The
Wolf of Wall Street: ****/*****, or 8/10
You
might at first be inclined to ask yourself, 'a three-hour movie about
money, how can that be the least bit interesting?' Don't worry, for
Martin Scorsese's grand 'dramedy' The Wolf of Wall Street is
not a movie about money. In fact, the lead character himself directly
acknowledges this fear early on in the movie by stating that 'we
wouldn't be interested in all that stuff', afterwards largely
avoiding the subject altogether. So don't go in expecting any dreary
financial number crunching, since it's really all about what said
money (lots and lots and lots of it!) does with people. People,
inherently flawed, get progressively flawed – read: fucked up –
as their income increases astronomically. Meanwhile, every sense of
ethics, responsibility or even plain decency goes right out the
window. Scorsese's case in point: Jordan Belfort.
Belfort,
a superb piece of acting by Leonardo DiCaprio, starts out as many a
regular Joe from the middle class: screwed over by a financial crash
and reduced to unemployment, thus unable to provide for his loving
wife. All the more disappointing for him as he had just found a job
at a large Wall Street firm, where his boss (an impeccably loathsome
Matthew McConaughey) saw his potential and advised him not to abstain
of sex and drugs while on this job. Thanks to Belfort's talent for
agressive sales pitching, he quickly recuperates selling worthless
stock at a fifty percent commission rate, and before long he returns
to Wall Street triumphantly with a loyal band of peculiar misfits in
his wake (including Jonah Hill on steroids), all of whom have their
specific place in his grand scheme of taking money from the ignorant
masses that hope to make a quick buck on the stock market. The only
one making easy money are Jordan and his friends though, and before
long they become increasingly desensitized to the plight of their
clients in favor of their own ruthless acquisition of wealth. 'The
Wolf of Wall Street' is born, and despite Jordan's all too human
persona, such a term fits him perfectly, as this alpha male and his
pack of wild dogs scour the land preying on the weak and gullible to
feast upon their cash in a financial frenzy. One that seemingly knows
no bounds, as Belfort continues his practices for years without
sanctions or indictments, despite ongoing FBI scrutiny. Nevertheless,
Belfort needs no help in bringing him down, as he does a fine job at
that on his own.
In
many ways The Wolf of Wall Street is a fairly typical story of
a man gaining the world but losing his soul in the process, as he is
unable to keep his base instincts in check. Arguably, it's not the
plot that makes the movie stand out, it's the way Scorsese tells it
to his audience. Walking a fine line between comedy and drama that
finds both in perfect balance throughout the whole, The Wolf of
Wall Street proves infectiously hilarious at one moment and
effectively poignant the next. As Jordan's novel lifestyle as a
millionaire progressively takes its toll, his personal life spirals
ever more out of control emotionally and physically as his constant
drive for more and more dominates his every move. Fondly remembering
his former boss' advice, Belfort sets out on a course of rampant sex
and drugs without worrying about any consequences, as money will no
doubt solve any obstacles in his path. Small wonder his wife soon
leaves him as she finds him snogging a super model. Marrying said
model doesn't increase the happiness in his family life, children
notwithstanding. Abusing every conceivable illicit substance
imaginable also doesn't work in his favor. Despite the many yachts,
limousines, prostitutes and drugs, Scorsese makes it amply clear that
this is not a life to be envied as Belfort's once decent personality
is replaced by a greedy, amoral and self-annihilating character that
can only get the better of him, sooner if not later. Having become a
veritable slave of money, Belfort remains miserable, and we wouldn't
have it any other way, as his road to a personal hell is paved with
one outrageously funny messed up situation after another.
Aside
from DiCaprio's top performance, Scorsese gets the very best out of
his cast and crew in conveying this tale of human deterioration at
the hands of boundless greed, which often borders on the
unbelievable. Exploding planes, savage storms at sea, goldfish
eating, dwarf tossing and the generally lavish parties of debauchery
at the office heralding the weekend are among the many elements of
The Wolf of Wall Street that are so absurd, they can only be
true. In terms of comedy, nothing beats the delayed kicking-in of
exceptionally rare drugs that causes a most unwelcome physical
reaction at an hour of crisis at which the need to get home fast
results in one of the most humorous car scenes ever on the big
screen. Despite all the controversy, the many scenes of nudity and
excessive swearing feel rightfully placed, and credit must be given
to both the director and his brave cast to stick with such daring
material instead of catering to a general sense of good public taste,
something Belfort severely lacked. The fast paced, witty dialogue
written by Terence Winter proves to be in excellent hands of the
assembled cast of seasoned actors, including the likes of Jean
Dujardin, Rob Reiner, Jon Favreau, Kyle Chandler and Joanna Lumley.
Stylistically there's little to comment against the picture as the
ingenious editing, wonderful cinematography and delightful score,
featuring many a successful callback to the period in question, are
found to be in perfect sync to make for a superior cinematic
experience. But The Wolf of Wall Street at its heart remains
another intimate collaboration between the grandmaster Scorsese and
his personal muse DiCaprio, their fifth and finest thus far. The duo
makes damn sure you care enough about Belfort to run along with him
for three hours, but never are you really allowed to sympathize with
him, given his deplorable nature.
With
The Wolf of Wall Street, Scorsese has directed a modern
classic warning audiences of the destructive dangers of endless
self-enrichment, a film that is easily matched to any already
existing films on the topic. Belfort claimed to be inspired in his
professional shenanigans by the despicably greedy character of Gordon
Gekko (Michael Douglas) in Oliver Stone's Wall Street. Despite
Scorsese's upsetting picture of the life and times of Belfort in his
own Wall Street film, history has proven that there's always people
present who just don't get the picture as they consider the wildest
possible life of sex and drugs that money can buy the highest
achievable goal to strive for. With DiCaprio's sublime performance,
it stands to reason, like it or not, that in another three decades
we'll be watching movies about similarly morally bankrupt characters
based on actual personalities that will claim to have been inspired
by Jordan Belfort in 'that classic Scorsese film'. Not something to
look forward to, but a sad reality of what money hath ever wrought.
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