The
Sapphires: ***/*****, or 7/10
One
of various movies to deal with Australia's painful past regarding its
treatments of its aborigine population, The Sapphires embraces
a lighter, oft comedic tone while focusing on that which unites
people of all creeds and races: music and love. Set in 1968 and
starring Chris O'Dowd (of Bridesmaids fame) as washed up,
constantly drunk musician and would-be talent manager Dave Lovelace,
who stumbles upon the discovery of his life when he meets a group of
young aboriginal girls determined to break through at the music
scene. Problem is, these young women, family too, have their own
emotional baggage, don't always get along and prefer to sing country
songs. Not to mention their ethnicity is not favoured on stage, as
they experience during a local talent contest where they are booed
and harrassed off stage despite being the only contestants with
actual talent. It's up to Dave, who admires their passion and
perseverance, to shape them into a worthy song group that will
capture the hearts of millions, admittedly also for his own
commercial benefit, as soon as he has convinced them to go with the
times and adopt soul as their style. They swiftly decide touring for
the American forces in Vietnam is their best bet to get noticed, the
dangers of war notwithstanding. A thrilling string of performances
throughout Nam follows, where the girls taste the joys of success and
love, but also the sorrows of loss and death. The movie employs an
overall feel-good approach, but obviously can't ignore the harrowing
past of social inequality and blatant racism aboriginal people had to
live through in the days, which is grippingly fleshed out in less
scenes than maybe should have been the case considering the heavy
subject matter of cultural genocide and overall alarming sights of
discrimination the movie also covers. Despite the delightful and
swinging tone that rules much of the film, it's the scenes of rampant
prejudice that stick with you the most, an inescapable fact that
sometimes makes the movie feel unbalanced. Fortunately there's also
plenty of sequences that cover the feeling that 'the times, they are
changing' for the better, slowly but surely, which allows the girl
band to rise to stardom under the stage name the Sapphires. The
foursome of singers makes for many a smashing musical scene, while
it's gratifying to see the lead actresses weren't cast solely for
their vocal talents, but also for their ability to carry emotional
scenes compellingly. It's O'Dowd (a white guy!) that steals the show
though, as a sleazy con musician ultimately revealed to have his
heart in the right place, which does make for a rather sappy,
cheerful ending. But after all the Sapphires have been through, you
feel they've earned it.
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