Posts tonen met het label spring breakers. Alle posts tonen
Posts tonen met het label spring breakers. Alle posts tonen

woensdag 7 mei 2014

Today's News, and plenty of it

Time restraints prohibited me to repost some of my news items for MS on this blog, so today there's more than usual:

http://www.moviescene.nl/p/155538/mole_man_gecast_voor_fantastic_four_reboot

http://www.moviescene.nl/p/155565/eerste_trailer_star_wars_rebels

http://www.moviescene.nl/p/155587/frank_lammers_speelt_michiel_de_ruyter

http://www.moviescene.nl/p/155616/spring_breakers_2_aangekondigd

Let's just start with the oldest bit of novelty and work our way to the latest, shall we?



Hopefully Nelson will fare better in this Marvel movie than he did in the last, where we only witnessed the beginning of his rise to supervillainy, but were withheld the result. Apparently Fox has bigger events in store for the seasoned character actor this time, already outing him as the Mole Man-to-be, though underscoring he won't be used as such in the first upcoming installment in the FF's reboot franchise. After all, Dr. Doom is slated to take centre stage as the primary antagonist for that film, as it ought to be, as he's the Fantastic Four's most appreciated and recognizable foe. The Mole Man is indeed a decent baddie for a later film, and since a second movie has already been announced, it's likely that's where we will first see Nelson assuming the mantle of the dimunitive underground monarch. Nelson is a bit taller than we're used to seeing the Mole Man, so either the studio fits the character to the actor - which may not be such a bad idea as an evil midget is the stuff of both political incorrectness and silliness - or Nelson will undergo a bit of a CG transformation to make his appearance adhere more to what the comic book fans will most likely expect.




As for computer generated imagery, Star Wars has had lots of it over the last fifteen years, but nowhere near as much as on the small screen in various animated shows. This fall, a new one will be added to the Disney XD channel, called Star Wars Rebels (no colon). This first brief trailer adequately shows it's from the same creators as The Clone Wars series, and as such the franchise stays consistent in terms of animation style on telly. However, this is the first Disney produced Star Wars show, and a dreaded feeling of childishness cannot be denied upon viewing the promo above. Bumbling droids and cheesy oneliners have been a staple of the franchise since its inception, though more frequent in use since the prequel trilogy. It seems Disney has no trouble continuing this trend to appeal to kids, though older audiences may not find it as agreeable. Of course, most adults were largely done with any new Star Wars material after Episode III, and those that remain hopeful of improvement will no doubt focus all of their attention on the next true event, the release of Star Wars Episode VII. Until such time, Rebels is as good a way as any to ensure Disney keeps its publicity running and guarantee the current generation gets indoctrinated into Star Wars, so they can be influenced to run to toy stores and buy every conceivable tie-in merchandise items Disney has licensed. And if Episode VII proves any good, the older generation will no doubt do likewise.




I wasn't aware a movie about the life and times of Michiel de Ruyter was in production, but as he's one of the most iconic Dutch historical heroes around, it had to happen sooner or later. Historical epics that tell of other chapters of Dutch history than the events in WW II have been kind of a trend since the successful Nova Zembla, though for every hit there is a painful flop to remind us of the challenge. Remember Kenau? Most likely you don't. Considering the abundance of naval battles De Ruyter fought, the producers have their job cut out for them keeping the budget in line. Which is no doubt why they had to let Yorick van Wageningen go. He was the perfect choice in my mind, but even the finest piece of casting is only a small piece of the whole the budget allows for. Frank Lammers is a fine second choice: he's fairly well known to Dutch audiences but hasn't had a breakthrough internationally, making him more affordable than Van Wageningen who has co-starred in various big Hollywood productions. Plus, Lammers has proven himself to be a capable, reliable actor, and not just for his role on Nachtrit for which he won a Gouden Kalf. If he can fight his way through taxi wars, naval battles should be an easy labor for him.




A sequel to Spring Breakers? That's the attraction of the less artsy elements of that particular movie, tits and ass and young Hollywood starlets, speaking. Those are no doubt the ingredients that drew in the majority of the audience for the first film. Nevermind the director's weird and hallucinatory montage and lighting, the dreamy visual quality and the simple plot of sex and violence, crime and drugs relaying the greatest imaginable culmination and therein the demise of the American Dream. Mr. Korine told his tale and presented his warning of lust and doom, and that suffices for him (apparently, as he's not inclined to participate in this sequel). Not so for the studio, who is now pressing for a second movie containing more of the same. Which is not to say there's not more to state on the subjects Korine discussed. Religion is certainly a subject that would fit in easily in a tale of Sodom and Gomorrah like this one. In fact, it was already lightly touched upon in the predecessor via one of the female protagonists who disappeared early on in the film (and for the better no doubt). There's more controversy to tackle in that department, plus a potential to bring back that character. Whether or not the studio cares about these possible ideological overtones or not, a Spring Breakers 2 could work. But considering most audiences thought of the first film as a disappointment (most of them probably just didn't get its intentions, even though this sounds horribly elitist of me to say), is there any public interest in a second coming? Then again, sex always sells. Isn't there another batch of former Disney starlets ready to exploit?



zaterdag 29 juni 2013

Today's bunch of minireviews: young people, old people and sex





Spring Breakers: ****/*****, or 7/10

Harmony Korine's provocative take on the death of the American Dream – or the exact opposite, its ultimate realization – follows a quartet of young college girls (including Harmony's wife Rachel) who will stop at nothing to celebrate Spring Break in Florida just to engage in endless mindless, decadent sex and drug use. Being penniless proves a bit of an obstacle at first, but their solution is as shocking as it is effective: just rob a restaurant, get in a car and don't look back. It's only the beginning of a nightmarish thrill ride into the mind of America's hedonistic youngsters who, despite beind educated and full of opportunity, prefer to opt for the easy way out in order to live a careless/carefree life, even if only for a short while. Just when they're living their fantasy to the fullest, the police intervene and haul their asses to jail for abuse of illicit substances. Fortunately, a rapper/gangster/parasite called Alien (James Franco being quite the chameleon, to say the least!) bails them out and introduces them to his world of everything. Thanks to his wild and violent life style leeching off the American way of life, he has loads of guns, loads of dope and loads of sex to offer, which the girls accept all too eagerly. Except for the devout Christian of course, who decides to return home: quite the hypocrit, considering her religious values ought to have kept her from coming along for this ride in the first place, knowing full well what she got herself into but opting to look the other way for her own pleasure. The other girls have the time of their life for a while, until the situation turns dark when a rival mobster threatens Alien's turf. Soon however, it appears Alien got more than he bargained for when the remaining teens prove quite resilient in helping him deal with the aggressor in a surprisingly violent manner. 

Casting several former Disney Channel stars like Selena Gomez (Wizards of Waverly Place) and Vanessa Hudgens (High School Musical) was a brave and perfect choice, both underscoring the point Korine tries to make and allowing these girls to break completely with their 'sweet & innocent' stigma. People who expect lots of booze and boobs in an overly simplistic story get exactly what they expected, just handed in a different way than they would probably have liked, since Spring Breakers is not a simple exploitation flick, but a mesmerizing descent into madness rife with wildly divergent visual gimmicks and hallucinatory effects, making the audience less of a viewer and more of a participant. Korine's rebellious denial to uphold to cinematic conventions made distributors rather uneasy, since the expectations of mainstream teen drama mixed with evocative artsy display caused them, in their limited money driven line of thinking, to be unable to successfully classify this film. As a result, Spring Breakers witnessed a release in both multiplexes and arthouse theaters, but failed to fully win over both audiences due to its rough, offbeat style and confronting thematic contents. Mission accomplished, Korine!




Thérèse Desqueyroux: **/*****, or 5/10

Dull French period drama, set in the 1920s, about the daughter of a wealthy land owner who is forced to marry an older man just so her family can improve its social status by getting its hands on his lands as well and thus becoming a major player in the pinery business. Thérèse (played by Audrey Tautou) soon finds that her loveless marriage revolves all around her child her husband sired with her, while she herself matters little anymore. She's as much a commodity as the pine trees her family trades in, and she receives as little affection. Yet she is expected to help convince a female relative, who's deeply in love with a boy of low status, to also marry for money. The continuing lack of care and interest in what she wants soon drive Thérèse to take outrageous, increasingly dark measures to get noticed again, including setting fires in the plantation and poisoning her husband. When her disturbing deeds come to light, her family threatens to take her child from her and gives her house arrest to avoid the scandal from becoming public knowledge. Though Tautou gives a convincing performance of a cold and calculating woman who sees her freedom and personal space deteriorate more and more, it's hard to feel much for her, since she and those around here are all despicable people who base their lives on increasing the family fortune and their social status instead of aiming to live a happy family life. Interesting parallels can be drawn between this French film and the TV-show Game of Thrones, which have much in common from a plot perspective. However, the latter does succeed much more in squeezing compelling drama out of nasty people out to strengthen their family and riches by marriage and procreation. Thérèse Desqueyroux has to make do with annoying people dancing around each other for two hours. At least the period setting of provincial France in the Twenties offers some diversion from the otherwise tedious story progression of this film.




Song for Marion: ***/*****, or 6/10

Cheerful feel-good movie that is bound to make anyone smile. Grumpy old Arthur (Terence Stamp) is married to the ever optimistic Marion (Vanessa Redgrave), whose favorite passtime is singing in a local choir with other old folks under the tutelage of the beautiful younger woman Elizabeth (Gemma Arterton, a joy to behold as always). Arthur thinks little of her hobby, thinking she'll make a fool of herself, but when she passes away from cancer he feels he must honour her passion and join up with the choir which has entered a singing contest. Arthur does so despite suffering from stage fright and general lack of interest in basically everything, including his estranged son (Who? Christopher Eccleston!) and his granddaughter. The utterly sympathetic and optimistic old performers in Elizabeth's choir, quite a colorful band of singers with their various funny idiosyncrasies, prove to be the most charming and uplifting element of the film (especially when they cheekily start singing about sex), but the emotional core revolves around Arthur and Marion. Though it is rather puzzling to find a spirited woman like her marrying a cynical old fart like him, their devotion towards one another is pulled off convincingly enough to make you believe Arthur would bother with putting up with her hobby, going so far as to save the day in the choir competition where Elizabeth's merry band of singing enthusiasts is as out of place between all the professional top choirs as Arthur is in Marion's choir itself. Of course father and son also become closer to one another due to all the merriment the songs deliver. This movie is utterly devoid of narrative surprises but proves just as pleasing all the same for all ages. An overly simplistic and predictable story does not stand in the way of strong, touching performances throughout and an overall 'don't worry be happy' attitude that nobody can resist. The song may be for Marion, but the movie is for everybody who expects nothing but 90 minutes of cheerful delight.