Still being a worm in my mother's Apple. Hopefully this ghastly situation won't last much longer and I can finally go about making good on my noble intentions for the year and update my blog like three times a week instead of three times a month. Still not happening though, but at least I'm now taking the time to have a go at the Oscar nominees, before the Academy Awards for 2012 have happened.
Ah, the Oscars. That awful Academy Award ceremony where a bunch of feeble-minded rigid Hollywood conservatives decide what movies of the year are the best, after which the rest of us movie buffs all just have to live with their at times nonsensical, but equally often utterly predictable choices. There's a lot of good movies competing this year, but there's also a few illogical nominations going around: someone please explain to me why a non-English spoken movie like Amour is up for no less than five (!) awards. Like last year, here are my own thoughts as to which movies will win what award, with a back-up choice for each category.
-Best Picture: Zero Dark Thirty. Despite its controversy, Kathryn Bigelow remains a favorite at the Oscars. Being similar in nature to The Hurt Locker, which also won Best Picture, this is a likely choice.
-Second choice: Amour. There's much ado about this movie, it might as well be the first fully French spoken movie to run away with Best Picture.
-Best Actor: Joaquin Phoenix for The Master.
-Second choice: Daniel Day-Lewis for Lincoln. It's D. D.-L., he wins every time. Why should this time be any different?
-Best Actress: Emanuelle Riva for Amour. Very demanding role, played completely believable and totally compelling.
-Second choice: Jessica Chastain for Zero Dark Thirty.
-Best Supporting Actor: Philip Seymour Hoffman for The Master. After all, he's The Master.
-Second choice: Tommy Lee Jones for Lincoln.
-Best Supporting Actress: Anne Hathaway for Les Miserables. She can act, she can sing, she can starve herself to appear for real. So she can win.
-Second choice: Amy Adams for The Master.
-Best Director: Michael Haneke for Amour.
-Second choice: David O. Russell for Silver Linings Playbook.
-Best Screenplay: Zero Dark Thirty.
-Second choice: Moonrise Kingdom.
-Best Adapted Screenplay: Argo.
-Second choice: Silver Linings Playbook.
-Best Cinematography: Life of Pi. Shows you just how much you can do with a boy, a tiger, a boat and a camera. In 3D no less.
-Second choice: Django Unchained.
-Best Costume Design: Anna Karenina. Keira Knightley + Costumes = Oscar. Wouldn't be the first time.
-Second choice: Lincoln.
-Best Sound Mixing: Lincoln.
-Second choice: Les Miserables.
-Best Editing: Zero Dark Thirty.
-Second Choice: Life of Pi.
-Best Sound Editing: Django Unchained.
-Second choice: Skyfall.
-Best Visual Effects: The Hobbit: An Unexpected Journey.
-Second choice: The Avengers.
-Best Makeup: The Hobbit: An Unexpected Journey.
-Second choice: Hitchcock.
-Best Original Song: Skyfall. Really catchy. I reckon the guys at the Oscars can't get it out of their heads either. So let's face it all together. At Skyfaaa-hahahall.
-Second choice: Les Miserables.
-Best Music: Lincoln.
-Second Choice: Life of Pi.
-Best Foreign Film: Amour. Foreign, but still a lot of love for this one so also might win Best Picture. Typical insane Hollywood hypocrisy.
-Second choice: En Kongelig Affaere. Mads Mikkelsen is in this. Speaking of which, where is Jagten in all this?! Shenanigans says I!
-Best Animated Feature: Frankenweenie. Lousy year for computer animated films, but excellent for stop motion, and this one was the best.
-Second choice: The Pirates! Band of Misfits. Frankenweenie was the best, but this one was the most fun. Pirate Award here, please!
-Best Production Design: The Hobbit: An Unexpected Journey. Middle-Earth still looks spectacular. The opening scene alone, delving deeply into Dwarf history, was Oscar-worthy.
-Second choice: Lincoln.
I'm confident I got at least ten of these right. Time will tell. Hopefully my PC will be back to normal by the time the Oscars are handed out so I can report on my triumph/failure in predicting these sodding prices everybody is always so full about but nobody could really care less for.
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