Rating:
***/*****, or 7/10
Screwed
up post-apocalyptic thriller like only the seventies can provide, based on the novella by Harlan Ellison.
After a devastating nuclear war, the planet scape has been reduced to
a desolate wasteland where scavenging marauders roam the plains
living off the scraps on the past. The young Vic searches the dusty
wastes for anything that can help him survive another day
(particularly food and sex), accompanied only by his loyal telepathic
(!) dog Blood. One day Vic meets Quilla June, a young girl sent to
the surface by a secret underground community of survivors. She hooks
up with Vic and lures him down to her home so he can provide seed to
father a new generation of underground dwellers. This is not done via
regular good old-fashioned sex as Vic had hoped, but through
electroejaculation which will cause him an agonizing death. Warning!
Spoilers! With Blood's help, Vic manages to escape this
nightmare with Quilla, who he has developed romantic interests for,
but Blood is injured in the process and will need a few weeks rest
and food, something Vic can only provide by “sacrificing his love”
for Quilla in the most disturbing meaning of the term possible, since 'a boy just loves his dog'. Often
accused of blatant misogyny for portraying women as sex objects (and
food...) at the mercy of cruel horny men, but I'd say the portrayal
of men in this film is far from laudable and so over the top it's
hard to take seriously. Shot on a very low budget, the look of this
film, with its display of deserted stretches of land filled with
rusty cars and random junk inhabited by primitive brigands fighting
over what little food and shelter is left, inspired many a
post-apocalyptic flick that followed, including the Mad Max
movies. However, it remains a little known film outside the realm of
die-hard science fiction lovers.
Starring:
Don Johnson, Susanne Benton, Jason Robards
Directed
by L. Q. Jones
USA:
LQ/JAF, 1975
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