Posts tonen met het label relationships. Alle posts tonen
Posts tonen met het label relationships. Alle posts tonen
zondag 14 februari 2016
Today's Review: How to Be Single
Oh look, it's another movie review!:
How to Be Single - recensie
A typical romantic comedy for Valentine's Day, I expect the concept was here. But actually, How to Be Single isn't quite so typical. It just plays with typical characters in typical situations searching for typical love. And atypically, not finding it. Because the ultimate message is that you need to get to know yourself and your own desires before you can adequately satisfy or be satisfied by someone else's. And to do that, you need to know how to be self reliable. Like the titel says, how to be single. Seems easy enough, hardly a novel life lesson, but not for these women who prove blind to this notion for far too long. Which also hinders the comedic element quite a bit, and thus the level on which this movie can be enjoyed.
Revolving about the romantics of four different women - plus several men, who all are relegated to the side, since the target audience of course is female - How to Be Single follows their desperate attempts to hook up with members of the opposite sex (quite a conservative approach, there's no other options that characterize our contemporary multisexual society explored here). They suck at it. Young Alice just got out of a relationship and doesn't know how to rely on her own in the busy night life of New York City. Fortunately party animal Robin is willing to teach her, but she specializes in one-night stands, so her advice proves to be of little use for something more serious, nor should her wild tactics be considered exemplary at all. Alice's sister Meg wants a child, but due to her busy career she has no time for a man. Does she have time for a baby then? Not really, it seems. Lucy keeps looking for any available men online, rather than seeing the obvious partner right in front of her. Her story and character are sadly underdeveloped, which is made more regrettable by the fact that this also means underusing Alison Brie's considerable comedic talents. It would have been better if her story line had been eliminated altogether to make room for the others, but since the modern notion of looking for true love on social media is her angle, it was kept in so the movie could appear to say a thing or two about digital dating, which it hardly does.
In terms of comedy, How to Be Single also proves a letdown. The characters of Meg and especially Alice are bland and naive and provide mostly predictable melodrama. It's up to Rebel Wilson's Robin to ensure the laughs, and at least she succeeds admirably at that. In fact, the movie seems to drag and drone on whenever she's off-screen for too long. But when she's involved, the atmosphere quickly gets more appreciable. Makes you wonder whether a movie dealing entirely with her character would not have been preferable. But then, films about loose female characters with questionable dating ethics and a taste for alcoholic indulgence screwing their way through the male portion of humanity are hardly unique. Then again, neither are mosaic romance pictures like this flick. And there's better examples of those available than How to Be Single.
woensdag 31 juli 2013
Today's Mini-Reviews: Before Midnight
Before
Midnight: ****/*****, or 7/10
Third
installment in Richard Linklater's Before romance trilogy (for
lack of an official name), that began with Before Sunrise (1995)
and continued with Before Sunset (2004). We revisit the lives
of Jesse (Ethan Hawke) and Celine (Julie Delpy), 18 years after their
first all too brief encounter in Vienna and nine years after their
second equally short sexual interlude in Paris, that left them with
twin girls. Now they meet up again in Greece for vacation as an
almost genuine family, which causes long simmering emotions to stir,
both for good and for bad. Though they agree their life as a
semi-divorced couple (they were never married to begin with) with two
adorable but ever attention seeking children leaves a lot to be
desired – he has problems dealing with his vicious real ex-wife and
connecting to the son he sired on her, while her career is at a
crossroads and as a devout feminist, she is bothered by the feeling
society wants her to totally give herself to her children instead of
being successful – they do still deeply care for one another as is
evident when they visit Greek friends where it seems their love life
is the most sweepingly romantic of all of them. However, when they
are given a luxurious hotel room for one night, their differences and
mututal feelings of lack take over, causing quite an argument between
them. This film is quite amazing in that it's basically a few scenes
of the two protagonists and a few minor characters engaging in
endless conversation about ordinary things, yet it's totally
compelling due to the completely believable performances, the fast
paced, realistic, and often witty and snappy dialogue and the
relatibility of it all as these are totally regular folks
experiencing everyday problems. An education in minimalist
filmmaking, each scene can take up to 20 minutes with no more
editing, music or other movie trickery than needed so you can really
flow with these characters. The romantic tone of the piece is
underscored with a little help from the beautiful small town Greek
settings and landscapes, except for the hotel scene – which takes
place entirely in an ugly, modern, eerily lit boring white room –
which of course is the only location where Jesse's and Celine's
relationship turns into bitter strife and mutual reproachment, until
they seem to reconcile at an outdoor restaurant a little while later.
The neutral zone between man and woman might as well be a battlefield
for dominance, Linklater suggests, but if both parties really care
for one another and aim for simple understanding, nothing can stand in the
way of true love.
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