatch other contestants. Enter Jason Statham, who by now is well known for playing tough characters who won't tolerate such conditions and fight back with a vengeance.


Statham plays Jensen Ames, an honest man skilled in driving who lost his job and subsequently his wife, quickly framed for her death and sent to serve for life in jail. The wicked warden of the prison, an ice cold Joan Allen, obviously with a sinister agenda of her own, offers him a potential way out by competing in her 'Death Race' programme under the guise of a recently deceased racing legend called Frankenstein, a favorite of the crowd. Of course Ames turns out just as efficient a driver as he works his way through the game, brutally taking out many an adversary along the way and annoying his most fierce opponent, Machine Gun Joe (Tyrese Gibson). As he discovers there's more to his inclusion in the race than simply his established skill set and the warden may have been involved in the murder of his wife, Ames' objective evolves from winning the race to escaping it. Names and a general premise are about as much as this film and its Seventies' counterpart have in common. Very different in style, the modern version is an effective popcorn flick of an action film, but lacking a character of its own and feeling a tad generic overall. No poking fun at politics here. Prison clichés cannot be avoided, as is the case of sidekick typecasting (an old mentor, a nerdy technician, a hot dame as co-driver, you get it). About as inventive as the character set-up gets is Joe's status as a (black) homosexual, a notion with which nothing is done in the course of the film. Why would it anyway? The film is all about racing kick-ass cars making kills.


What Death Race lacks in terms of characters it more than makes up for when it comes to its real stars, the four-wheeled (or more) monstrous machines that form its main attraction. Various grizzly hot-rods adorned with all kinds of deadly accessories have been assembled by a clearly enthusiastic design and stunt team, guaranteeing quite the spectacle as they are pitted against each other in road racing, asphalt blazing fury. The plethora of grotesque vehicles – including an impressive monster truck loaded with ingenious weaponry – steering and hacking their way through a course of rusty, rundown warehouses makes for an eerie, hopeless post-industrial look reminiscent of such classic action fare the likes of Mad Max 2: The Road Warrior, except with the constant attention of the panoptical media at its back dominating every move of the race to ensure audience attendance. And despite the blandness of their characters, the cast does a solid job making this grim world feel convincing, Statham doing what he does best (and we wouldn't have it any other way). However, under the direction of action specialist Paul W.S. Anderson (not that Paul Anderson, as this one is not known for his carefully balanced quality storytelling), the movie never conveys the idea that it might revolve around more than just decently dynamic action scenes. If it's butch cars you want, it's butch cars you get, might as well have been the film's tagline. All else is merely secondary.


As a whole, the major differences between this latest Death Race and the original are the result of a bigger budget and scope. A true message is still not a thing of note. The 2008 version simply looks cooler and feels slicker because it had the money at its disposal, but it plays it safe by staying in its comfort zone, solely delivering action while devoid of surprise, instead of throwing oddities and black humour in the mix like the original could afford for being a smaller, independent production. Nevertheless, its tactics proved successful enough to spawn two direct-to-video sequels, and so the premise returned to its more exploitative roots (just not in a particularly good way).


And if you don't like disturbing race car driving, there's always this new Game of Thrones Season 4 trailer to drool over:

 


zaterdag 21 december 2013

Today's Double News: to tease or not to tease



Trailer season continues, as indicated by these two news flashes I posted on MS the other day:

http://www.moviescene.nl/p/152599/nieuwe_trailer_how_to_train_your_dragon_2

http://www.moviescene.nl/p/152562/eerste_teaser_expendables_3

These two short previews differ enormously in their approach to entice their respective audiences, as illustrated by what they show, or rather, don't show. The vid for The Expendables 3 is as clearly a teaser if ever I saw one, making no use of actual material of the movie proper and telling us nothing about the film's plot. It's sole purpose is to reveal to the public that the movie for which it teases is currently underway, for those who were not aware from online or magazine sources. By now the 'Expendables' brand is itself a perfect indicator for what's in store and the main question on everyone's mind - at least, everyone that is interested in this project - is not so much what to expect but more so who to expect. The teaser acts on this anticipation by bombarding the spectator with names (last names only, since otherwise it would get a little too cramped on the screen): this information will have to suffice for now. In fact, the names are of greater importance than the men visually assembled for our entertainment, since even on the big screen it's hard to recognize them all in a window of only a few seconds. Personally I think the teaser would have benefited from the first names too, to avoid confusion as to which actor will participate in cases where that could be in doubt. For instance, the 'Gibson' here is Mel, not Tyrese. Of course Mel is more wellknown anyway, but Tyrese too has compiled a big enough resumé in action movies over recent years to warrant a place in a movie of this type (maybe for a third sequel then). Rest assured: 'Powell' is not Colin, it's Glen (whom I have never heard of before). Overall, an effective teaser with a cast of names to match. I'm looking forward to the appearance of Ford and Grammer too.



Now, How to Train Your Dragon 2 is another animal entirely. In fact, I daresay it shows too much, instead of the opposite like The Expendables 3 does. Not surprising we get to see more of the story and characters in this preview, considering this film has already passed the teaser stage (and tease it did) and the current Holiday season is perfect for getting people enthusiastic about family films due for release in the next six months. But after seeing this trailer I get the feeling there's little more to the story that what is presented here. I for one would have saved the identity of the mysterious female dragon rider, as well as half of the grandiose dragon shots, for the movie itself rather than taking away such surprises. But then, I haven't even seen the first HtTYD, so what the heck do I know... That said, this preview will certainly succeed adequately in piqueing the target audience's interests, especially since in this franchise's case too popularity has already been established. I hear the first film was quite good, even though the trailers failed to excite me. Maybe the same thing will happen here, since I'm not convinced yet, despite getting the feeling I already know what the movie is about. When a trailer gives you that feeling, you know it hasn't done its job properly, but since this film is geared mostly towards kids, that's not a total loss.

maandag 27 augustus 2012

Shooting people up, Advanced Class


The Expendables 2: ***/*****, or 7/10

Tony Scott may have jumped off a bridge, thus leaving the movie industry with one less capable action director, but fortunately there's still some of those left. Simon West for example. Though generally not as well known, nor as experienced in shooting pure action judged from the number of action films in his repertoire, with movies like Con Air (1997), Lara Croft: Tomb Raider (2001) and the recent Jason Statham flick The Mechanic (2011), it's far from unreasonable to state the guy has some knowledge of things that go boom. So when Sylvester Stallone decided to stick to writing and acting while letting go of the director's chair that seemed to fit him well enough for his ultimate action movie The Expendables two years ago, hiring West for the job wasn't the most illogical decision. However, judging from the final product, Stallone would have done well to encourage West to get more innovative, considering The Expendables 2 improves little upon its predecessor: a solid action movie is West's contribution to the franchise, but considering the sheer number of renowned action stars participating in Stallone's second ode to the action genre as a whole, the sequel's approach to things feels like a routine is being established instead of new routes being taken. That routine apparently revolves around action stars getting together and shooting people up.


The movie's main focus seems to be the expansion of bit parts of characters from the first film played by screen icons Arnold Schwarzenegger and Bruce Wilis, plus the introduction of several new characters played by muscle movie veterans Jean-Claude Van Damme and Chuck Norris to the already impressive line-up of (near) legendary action stars from the first film, to further support Stallone's hypothesis that old dogs can still pull off worthwhile tricks that manage to draw huge audience numbers. His point was well proven by the success of The Expendables, making The Expendables 2 feel more like an obligatory Hollywood cash-in than a sincere attempt to outdo what was done before for the audience's entertainment. Nevertheless, The Expendables 2 at least succeeds in delivering ample amounts of gun fights and screen violence paired to often successfully timed moments of humor and referencing the action classics the movie means to pay homage to, which is what most spectators will expect, and what they will get.

The movie starts in medias res, as we follow Stallone's pack of mercenaries – and it's really Stallone's, since few people will ever remember the names of the characters after leaving their theaters, considering they are played by so many larger-than-life people – on a job rescuing a wealthy Chinese entrepreneur from the clutches of nameless Nepalese thugs, in a spectacular raid on their heavily fortified facility involving heavy machinery and man sized artillery, opening the film with a huge bang as our heroes shoot down and blow up endless rows of antagonists in an expected and desired orgy of gun violence, followed by an adrenaline rushed jungle river chase (which saw one stunt man dead and another one crippled) ending in a decently sized explosion to round things up. If you were wondering, the movie is rated R where the previous installment was only PG-13, thus allowing the director more freedom to insert appropriate levels of gore and blood into the film, all for the better. At this point the film has only run for about 15 of its 103 minutes, so it takes a moment to re-establish the characters, introduce some new ones and specify their upcoming mission, plus giving the viewers a much needed moment to catch their breath.


Centerpiece of the first half of The Expendables 2 is rookie team member Billy the Kid (played by Liam Hemsworth: despite his role in The Hunger Games, this is really his first action film, making him feel as much out of place in this movie judging from his experience as an actor as his character feels out of place on the team for his young age), protegée to team leader Barney Ross (Stallone, mumbling his lines as unintelligibly as usual), who despite his excellent sniper abilities decides this is not the life for him and tells his mentor he means to retire soon. However, when the band of extremely broad shouldered brothers find themselves with a new assignment, courtesy of shady CIA operative Church (Wilis), who they owe some money after the events of the first film, to retrieve a brief case from a downed plane in Albania, Billy's loyalty compels him to join them. They are also accompanied by Maggie, an expert on Church's payroll: Chinese actress Yu Nan gets the seemingly thankless job of representing girl power amidst the humongous amounts of testosterone going around, but manages to keep up surprisingly well, giving the occasional witty rebuttal when confronted with near sexist remarks from her new team members. The brief case is easily found, but soon lost to the villain of the piece, a bad guy simply named 'Jean Vilain', played enthusiastically by Jean-Claude Van Damme despite his character's feeble screen name: fully in tone with Stallone's straightforward way of thinking, why bother with intricate designations when you can call a spade a spade? Vilain makes it clear he's not to be messed with and lives up to his name when he takes the team's prize and leaves Billy dead, thus setting the stage for the veterans' quest for vengeance.

Revenge alone is too ignoble an objective for such a notable group of exemplary action stars, so the plot raises the stakes by revealing the brief case contained the exact location of a former Soviet depot in Bulgaria that houses five tons of plutonium Vilain intends to sell despite its threat to the world's balance of power. To make him even more of a ruthless bastard, he utilizes slave labor to dig out the plutonium, so the Expendables' mission is to free the slaves, secure the goods and avenge their comrade. In truth it matters little what the exact mission is, so long as the stage is set for a large string of overly loud gun fights, some neat display of martial arts and general fisticuffs and a decent amount of one-liners mixed in, most of them acknowledging the actors' former entries into the action genre (with the most obvious and funniest remarks referring to the Die Hard and Terminator franchises). In a moderately epic, drawn out conflict staged at an air port the team of good guys, now joined by Wilis, Norris and Schwarzenegger, square off against the legion of bad guys, culminating in a vicious mano-a-mano confrontation between Stallone and Van Damme, kicking each other's teeth in like two Roman gladiators. Needless to say who wins the day, since The Expendables 3 has already been widely announced.


In the middle of all the action, the main attractions of The Expendables 2 regrettably also turn out to be its main flaws. Since the success of the first movie was based mostly around the large number of famous action stars getting together for a mother-of-all-action-films flick, The Expendables 2 clearly needed to outdo its predecessor by gathering some more noted heavyweights to join the fun. The full line-up of action stars of the film now consists of Stallone, Van Damme, Wilis, Schwarzenegger, Norris, Dolph Lundgren, Jet Li, Jason Statham, Randy Couture and Terry Crews and with so many vets gracing the screen, it'll come as no surprise not everybody gets an equal chance to shine. Li, an established team member in the first film, exits the movie immediately after the opening mission has been completed, not to be seen or even mentioned again, while Couture, Crews and Norris are left with little to do during the whole piece, and Lundgren largely has been reduced to comic relief (which thankfully he pulls off well). It makes you wonder why the movie needed an action virgin like Hemsworth at all, considering his role could have gone to one of the older and more accomplished actors, thus offering a chance to make the narrative feel more poignant upon the moment of his death. The same can be said for Yu Nan's role (though it's laudable West and Stallone provided the opportunity for her big break on the international market), which could also have gone to one of the other actors in favor of balancing the existing amount of characters properly instead of relegating them to the side line in favor of even more characters joining the stage. Wilis and Schwarzenegger are no longer restricted to playing mere cameos as they were before but are finally offered the chance to get their hands dirty: they do so vigorously, but their status as (former?) A-list superstars is mostly applied to referencing their most memorable movies more often than feels appropriate, at times making their presence feel forced despite generating a few more laughs. At least Van Damme gets the opportunity to explore Vilain's savage villainy in much more detail, making his climactic final fight with Stallone work on the intended levels. As was the case with the predecessor, at the heart of The Expendables 2 still lies the camaraderie between Stallone and Statham, with the pair of them exchanging both witticisms and drama, acknowledging the fact the torch has successfully been passed from Stallone's age of action stars to Statham's more recent generation, with relentless love and understanding for the genre and its conventions clearly driving the both of them. The more things change, the more they stay the same after all, and both sides of the coin are amply represented in West's The Expendables 2 as much as they were in Stallone's own The Expendables.


The Expendables 2 is a double confirmation of the age gold adage that more of a good thing isn't necessarily better. First, it's good to see more familiar faces from past glory again, but if the talent we all know to be underlying said faces remains underused, little has been accomplished. The movie is running for an entertaining 103 minutes, but could have benefited from another 15 or 20 minutes fleshing out the likes of Norris, Couture, Crews, Li and Lundgren some more, especially considering that, second, like the first Expendables film, the movie still feels lacking something in the action department, even though that sounds incredible. Fact is, the first 15 minutes of the film basically say it all, showcasing the Expendables' efficiency as a team to great effect – with each team member getting the opportunity to display his fighting skills more or less equally – in an ever expanding rollercoaster ride of an action sequence, with a big explosion to tie it all up. The rest of the movie simply can't live up to this opening, despite throwing in more stars, more gags and more action, and even more plot (which makes you consider just how much, or how little, of that is needed in a film like this). Though it still entertains tremendously, the audience keeps waiting for a staggeringly huge motherfucking explosion that never comes.

Director West can't be blamed for his film's shortcomings, which simply lie in the movie's changing intentions as it finds itself transformed into a franchise trilogy – which it didn't start out to be – changing from paying homage to past glory, to a series of films revolving around ever greater numbers of action stars joining each other in referencing eachother's oeuvre as they dispatch large scores of bad guys. With The Expendables 3 already in the pipe line, Stallone would do well to take a closer look at the direction the franchise has taken and the effect this has had on both the audience's expectations and the overall coherence of the films proper, before signing on more colleagues the likes of Nicolas Cage and Steven Seagal to further relive the good ol' days. After all, the audience is not expendable, and it's still craving that giant stupendously big-ass explosion...


And watch the trailer here: