Today's Mini-Review: Captain Phillips

Captain Phillips: ****/*****, or 7/10

2013 witnessed the release (in the Netherlands at least) of two very different films based on the exact same theme, ship hijacking (both reportedly based on true events, but not the same events). One was the excellent Danish production Kapringen which for a moment largely seemed to revolve on the reuniting of the cast and crew of Borgen but instead proved a psychological horror propelled by the sheer inadequacy of the ship's company to successfully negotiate terms with the Somali pirates for the release of the ship and its hostages. It kept the film devoid of true action for most of the film and caused the movie to keep its audience waiting endlessly for something to happen, which aptly illustrated the reality that such hostage situations usualy result in a deadlock that leads to months of uncertainty for victims, perpetrators and families alike. And when all seemed resolved, Kapringen still ended on a shocking note of unexpected, needless violence to top the agony that came before. Paul Greengrass takes a whole different approach to hijacking in his more action packed yet equally chilling Captain Phillips, starring Tom Hanks as the titular character. Commanding a large freighter and sailing it around the Horn of Africa, Phillips too is confronted by armed marauders out for money by seizing commercial maritime traffic and privateering its personnel in exchange for cash. Whereas that other famous American Tom (whose last name also inspires the thought of boats, though that fun fact is totally irrelevant here) plays the occasional everyman and always fails miserably because of his star status, Hanks yet again proves up for said job despite his own famous persona and portrays a stern but decent regular working Joe, insightful as to his situation and not afraid to back down when his opponent bests him and assumes command of his vessel. The lives of his crew come first, his own by comparison he considers dispensable. Money is the brigands' objective, not mayhem for mayhem's sake, but there are no negotiations with the ship's company. While the situation grows ever more tense and a happy end seems less and less likely to transpire, Phillips plays an increasingly dangerous game of cat-and-mouse with his captors that seems only to be able to end in his own unfortunate demise.

Greengrass (of Bloody Sunday and Bourne fame, while also responsible for another factual hijacking of a wholly different kind with United 93) applies his signature handheld 'shaky cam' style to great effect to get up close and personal with both Phillips and the bad guys (and to make spectators with poor stomachs seasick for sure) which delivers both visceral action and intense emotional drama. And though the movie ultimately proceeds into a fairly typical 'good guys versus bad guys' conflict, he inspires more than the slightest bit of sympathy for the perps, who are portrayed alarmingly accurate as people devoid of options. When you spend your life living in excruciating poverty in a rural area that supports no other means of employment or even food than the job of fisherman, and when western fisheries cut deals with your corrupt government to catch all your fish, what else is there to do than to go out to sea and commandeer foreign vessels in the hopes of ransoming their passengers? Somali pirates are desperate people who have no other means of sustaining themselves, Greengrass effectively reveals. The lead pirate, a skinny, intelligent young man (tremendously compelling performance by first time actor Barkhad Abdi, who commendably holds his own next to Hanks) is shown to be a man forced by circumstance to do things he needs to do to survive, but he definitely never enjoys doing them for a second. Both he and Phillips try to contain their crew from letting the explosive situation degenerate into bloodshed, something the pirate surprisingly succeeds in more so than Phillips does, as his crew attempts to regain control of their boat on multiple occasions without his say, further endangering all their lives. When the anti-piracy units of the American Navy arrive, the pirates are forced to make a quick exit in a lifeboat, and drag Phillips along with them as a human shield. It seems obvious that things can only end badly, but the movie delivers a forcibly happy end (of sorts) that does feel bitter for all present parties regardless. Captain Phillips is one-third action, one-third suspense and one-third human drama, but more straightforward in style (it's still Hollywood material after all) than its Danish predecessor, yet making for a fine companion piece to that film in showing a very different way these hostage negotiations tend to conclude.