Posts tonen met het label netherlands. Alle posts tonen
Posts tonen met het label netherlands. Alle posts tonen
zaterdag 23 april 2016
Today's Review: Bezness as Usual
Another review up at FilmTotaal, with one more to follow in the same week:
Bezness as Usual - recensie
This is the type of documentary you don't go to the movies for. The type you expect to see on public access late at night. The kind of topic that doesn't really attract you unless you already experience a personal stake in it. For its own type, it's not bad per se, it just lacks the necessary angle for which it would be a boon to theater audiences on other occasions than festival screenings. That's nothing to be held against it, it's just the way it is. The main actual argument against it is it introduces a despicable man whose shenanigans we have to watch for a good ninety minutes. A man who we can't judge as anything but unsympathetic from the get-go, but who the protagonist feels the need to discover if there's other sides to him that justify his behavior, past and present.
Big surprise: not really, he's just an old con man trying to use his son as a business angle rather than feeling true fatherly emotions for. A hard truth to swallow, but one we saw coming miles away, which makes for little emotional intensity. Considering this movie is basically self-therapy for the director, a child of different ethnicities torn between loyalties to people on two continents, it succeeds in making the protagonist reach a new understanding, but the same doesn't hold true for the audience. At the same time, we get a glimpse of far larger events unfolding in Tunisia, as the threat of terrorism grows ever stronger, but this subject is only slightly touched upon. Bezness as Usual is a small scale drama unfolding between two people, anything beyond that, however intriguing, is not the point. Too bad, since it might have made for a more dynamic and less predictable documentary. The type you would want to see on the big screen.
zaterdag 8 maart 2014
Today's Column: behind the scenes of arthouse programming
Wrote another column for MovieScene:
http://www.moviescene.nl/p/154147/column_-_hoe_programmeer_ik_een_filmhuis
Inspiration was tough this time because I was quite busy with both my regular job and my new hobby supporting the programming department of the new Filmhuis Alkmaar arthouse theater. I eventually decided to just write a piece about that, as it seemed appropriate to do this follow-up to my emotionally charged column about Provadja's demise a few months back. Nevertheless, because of my lack of available time I consider this latest column to be a bit on the superficial side, even though I daresay you get the gist of it. So far it's fun work, though because of the poor quality of internal communications between the various departments that comprise the staff (voluntary that is) of the theater it can at times prove stressful. Also something to take into account, and not mentioned here, is the fact distributors love to mess around with their movies' release dates, making a keen eye for spotting such moves and accordingly flexible programming to accomodate these happenstances rather imperative. The most striking example was the German film Das Wochenende, which was originally slated for release in January, then moved to March and is now currently expected to hit theaters in October... Am I glad we didn't plan that one for our opening weekend, that would have been awkward to say the least! As for Wes Anderson not being popular in Alkmaar, as far as I'm concerned we'll make him popular. The decision to order his upcoming magnum opus The Grand Budapest Hotel for only a single week has seemingly been reversed in favour of a two week appearance, something I opted for from the beginning. There weren't that many other attendance magnets available, so Anderson got out on top. Suits me fine.
Here's to a bright future for Filmhuis Alkmaar!
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