Posts tonen met het label buddy movie. Alle posts tonen
Posts tonen met het label buddy movie. Alle posts tonen
zondag 9 oktober 2016
Today's Review: Skiptrace
Eindelijk weer eens een review op mijn blog. Tekort aan tijd, je kent het wel. Dit keer gewoon rechtstreeks gekopieerd van de bron, want om nou elke keer mijn mening nog eens dunnetjes over te doen in het Engels vergt te veel extra inspanning. En alleen een link staat ook zo knullig.
Voor het eerst in lange tijd zijn Jackie Chans behendigheidskunsten weer te bewonderen in de Nederlandse bioscoop. Uiteraard was de Chinese legende in de tussentijd op eigen bodem in een hoop soortgelijke actiefilms te zien, maar de bioscoopreleases bleven beperkt tot de Aziatische en Amerikaanse markt. Skiptrace betekent bij ons dus een comeback voor de onderhand tweeënzestigjarige actiester, maar dat zal Chan zelf niet als zodanig ervaren. Voor hem is er in de tussentijd weinig veranderd. Ook zijn nieuwste film geeft aan dat de zaken zo veel mogelijk hetzelfde gebleven zijn. De fans weten wat dat inhoudt: doldwaze martial-artsactie in een flinterdun plot dat er vooral toe dient Chans malle fratsen met veel knipogende humor te etaleren. Dat is het publiek overal ter wereld van hem gewend, dus waarom die formule aanpassen? Skiptrace geeft echter aan dat Chan toch eens verandering moet opzoeken, want de beperkingen van die formule dringen zich op in dit actievehikel dat niet bepaald een hoogvlieger blijkt in 's mans oeuvre.
Skiptrace is een 'buddy movie' van het zuiverste soort, het type waaruit het merendeel van Chans filmografie bestaat. Chan speelt Bennie, een oude rot in het politievak, die zich al jarenlang stukbijt op een zaak rond een schimmige Chinese drugsbaron, maar daarin weinig steun krijgt van zijn superieuren. Als hij echter het pad kruist van de charmante Amerikaanse oplichter Connor komt de zaak in een stroomversnelling. De dief heeft te veel gezien en is tot doelwit verworden van de misdaadbende die Bennie op het spoor was. Als diezelfde criminelen vervolgens Bennies peetdochter ontvoeren om hem te dwingen Connor in te rekenen, is dat het begin van een avontuurlijke trektocht over het Aziatische continent, waarbij ook de Russische maffia zich laat gelden. Het soms wat verwarrende plot is daarbij uiteraard van minder belang, ondergeschikt aan de bonte aaneenschakeling van kleurrijke figuren en spectaculaire actiescènes op exotische locaties. Althans, zo hoopten de producenten.
Onder die makers bevindt zich ook regisseur Renny Harlin, coryfee van een lange reeks hersenloze actiefilms. De Finse cineast verschilt qua stijl niet veel van Chan, want ook hij serveert het liefst vette actie met even overdadige grapdichtheid. Chan en Harlin lijken voor elkaar gemaakt, een conclusie die het duo aan het begin van het millennium al trok toen ze de samenwerking aangingen voor Nosebleed. Die productie liep om diverse redenen, waaronder 9/11, helaas voortijdig stuk, maar met Skiptrace krijgt hun verbond nu een tweede kans. Het resultaat kan echter geen hoogtepunt genoemd worden op het conto van beide heren. Skiptrace is een lollig niemendalletje dat je al vergeten bent voordat je de bioscoop verlaten hebt.
Een 'buddy movie' is slechts zo goed als de chemie tussen de hoofdrolspelers en die laat bij Skiptrace helaas te wensen over. Chan doet het prima als de getormenteerde, eerzame smeris, maar tegenspeler Johnny Knoxville wekt vooral irritatie op met zijn tomeloos voorspelbare liegen en bedriegen maar zijn oh zo kleine hartje. Ook de overige rollen zijn goeddeels keurig binnen de lijntjes ingekleurd en spreken weinig tot de verbeelding. Van de jonkvrouw in nood tot de fletse Chinese gangsters. Hun Russische tegenhangers krijgen de lachers nog het meest op hun hand, maar zijn ook niet bepaald vernieuwend. Zowel voor Chan als voor Harlin is het feitelijk niets nieuws onder de zon, maar hoogstens een samenvatting van hun eerdere werk. Gelukkig dragen de locaties nog enigszins bij aan dat beoogde exotische gevoel, van de weidse Mongoolse steppen tot de duizelingwekkende Chinese bergrivieren. De fans van Chan zal het echter allemaal om het even zijn, want voor hen luidt de hamvraag hoe hun held zich staande houdt tussen alle vuistslagen en rondfluitende kogels.
De laatste Hollywoodfilm waarin we Chan zagen was de remake van The Karate Kid, waarin de ster op leeftijd de rol van leermeester aannam. Dit keer is hij terug in een meer vertrouwde rol, maar dat de leeftijd hem parten speelt, valt moeilijk te ontkennen. In Skiptrace levert hij niet bepaald zijn meest wervelende moves af. Hoewel hij nog steeds wild om zich heen slaat en schopt, doet hij dat niet zo energiek als voorheen. Echt indrukwekkende stunts blijven uit. Voor de liefhebbers teleurstellend, maar voor de leek mag het de pret niet drukken, want Chans meer-geluk-dan-wijsheidcapriolen worden nog immer aanstekelijk prettig gestoord gebracht. Ondanks de vele tekortkomingen in Skiptrace blijft Chan toch goed voor een kleine twee uur absurdistische actielol. Met pensioen gaan is er nog niet bij, zoals ook zijn personage dat pertinent weigert. Maar goed ook, want hoewel Skiptrace aangeeft dat er nog enige levensvatbaarheid in Chans werk zit, laat de film evenzeer zien hoe beperkt zijn routine onderhand is. Het zou jammer zijn als Skiptrace diens laatste aria is geweest.
Skiptrace: 5/10
donderdag 3 oktober 2013
Today's Mini-Review: 2 Guns
2
Guns: ****/*****, or 7/10
Now
this is a buddy movie if ever I saw one. The one buddy is Denzel
Washington starring as an undercover DEA-agent aiming to bring down a
drug lord, the other is Mark Wahlberg starring as an equally
undercover Navy intel officer attempting to secure the same kingpin's
cash to fund covert Naval operations. Naturally, neither is aware of
the other's actual identity – if you think different government
situations could adequately work together for a change, think again!
– and they know they'll have to kill their partner somewhere down
the road, but not before said road screws them both and they can't
trust their own employers no more, which leads them to forge an
uneasy alliance to get through their common misery alive. It's
basically the 'why so serious' version of The Departed, except
here the moles have to dig themselves out together. Of course
2 Guns never reaches that film's level of quality, but it
surpasses most other recent action movies, mostly thanks to excellent
chemistry between Washington and Wahlberg (giving the latter another
chance to prove he can actually act, which is still a matter of
debate in some circles). The successful and catchy interplay between
Washington's relaxed and calculating thinking man and Wahlberg's
charming but obnoxiously loudmouth man of action is the result of an admittedly fairly solid script containing plenty of witticisms, absurd but
surprising narrative situations and, as expected, a decent amount of
gunfights. The movie betrays its comic book roots in an overall
over-the-top attitude, with delightfully ridiculous action scenes,
the use of politically incorrect stereotyping here and there (the
vile and racist border patrol cops for one) and an excessively eerie
and villainous bad guy with a routine for sadistic interrogation
techniques (Bill Paxton!). Coupled with an abundance of snappy
dialogue throughout, as well as a fairly intelligent, though at times
a little convoluted, plot for this type of high octane action flick,
it makes 2 Guns one of the more pleasant and enjoyable of this
year's thrill rides. Ideologically speaking, the movie suggests
there's nobody you can trust but your gun. You certainly can't trust
government institutions, since they use you and abuse you at their
convenience (which makes it all the more ironic I saw this film on
the same day US government services throughout the country shut down
due to the inability of American politicians to agree on budget
measures, leaving the States in chaos). The DEA is corrupt, the Navy
is a tool that only cares about its own prestige and turns a blind
eye to injustice amongst its ranks for the greater good, and the CIA
is nothing but an out of control private army for its top brass who
utilize it to get filthy rich by smuggling drugs into the country in
cahoots with the Mexican drug lords that only serve as their stooges.
Heck, the Mexican drug lord in this movie (an unconvincingly Hispanic
but convincingly scary Edward James 'Adama' Olmos) has more scruples
and honourable sensibilities than any of the goverment's top dogs!
When it comes down to mutual self-preservation you can rely on your
best buddy, but once the dust has cleared you can only trust him as
far as you can spit, as illustrated by the protagonists' continuing
eagerness to plant a bullet into each other even up till the end of
the film. It's a dog-eat-dog world, 2 Guns states, but with a
good gun you can make sure you're the canine doing the eating, while
getting away with a load of cash while you're at it.
vrijdag 10 mei 2013
Today's News: new R.I.P.D. poster is very much alive
Posted this on MovieScene the other day (actually the same day I posted the unfortunate news about Jurassic Park 4, but I'm not about to post two news flashes on my blog on the same day, that would be overkill):
http://www.moviescene.nl/p/146948/nieuwe_poster_r.i.p.d.
Nice poster.
Overall, R.I.P.D. isn't of particularly great appeal to me. The whole basic premise is just a little bit too much like Men in Black to me, except with ghosts instead of aliens. And I generally prefer aliens over ghosts. That said, if not an inspired movie, it can still be a fun action flick and those too are always welcome. I'm not high on Ryan Reynolds (he seems like a sympathetic guy but he's not exactly a great actor, to say the least) but Jeff Bridges is (almost) always a guarantee for damn fine acting and he seems to have a ball in this role, which has characteristics of both The Dude and Rooster Cogburn. If all else fails, his persona might still make for a worthwhile experience. I'll keep an open mind, but for now I'm not expecting a life changing experience from this film. Nor a death changing one.
http://www.moviescene.nl/p/146948/nieuwe_poster_r.i.p.d.
Nice poster.
Overall, R.I.P.D. isn't of particularly great appeal to me. The whole basic premise is just a little bit too much like Men in Black to me, except with ghosts instead of aliens. And I generally prefer aliens over ghosts. That said, if not an inspired movie, it can still be a fun action flick and those too are always welcome. I'm not high on Ryan Reynolds (he seems like a sympathetic guy but he's not exactly a great actor, to say the least) but Jeff Bridges is (almost) always a guarantee for damn fine acting and he seems to have a ball in this role, which has characteristics of both The Dude and Rooster Cogburn. If all else fails, his persona might still make for a worthwhile experience. I'll keep an open mind, but for now I'm not expecting a life changing experience from this film. Nor a death changing one.
maandag 27 augustus 2012
Shooting people up, Advanced Class
The Expendables 2: ***/*****, or 7/10
Tony
Scott may have jumped off a bridge, thus leaving the movie industry
with one less capable action director, but fortunately there's still
some of those left. Simon West for example. Though generally not as
well known, nor as experienced in shooting pure action judged from
the number of action films in his repertoire, with movies like Con
Air (1997), Lara Croft: Tomb Raider (2001) and the recent
Jason Statham flick The Mechanic (2011), it's far from
unreasonable to state the guy has some knowledge of things that go
boom. So when Sylvester Stallone decided to stick to writing and
acting while letting go of the director's chair that seemed to fit
him well enough for his ultimate action movie The Expendables
two years ago, hiring West for the job wasn't the most illogical
decision. However, judging from the final product, Stallone would
have done well to encourage West to get more innovative, considering
The Expendables 2 improves little upon its predecessor: a
solid action movie is West's contribution to the franchise, but
considering the sheer number of renowned action stars participating
in Stallone's second ode to the action genre as a whole, the sequel's
approach to things feels like a routine is being established instead
of new routes being taken. That routine apparently revolves around
action stars getting together and shooting people up.
The
movie's main focus seems to be the expansion of bit parts of
characters from the first film played by screen icons Arnold
Schwarzenegger and Bruce Wilis, plus the introduction of several new
characters played by muscle movie veterans Jean-Claude Van Damme and
Chuck Norris to the already impressive line-up of (near) legendary
action stars from the first film, to further support Stallone's
hypothesis that old dogs can still pull off worthwhile tricks that
manage to draw huge audience numbers. His point was well proven by
the success of The Expendables, making The Expendables 2
feel more like an obligatory Hollywood cash-in than a sincere attempt
to outdo what was done before for the audience's entertainment.
Nevertheless, The Expendables 2 at least succeeds in
delivering ample amounts of gun fights and screen violence paired to
often successfully timed moments of humor and referencing the action
classics the movie means to pay homage to, which is what most
spectators will expect, and what they will get.
The
movie starts in medias res, as we follow Stallone's pack of
mercenaries – and it's really Stallone's, since few people will
ever remember the names of the characters after leaving their
theaters, considering they are played by so many larger-than-life
people – on a job rescuing a wealthy Chinese entrepreneur from the
clutches of nameless Nepalese thugs, in a spectacular raid on their
heavily fortified facility involving heavy machinery and man sized
artillery, opening the film with a huge bang as our heroes shoot down
and blow up endless rows of antagonists in an expected and desired
orgy of gun violence, followed by an adrenaline rushed jungle river
chase (which saw one stunt man dead and another one crippled) ending
in a decently sized explosion to round things up. If you were
wondering, the movie is rated R where the previous installment was
only PG-13, thus allowing the director more freedom to insert
appropriate levels of gore and blood into the film, all for the
better. At this point the film has only run for about 15 of its 103
minutes, so it takes a moment to re-establish the characters,
introduce some new ones and specify their upcoming mission, plus
giving the viewers a much needed moment to catch their breath.
Centerpiece
of the first half of The Expendables 2 is rookie team member
Billy the Kid (played by Liam Hemsworth: despite his role in The
Hunger Games, this is really his first action film, making him
feel as much out of place in this movie judging from his experience
as an actor as his character feels out of place on the team for his
young age), protegée to team leader Barney Ross (Stallone, mumbling
his lines as unintelligibly as usual), who despite his excellent
sniper abilities decides this is not the life for him and tells his
mentor he means to retire soon. However, when the band of extremely
broad shouldered brothers find themselves with a new assignment,
courtesy of shady CIA operative Church (Wilis), who they owe some
money after the events of the first film, to retrieve a brief case
from a downed plane in Albania, Billy's loyalty compels him to join
them. They are also accompanied by Maggie, an expert on Church's
payroll: Chinese actress Yu Nan gets the seemingly thankless job of
representing girl power amidst the humongous amounts of testosterone
going around, but manages to keep up surprisingly well, giving the
occasional witty rebuttal when confronted with near sexist remarks
from her new team members. The brief case is easily found, but soon
lost to the villain of the piece, a bad guy simply named 'Jean
Vilain', played enthusiastically by Jean-Claude Van Damme despite his
character's feeble screen name: fully in tone with Stallone's
straightforward way of thinking, why bother with intricate
designations when you can call a spade a spade? Vilain makes it clear
he's not to be messed with and lives up to his name when he takes the
team's prize and leaves Billy dead, thus setting the stage for the
veterans' quest for vengeance.
Revenge
alone is too ignoble an objective for such a notable group of
exemplary action stars, so the plot raises the stakes by revealing
the brief case contained the exact location of a former Soviet depot
in Bulgaria that houses five tons of plutonium Vilain intends to sell
despite its threat to the world's balance of power. To make him even
more of a ruthless bastard, he utilizes slave labor to dig out the
plutonium, so the Expendables' mission is to free the slaves, secure
the goods and avenge their comrade. In truth it matters little what
the exact mission is, so long as the stage is set for a large string
of overly loud gun fights, some neat display of martial arts and
general fisticuffs and a decent amount of one-liners mixed in, most of
them acknowledging the actors' former entries into the action genre
(with the most obvious and funniest remarks referring to the Die
Hard and Terminator franchises). In a moderately epic,
drawn out conflict staged at an air port the team of good guys, now
joined by Wilis, Norris and Schwarzenegger, square off against the
legion of bad guys, culminating in a vicious mano-a-mano
confrontation between Stallone and Van Damme, kicking each other's
teeth in like two Roman gladiators. Needless to say who wins the day,
since The Expendables 3 has already been widely announced.
In the
middle of all the action, the main attractions of The Expendables
2 regrettably also turn out to be its main flaws. Since the
success of the first movie was based mostly around the large number
of famous action stars getting together for a
mother-of-all-action-films flick, The Expendables 2 clearly
needed to outdo its predecessor by gathering some more noted
heavyweights to join the fun. The full line-up of action stars of the
film now consists of Stallone, Van Damme, Wilis, Schwarzenegger,
Norris, Dolph Lundgren, Jet Li, Jason Statham, Randy Couture and
Terry Crews and with so many vets gracing the screen, it'll come as
no surprise not everybody gets an equal chance to shine. Li, an
established team member in the first film, exits the movie
immediately after the opening mission has been completed, not to be
seen or even mentioned again, while Couture, Crews and Norris are
left with little to do during the whole piece, and Lundgren largely
has been reduced to comic relief (which thankfully he pulls off
well). It makes you wonder why the movie needed an action virgin like
Hemsworth at all, considering his role could have gone to one of the
older and more accomplished actors, thus offering a chance to make
the narrative feel more poignant upon the moment of his death. The
same can be said for Yu Nan's role (though it's laudable West and
Stallone provided the opportunity for her big break on the
international market), which could also have gone to one of the other
actors in favor of balancing the existing amount of characters
properly instead of relegating them to the side line in favor of even
more characters joining the stage. Wilis and Schwarzenegger are no
longer restricted to playing mere cameos as they were before but are
finally offered the chance to get their hands dirty: they do so
vigorously, but their status as (former?) A-list superstars is mostly
applied to referencing their most memorable movies more often than
feels appropriate, at times making their presence feel forced despite
generating a few more laughs. At least Van Damme gets the opportunity
to explore Vilain's savage villainy in much more detail, making his
climactic final fight with Stallone work on the intended levels. As
was the case with the predecessor, at the heart of The Expendables
2 still lies the camaraderie between Stallone and Statham, with the
pair of them exchanging both witticisms and drama, acknowledging the
fact the torch has successfully been passed from Stallone's age of
action stars to Statham's more recent generation, with relentless
love and understanding for the genre and its conventions clearly driving
the both of them. The more things change, the more they stay the same
after all, and both sides of the coin are amply represented in West's
The Expendables 2 as much as they were in Stallone's own The
Expendables.
The
Expendables 2 is a double confirmation of the age gold adage that
more of a good thing isn't necessarily better. First, it's good to
see more familiar faces from past glory again, but if the talent we
all know to be underlying said faces remains underused, little has
been accomplished. The movie is running for an entertaining 103
minutes, but could have benefited from another 15 or 20 minutes
fleshing out the likes of Norris, Couture, Crews, Li and Lundgren
some more, especially considering that, second, like the first
Expendables film, the movie still feels lacking something in
the action department, even though that sounds incredible. Fact is,
the first 15 minutes of the film basically say it all, showcasing the
Expendables' efficiency as a team to great effect – with each team
member getting the opportunity to display his fighting skills more or
less equally – in an ever expanding rollercoaster ride of an action
sequence, with a big explosion to tie it all up. The rest of the
movie simply can't live up to this opening, despite throwing in more
stars, more gags and more action, and even more plot (which makes you
consider just how much, or how little, of that is needed in a film
like this). Though it still entertains tremendously, the audience
keeps waiting for a staggeringly huge motherfucking explosion that
never comes.
Director
West can't be blamed for his film's shortcomings, which simply lie in
the movie's changing intentions as it finds itself transformed into a
franchise trilogy – which it didn't start out to be – changing
from paying homage to past glory, to a series of films revolving
around ever greater numbers of action stars joining each other in
referencing eachother's oeuvre as they dispatch large scores of bad
guys. With The Expendables 3 already in the pipe line,
Stallone would do well to take a closer look at the direction the
franchise has taken and the effect this has had on both the
audience's expectations and the overall coherence of the films
proper, before signing on more colleagues the likes of Nicolas Cage
and Steven Seagal to further relive the good ol' days. After all, the
audience is not expendable, and it's still craving that giant
stupendously big-ass explosion...
And
watch the trailer here:
maandag 21 mei 2012
Date Night
Rating:
***/*****, or 6/10
Adequate
feel-good comedy about a bored married couple (Tina Fey and Steve
Carell) who try to do something else for a change and go to an
expensive fancy restaurant where they pretend, because the place is
totally filled up, they're another couple that reserved a place (but
didn't show up), which leads to a severe case of mistaken identity as
they soon find themselves on the run from shady characters. This
basically is a supposedly funny variation on Hitchcock's classic
thriller North by Northwest, except the level of humor never
rises above average, despite decent performances by the leading
couple who at least show convincing chemistry in their roles as the
protagonist pair who are confronted with car chases, break-ins and
silly strip routines as they try to return to their not-so-bad status
quo. Also includes an ever shirtless Mark Wahlberg as an ex-spy good
samaritan and William Fichtner as a corrupt, sexually obsessed
government official. Director Shawn Levy, from both Night at the
Museum movies and The
Pink Panther (remake) fame, adds yet another fairly entertaining
but quickly forgotten flick to his repertoire.
Starring:
Tina Fey, Steve Carell, Mark Wahlberg
Directed
by Shawn Levy
USA: 20th
Century-Fox, 2010
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