Rating:
***/*****, or 5/10
George
Pal, the renowned producer behind such Fifties' Sci-Fi
classics/special effects extravaganzas like When Worlds Collide
(1951) and The War of the Worlds (1953) once again teams up
with the director of the latter, Byron Haskin, in an effort to
combine expensive FX with scientifically correct (or as much as can
be) space travel, which worked so well for him on Destination Moon
(1950). Working with a plot based on a novel by famous science
fiction artist Chesley Bonestell, Pal tells the story of man's first
deep space mission to Mars, setting off from a giant wheel shaped
space station (a motif often repeated in the genre) in an odd looking
rocket ship adorned with completely superfluous wings (a less often
featured staple of the genre, thankfully). However, Pal soon trades
in intriguingly feasible science for a philosophical debate on
whether or not mankind should venture into space at all, sadly driven
by religious reasoning as space is seen as God's backyard, or so the
ever more insane mission leader claims as he endangers the daring
move into the great black, as well as the lives of him and his men.
Sadly the special effects feel quite lacking for most of the film,
unlike in Pal's past Sci-Fi glory which won him three Academy Awards
in a row. The result is a somewhat chaotic obscurity of a science
fiction flick that had great aspirations but unfortunately failed to
fully develop them into a 'Pal worthy' film. Still worth a watch for
science fiction aficionados.
Starring:
Walter Brooke, Eric Fleming, Mickey Shaughnessy
Directed
by Byron Haskin
USA:
Paramount Pictures, 1955
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