Today's News: planning, casting, piloting and trailing

Look at the news these last few days yielded:

http://www.moviescene.nl/p/158580/nieuwe_trailer_chappie

Shit, this is starting to look derivative... Robot cops, the fine line between men and machine interspersed with explosive action sequences, unique robots developing a personality and starting to display Saviouresque symptoms... What's new here? You'd think RoboCop and I, Robot never happened. However, they did, and judging from this latest trailer Chappie will add little of novelty to the robot repertoire. However, this is Neill Blomkamp we're talking about, so I do hope he's got some tricks up his sleeve so he might surprise us yet. If he does, I'm betting it resides in the area of social commentary, which is rather his forte. Execution of both District 9 and Elysium proved not devoid of flaws, but the heart and the action both sure were in the right place. It's not like the dystopian future of Elysium differed that much from previously portrayed divides between a small elite and a vast multitude of have-nots. And it was still a damn fine flick. Chappie will likely at least be that. I would have hoped for some more original storytelling besides that, but I'll take what I can get. It's not like there's that much intelligent Sci-Fi directors to go round these days, so I support the few folks that try. Unless they really miss the mark completely (eh, Nolan?).

http://www.moviescene.nl/p/158557/netflix_onthult_plannen_daredevil_en_marco_polo

So now we know when the devil gets his due. Even though actual footage of the series still has not been released (they better hurry with that, with only three months to go), the new poster sure sets the tone. This is definitely gonna be one of Marvels darkest projects. I wonder whether that is the best way to go when you're building a second shared Marvel universe for television. You'd think a lighter choice would be a better decision to reel viewers in. However, it's all in the name. You could start with light fare like Jessica Jones, but only the true Marvelites would know that name. Daredevil is more well known, partially thanks to Ben Afflecks crappy movie, though that was over a decade ago. Yet people likely still remember it. But the real strong name of course is Marvel. That suffices for most audiences. And if the company has its way, the same will soon ring true for Netflix, so a series like Marco Polo can count on a large enough number of spectators just because it has the Netflix logo attached to its credits. It seems to work well enough for HBO. And considering the quality the company offers thus far, I wouldn't mind if the same holds true for Netflix.

http://www.moviescene.nl/p/158583/casting_buzz_jonge_acteurs_voor_x-men_apocalypse

More younger versions of X-characters, more talent needed to fill their boots. Though the majority of the actors and actresses mentioned in the original article I am not familiar with, I do believe there's some fair choices here. I'm divided between Team Turner and Team Ronan. Turner does a fine job on Game of Thrones, and the populairty of that show definitely gives her a mean edge. However, Ronan has a far more impressive resumé which encompasses a wide array of dramatic roles, some of them which proved quite heavy but she pulled them off admirably. Unbiased by the GoT sympathy for Sansa Sophie, I'd say Ronan should get the part. However, GoT does make me prejudiced against any actors who didn't star in it, so I won't deny I'd love to see what Turner could do with the character of Jean Grey. Hailee Steinfeld has a similar background to Ronan, so I would not mind her winning the part either. I'm glad it didn't go to Moretz though; I like her work, but I'd hate to see her get typecasted as 'that comic book girl'. She's got Hit-Girl, let it end there. As for the guys and girls up for Cyclops and Storm, for the most part I can only say 'who the heck are all these people?'. I only know Tye Sheridan from Mud, in which he performed quite well. Here too, there's a sympathy vote working its magic, as Taron Egerton currently has buzz because of Kingsman. The fact it was directed by Matthew Vaughn who, as the director of X-Men: First Class, could pull some serious strings also adds in his favour. But then too he'd end up with a comic book stigma, even though X-Men and Kingsmen at least are wildly different, far more diverse in nature than Kick-Ass and X-Men. There's just so many elements to consider here. Since I have zero influence in the whole casting process anyway, I'm just going to let this one roll on and I'll bitch and whine about the final choice when actually one has been made. Still, I can't help it: Go Sansa!

http://www.moviescene.nl/p/158585/pilot_voor_minority_report_serie_in_de_maak

Another good movie gets a follow-up for television. There's a lot of that happening these days, and not all of the titles involved are justified for the small screen treatment. I would say Minority Report is among those. Sure, there's story a few possibilities remaining after the events of the movie. However, the issue is that it follows the movie directly and thus might spoil its deliciously undefined ending. The last half hour of the film can be interpreted in two very different ways, and I'd hate to see the series ruining the movie by picking the less ingenious of the pair. And even if the series opts to ignore the matter entirely and leaves us in the dark as we should be, I still feel no particular need of watching a follow-up to a by then 15-year old flick. Even if it doesn't tread the same paths as its predecessor. Though it at least beats the prospect of a full-on remake, like 12 Monkeys is currently undergoing.