Jeune
& Jolie: ***/*****, or 6/10
François
Ozon paints a titillating but rather illogical coming-of-age portrait
of the seventeen year old Isabelle (Marine Vacth) who explores her
sexuality over the course of a year, told in four episodes over the
four seasons. In summer we witness the nubile French girl's
defloration by a German boy whilst on vacation with her parents. It's
not a very fulfilling first time to say the least, as the young man
humps her in a rather unflattering way (though alcohol is partially
to blame). In the next season Isabelle chooses a secret life of
prostitution, the suggested notion being to seek out other sexual
options with men of various ages and preferences to really find out
what she likes and desires herself. The exact reason for opting for
such a drastic measure to discover her own sexual nature Ozon
regrettably leaves in the dark, a rather cowardly move on his part as
a writer, since it requires quite a leap of faith to take this
decision for granted, one most spectators will have difficulty with.
Vacth (actual age 23) nevertheless exhibits a brave performance in
her role as hooker, as she is seen nude throughout the film on a
regular basis throughout many a steaming sex scene, some exerting a
genuine sense of tenderness and even playfulness, but others falling
into a category of either unpleasant to watch to the point of
debasing, or just awkward redundancy as we fully understood she was a
prostitute at that point in the story. Despite all the intercourse
she partakes in, the only real connection Isabelle experiences is
with an old man who actually seems to care about her as a person too,
instead of simply as a body for hire. Unfortunately she proves too
much for his weak heart which expires as they have sex one time too
many, after which Isabelle's hidden profession comes to light to the
police, and ultimately her parents. Over the next two seasons, the
girl must cope with her double life, her mother even more so, and
come to terms with the reason why she chose such a dangerous and
desperate path for her self-exploration. A clear answer is sadly
never provided, so we are led to believe that any girl whose first
time isn't pretty could easily go down the same route. Isabelle,
however, must also deal with the death of a man, especially when she
meets his widow (Charlotte Rampling) in spring, who seeks answers of
her own regarding his demise. An overly mutually understanding
confrontation follows, which further adds to the plot's credibility
being stretched further than it ought to be. With Jeune &
Jolie Ozon doesn't penetrate the realm of female sexuality for
the first time (e.g. Swimming Pool for example), but he does
so in his least convincing film to date. Nevertheless, thanks to
strong performances by the cast overall and Vacth in particular, as
well as genuinely compelling emotions being stirred in the various
revelations (not answers, mind you) of the details of Isabelle's
life, Jeune & Jolie is still a far cry from the mindless
sensational soft-erotic drivel it would otherwise have become.
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